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אֲדוֹן עוֹלָם (אשכנז) | 世界的主 | Adon Olam (Shìjiè de zhǔ) — Chinese translation by Richard Collis (2022)  Contributor(s): Tags:This Chinese translation of an Ashkenazi nusaḥ for the piyyut “Adon Olam,” is found on page 73 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . . הַמַּבְדִּיל בֵּין קֹדֶשׁ לְחֹל | Hamavdil Ben Ḳodesh l’Ḥol, a piyyut attributed to Yitsḥaq ben Yehudah ibn Ghayyat (German translation by Franz Rosenzweig 1921) Contributor(s): Categories: Tags:The text of the piyyut, “HaMavdil,” with a German translation by Franz Rosenzweig. . . . הַמַּבְדִּיל בֵּין קֹדֶשׁ לְחֹל | Hamavdil Ben Ḳodesh l’Ḥol, a piyyut attributed to Yitsḥaq ben Yehudah ibn Ghayyat (rhymed translation by Alice Lucas, 1898) Contributor(s): Categories: Tags:A rhymed translation of the piyyut sung following the Havdallah ritual. . . . כָּל־בְּרוּאֵי | Kol B’ru-ei, a piyyut by Shlomo ibn Gabirol (trans. Rabbi David Aaron de Sola, 1857) Contributor(s): Categories: Tags:A piyyut by Shlomo ibn Gabirol included in the arrangement of Baqashot before the morning service in the liturgical custom of Sefaradim translated by Rabbi David Aaron de Sola. . . . לְמַעַנְךָ וְלֹא לָנוּ | l’Maankha v’lo lanu (For your sake, not for ours), a piyyut by an unknown paytan (trans. Rabbi David Aaron de Sola, 1857) Contributor(s): Categories: Tags:This translation by Rabbi David de Aaron de Sola of “Lema’ankha v’lo lanu” by an unknown paytan was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . אָב הָרַחֲמִים שׁוֹכֵן מְרוֹמִים | Av haRaḥamim Shokhein Meromim, a prayer for the martyred during the First Crusade & Rhineland massacres Contributor(s): Categories: Tags:A prayer for those martyred in the First Crusade and Rhineland Massacres, and by extension, all subsequent pogroms up until and including the Holocaust. . . .  Contributor(s): Categories: Tags:The traditional Ashkenazi qerovot added to the Musaf repetition for Shabbat Sheqalim, alongside a new gender-neutral translation . . . Contributor(s): Tags:The piyyut, Adon Olam, in its expanded fifteen line variation, in Hebrew with English translation. . . . Contributor(s): Tags:Rabbi Zalman Schachter-Shalomi’s interpretive “praying translation” of the piyyut, Adon Olam. . . . Contributor(s): Tags:The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . .  Contributor(s): Tags:This is Rabbi Dr. David Prato’s Italian translation of Adon Olam from his bilingual Hebrew-Italian everyday siddur, Tefilah l’David: Preghiere di Rito Italiano (1949), p. 272-275. . . . Contributor(s): Tags:The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . . אֲדוֹן עוֹלָם (מנהג הספרדים) | Adōn Olam (Portuguese translation by Artur Carlos de Barros Basto, 1939) Contributor(s): Tags:This is Artur Carlos de Barros Bastos’s Portuguese translation of Adon Olam from his prayer-pamphlet, Oração Matinal de Shabbath (1939), p. 52-53. I have set the translation side-by-side with the Hebrew text from which it was derived. . . . Contributor(s): Tags:A rhyming translation in English to the popular piyyut, Adon Olam. . . .  Contributor(s): Tags:Rabbi Dr. Mojżesz Schorr’s translation of Adon Olam in Polish was first printed on pages 8-9 of Modlitewnik na wszystkie dni w roku oraz modlitwę za Rzeczpospolitą ułożoną przez prof. Schorra (1936). . . .  Contributor(s): Tags:Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Jessie Ethel Sampter was transcribed from Joseph Friedlander and George Alexander Kohut’s The standard book of Jewish verse (1917), p. 394. . . .  Contributor(s): Tags:Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Israel Zangwill was transcribed from the Jewish Quarterly Review vol. 13 (January 1901), p. 321. . . . Contributor(s): Tags:The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . . אֲדוֹן עוֹלָם (מנהג הספרדים במזרח) | Adōn Olam (Ladino translation from the Sidur Tefilat Kol Pe, 1891) Contributor(s): Tags:The Seder Tefilat Kol Peh was printed in 1891 in Vienna, and features a full Ladino translation of the entire siddur. The Ladino translation here is found on the left side of pagespread №145. Along with a full transcription of the Ladino text, Isaac Gantwerk Mayer has also prepared a full romanization of the Ladino. . . .  Contributor(s): Tags:This is Yosef Naḥmuli’s Greek translation of Adon Olam from his bilingual Hebrew-Greek everyday siddur, Καθημεριναι Προσευχαι (Corfu 1885), p. 6-9. . . .  Contributor(s): Tags:Rabbi Dr. Moses Gaster’s translation of Adon Olam in Romaninan was first printed on pages 3-4 of Siddur Tefilat Yisrael: Carte de Rugăcĭunĭ Pentru Israeliţĭ (1883), his daily Siddur. . . . אֲדוֹן עוֹלָם | Adōn Olam, translated by Rabbi Marcus Jastrow after the abridged arrangement of Rabbi Benjamin Szold (1873) Contributor(s): Tags:An English translation of an abridged arrangement of the piyyut, Adon Olam. . . .  Contributor(s): Tags:Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by Jacob Waley was transcribed from the prayerbook of his daughter Julia M. Cohen’s The Children’s Psalm-Book (1907), pp. 298-299. . . . Contributor(s): Tags:The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . . Contributor(s): Tags:The German translation of “Adon Olam” appearing here is as found in Rabbi David Einhorn’s עלת תמיד Gebetbuch für Israelitische Reform-Gemeinden (1858), pp. 1-2. The English translation here, by Joshua Giorgio-Rubin, translating Rabbi David Einhorn, is as found in Rubin’s Olat Hadashah: A Modern Adaptation of David Einhorn’s Olat Tamid for Shabbat Evening (2020), p. 14. . . . Contributor(s): Tags:A rhyming English translation of Adon Olam by Rosa Emma Salaman. . . .  Contributor(s): Tags:Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by George Borrow was shared in his tales in The Bible in Spain (1843), p. 222. (The text in the 1913 edition on page 546 is a bit easier to read.) . . .  Contributor(s): Tags:Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by David de Aaron de Sola was transcribed from his prayerbook Seder haTefilot vol. 1 (1836), p. 122. . . .  Contributor(s): Tags:This is Isaac Pinto’s English translation of Adon Olam from Prayers for Shabbath, Rosh-Hashanah, and [Yom] Kippur (1766), p. 29. The translation there appears without the Hebrew. The Hebrew text of the piyyut set side-by-side with the translation was transcribed from Rabbi David de Sola Pool’s Tefilot l’Rosh haShanah (1937). . . .  Contributor(s): Tags:Ḥakham Ishak Nieto’s translation of Adon Olam was first printed on page 197 of Orden de las Oraciones de Ros-ashanah y Kipur (1740), his maḥzor in Spanish translation for Rosh haShanah and Yom Kippur. The Hebrew text of the piyyut set side-by-side with the translation was transcribed from Rabbi David de Sola Pool’s Tefilot l’Rosh haShanah (1937). . . . 💬 התפילות של מרדכי ואסתר | the Prayers of Mordekhai and Esther, from Divrei haYamim l’Yeraḥmiel (ca. 11-12th c.) Contributor(s): Categories:The dream and prayer of Mordecai, and the prayer of Esther, as copied in the medieval pseudo-historical Chronicle of Yeraḥmiel. . . . בִּמְתֵי מִסְפָּר | BiM’tei Mispar, a seliḥah for Taanit Esther by Meshullam ben Ḳalonymus (11th c.) Contributor(s): Categories: Tags:A reverse alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . אָדָם בְּקוּם עָלֵֽינוּ | Adam B’qum ‘Alenu, a seliḥah for Taanit Esther by Menaḥem ben Makhir (ca. 11th c.) Contributor(s): Categories: Tags:An alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . שַׁחַר אֲבַקֶּשְׁךָ | Shaḥar Avaqeshkha (At dawn I seek you), a reshut by Shlomo ibn Gabirol (ca. 11th c.) translated by Nina Salaman (1901) Contributor(s): Categories: Tags:The reshut for praying at dawn, in Hebrew with English translation. . . . אֶזְכְּרָה מָצוֹק | Ezkerah Matsōk (“I remember the distress”), a seliḥah for the Fast of Tevet attributed to Joseph ben Samuel Bonfils (11th c.) Contributor(s): Categories:“Ezkera Matsok” (I remember the distress) is a seliḥah in alphabetic acrostic recited on the Fast of Tevet in the Ashkenazi nusaḥ minhag Polin. . . . אודך כי אנפת בי | Odekha Ki Anafta Bi, a Yotser (Hymn) for Ḥanukkah by Yosef bar Shlomo of Carcassone (ca. 11th cent.) Contributor(s): Categories: Tags:“Odecha ki anafta bi (I give thanks to you although you were angry with me) was composed by Joseph ben Solomon of Carcassonne, who is dated to the first half of the eleventh century. This elegant and abstruse poem tells an epic tale of the Jews’ resistance to the decrees of Antiochus IV and includes accounts of both the Hasmonean bride and Judith. It bears a considerable resemblance to texts 4 and 12 of the Hanukkah midrashim[ref]See Grintz, Sefer Yehudit, pp. 205, 207–08[/ref] and this is evidence for the circulation of the joint Hasmonean daughter-Judith tales in the eleventh century, even if the surviving manuscripts of these stories are from a later date.” (Deborah Levine Gera, “The Jewish Textual Traditions” in The Sword of Judith: Judith Studies Across the Disciplines (2010).) . . . מימיני מיכאל | “Mikhael is on my right,” an apotropaic invocation of angelic protection in the Bedtime Shema from the Maḥzor Vitry (ca. 11th c.) Contributor(s): Tags:An “angels on all sides” formula included with the Bedtime Shema service in the Maḥzor Vitry. . . . שַׁחַר אֲבַקֶּשְׁךָ | Shaḥar Avaqeshkha (At dawn I seek you), a reshut by Shlomo ibn Gabirol (ca. 11th c.) translated by Rabbi David Aaron de Sola (1857) Contributor(s): Categories: Tags:The reshut for praying at dawn, in Hebrew with English translation. . . . בַּחֹֽדֶשׁ הָֽרְבִיעִי | baḤodesh haRevi’i (In the fourth month), a ḳinah for the 17th of Tamuz attributed to Solomon ibn Gabirol (ca. 11th c.) Contributor(s): Categories:The seliḥah with its English translation as found in Siddur Siftei Tsadiqim (The Form of Prayers) vol. 6: Seder haTefilot laTaaniyot (ed. Isaac Leeser 1838) p.107-109. . . . Contributor(s): Categories: Tags:A piyyut by Shlomo ibn Gabirol included in the arrangement of Baqashot before the morning service in the liturgical custom of Sefaradim. . . . שַׁחַר אֲבַקֶּשְׁךָ | Shaḥar Avaqeshkha (At dawn I seek you), a reshut by Shlomo ibn Gabirol (ca. 11th c.) translated by Sara Lapidot Contributor(s): Categories: Tags:The reshut for praying at dawn, in Hebrew with English translation. . . . הַמַּבְדִּיל בֵּין קֹדֶשׁ לְחֹל | Hamavdil Bein Ḳodesh l’Ḥol (abridged), a piyyut attributed to Yitsḥak ben Yehudah Ibn Ghayyāth HaLevi (ca. 11th c.) Contributor(s): Categories: Tags:The short form of the piyyut for motsei shabbat, with English translation. . . .  Contributor(s): Categories: Tags:A piyyut presenting a dialogue between a couple and Hashem. . . . סליחה מר׳ יצחק אבן גיאת | Seliḥah by Yitsḥaq ben Yehudah Ibn Ghayyat (ca. 11th century) translated by Reb Zalman Schachter-Shalomi z”l Contributor(s): Categories: Tags:The following love poem is one of the Selihot recited between Rosh Hashanah and Yom Kippur. Ibn Gayat (1038 – 1089) was not timid about using the most intimate symbols in asking God to become reconciled with us. . . . לְשׁוֹנִי כּוֹנַנְתָּ | Leshoni Konanta (My tongue you have fashioned), a reshut attributed to Shlomo ibn Gabirol (ca. 11th c.) translated by Sara Lapidot Contributor(s): Tags:The reshut for the prayer for rain and dew on Shemini Atseret and Pesaḥ, in Hebrew with English translation. . . .  Contributor(s): Categories: Tags:Ḳerovot for Tu biShvat, a celebration of Divine verdancy, which namedrops a stunning array of flora from throughout the land of Israel. . . . אִזֵל מֹשֶׁה | Izel Mosheh (Arise, Moses) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ Contributor(s): Categories: Tags:This piyyut, Izel Moshe (Arise, Moses), the fifth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the second verse of the song proper, as an elaboration on God’s strength. The English translation preserves the Hebrew acrostic of the original. . . . אֱלָהָא תַּקִּיפָא רַבָּא וְגִבָּרָא | Elaha Taqifa (Mighty God) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Yequtiel ben Yosef Contributor(s): Categories: Tags:This piyyut, Elaha Taqifa (Mighty God), the third in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the concluding verse of the second aliyah (third on Shabbat). The translation preserves the alphabetical acrostic, as well as the authorial tag — Jequtiel son of Joseph. . . . אֱלָהָא עָלַם | Elaha Alam (Ageless God) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.) Contributor(s): Categories: Tags:This piyyut, Elaha Alam (Ageless God), the fourth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the Song of the Sea proper as an introduction to the targum of the text. . . . אֲבוּנָן דְּבִשְׁמַיָּא וּבָרְיַן | Abunan D’biShmaya (Our Parent in Heaven) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.) Contributor(s): Categories: Tags:This piyyut, Abunan D’biShmaya (Our Parent in Heaven), the second in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the fifth verse of the first aliyah (or second verse of the second aliyah on Shabbat). . . . אִילּוּ פּוּמֵּי נִימֵי | Ilu Pume Nima (If Our Mouths Were Thread) — an introductory a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.) Contributor(s): Categories: Tags:This piyyut, Ilu Pume Nima (If Our Mouths Were Thread), the first in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the first aliyah, as an introduction or ‘reshut’ to the seder meturgeman as a whole. . . . אַקְדָמוּת מִילִין | Aḳdamut Milin, a preface to the Targum for the Shavuot Torah Reading, attributed to Meir ben Isaac Nehorai of Orléans (ca. 11th c.) Contributor(s): Categories: Tags:An Aramaic piyyut composed as an introduction to the reading of the Targum for the Torah reading on Shavuot. . . . יוֹם שַׁבָּתוֹן | Yom Shabbaton, a Shabbat song by Yehudah haLevi (interpretive translation by Rabbi Zalman Schachter-Shalomi) Contributor(s): Categories:An interpretive translation of Yehudah haLevi’s shabbat song, “Yom Shabbaton.” . . . מִי כָמֽוֹךָ וְאֵין כָּמֽוֹךָ | Mi Khamokha v’Ein Kamokha, a retelling of Megillat Esther in a piyyut for Shabbat Zakhor by Yehudah ben Shmuel haLevi (ca. 11th c.) Contributor(s): Categories: Tags:The poem Mi Khamokha v-Ein Khamokha, an epic retelling of the book of Esther in verse, was written for Shabbat Zakhor, the Shabbat before Purim, by the great paytan Yehuda ben Shmuel haLevi. It was originally written as a “geulah,” meant to be inserted into the prayer after the Shema in place of the verse beginning with “A new song…” But later Sephardic poskim ruled that it was forbidden to insert piyyutim into the Shema blessings, so in the communities that recite it today it is generally either read after the Full Kaddish as an introduction to the Torah service, or (for instance, in most Spanish and Portuguese communities) within the verse “Kol atzmotai tomarna” in the Nishmat prayer. Wherever you include it in your service, it’s a beautiful and intricately rhymed piyyut, and surprisingly easy to understand at that. It is presented here in a gender-neutral translation with all the Biblical verses cited, alongside a new translation that preserves the fourfold acrostic, two alphabetical and two authorial. –Isaac Gantwerk Mayer . . . קרובות לתענית אסתר | Ḳerovot for Taanit Esther by Yosef ibn Abitur (ca. 10th c.) with other seliḥot arranged by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:The poetic genre known as qerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar haḲalir’s Purim “Ḳrovetz“, a majestically interwoven piece of piyyut if ever there was one. But there are many other ḳerovot that have historically been recited, many of which were discovered in the Cairo Geniza. This set of ḳerovot, composed by the prolific Spanish paytan Yosef ibn Abitur, is meant to be included within the Shaḥarit amidah for Ta’anit Esther, the fast day before Purim. Consequently, it only goes up to the sixth blessing (the blessing for forgiveness) and concludes by leading directly into Seliḥot, which (before R. Yosef Karo’s standardization of the liturgy, and even now among some Western Ashkenazim) were inserted into the aforementioned blessing. In order to demonstrate this structure on a large scale, the editor here has compiled a full Shaḥarit repetition, nusaḥ Ashkenaz, incorporating the qerovot of Yosef ibn Abitur as well as the three seliḥot piyyutim of the Ashkenazi rite. . . . |
