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11th century C.E. —⟶ tag: 11th century C.E. Sorted Chronologically (old to new). Sort most recent first? A piyyut by Shlomo ibn Gabirol included in the arrangement of Baqashot before the morning service in the liturgical custom of Sefaradim. . . . Categories: Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, בקשות Baqashot, כל ברואי kol beruei, ספר יצירה Sefer Yetsirah Contributor(s): A piyyut presenting a dialogue between a couple and Hashem. . . . Categories: Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, eros, פיוטים piyyuṭim, שיר נשירים shir hashirim, זמירות zemirot Contributor(s): The seliḥah with its English translation as found in Siddur Siftei Tsadiqim (The Form of Prayers) vol. 6: Seder haTefilot laTaaniyot (ed. Isaac Leeser 1838) p.107-109. . . . The reshut for the prayer for rain and dew on Shemini Atseret and Pesaḥ, in Hebrew with English translation. . . . Categories: Tags: 11th century C.E., 49th century A.M., Needing Source Images, פיוטים piyyuṭim, Prayers for Precipitation, רשות reshut Contributor(s): The reshut for praying at dawn, in Hebrew with English translation. . . . An “angels on all sides” formula included with the Bedtime Shema service in the Maḥzor Vitry. . . . Categories: Tags: 11th century C.E., 49th century A.M., Angelic Protection, Angels, Angels of Healing, apotropaic prayers of protection, Before Sleep, danger, night, שכינה Shekhinah, sleep Contributor(s): This is a variation of the qinah for Tishah b’Av, “Shomron Qol Titein” in its Ashkenazi nusaḥ. Isaac Gantwerk Mayer first shared this translation via his Facebook page on Tishah b’Av, 2022. . . . “Odekha ki anafta bi (I give thanks to you although you were angry with me) was composed by Joseph ben Solomon of Carcassonne, who is dated to the first half of the eleventh century. This elegant and abstruse poem tells an epic tale of the Jews’ resistance to the decrees of Antiochus IV and includes accounts of both the Hasmonean bride and Judith. It bears a considerable resemblance to texts 4 and 12 of the Hanukkah midrashim (find Grintz, Sefer Yehudit, pp. 205, 207–08) and this is evidence for the circulation of the joint Hasmonean daughter-Judith tales in the eleventh century, even if the surviving manuscripts of these stories are from a later date.” (Deborah Levine Gera, “The Jewish Textual Traditions” in The Sword of Judith: Judith Studies Across the Disciplines (2010).) . . . “Ezkera Matsok” (I remember the distress) is a seliḥah in alphabetic acrostic recited on the Fast of Tevet in the Ashkenazi nusaḥ minhag Polin. . . . The maaravot-cycle of piyyutim for the first night of Shavuot, by Joseph ben Samuel Bonfils. In normative maaravot fashion, it is one extended cycle with an overarching structure (the first words of each of the Ten Commandments) throughout the whole of the kriat shema, with additional piyyutim incorporated into the first blessing after the shema. . . . The reshut for praying at dawn, in Hebrew with English translation. . . . An alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . בִּמְתֵי מִסְפָּר | BiM’tei Mispar, a seliḥah for Taanit Esther by Meshullam ben Ḳalonymus (11th c.)A reverse alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . A piyyut by Shlomo ibn Gabirol included in the arrangement of Baqashot before the morning service in the liturgical custom of Sefaradim translated by Rabbi David Aaron de Sola. . . . Shnei Zeitim, by Shlomo ibn Gabirol, was once the most beloved song for Ḥanukkah. Though in recent years it has largely been replaced in popular consciousness by Maoz Tsur, in rites which preserve the customs of piyyut recitation within the Shema service it is still a beloved part of the holiday. The piyyut, a meorah — intended to introduce the ḥatimah for the Ahavah Rabbah blessing before the Shema, is included here with an original translation. Interestingly enough, Shnei Zeitim has an anti-Hasmonean focus, with emphasis on the importance of separation of powers between priest and king. For further discusson of this aspect, I’d recommend Yitzhak Szyf’s article on The Lehrhaus. . . . Categories: Tags: Contributor(s): Ḥakham Ishak Nieto’s translation of Adon Olam was first printed on page 197 of Orden de las Oraciones de Ros-ashanah y Kipur (1740), his maḥzor in Spanish translation for Rosh haShanah and Yom Kippur. The Hebrew text of the piyyut set side-by-side with the translation was transcribed from Rabbi David de Sola Pool’s Tefilot l’Rosh haShanah (1937). . . . The dream and prayer of Mordecai, and the prayer of Esther, as copied in the medieval pseudo-historical Chronicle of Yeraḥmiel. . . . Categories: Tags: 11th century C.E., 49th century A.M., dragons, dreams, Needing Vocalization, parabiblical aggadah, prophetic dreams Contributor(s): This is Isaac Pinto’s English translation of Adon Olam from Prayers for Shabbath, Rosh-Hashanah, and [Yom] Kippur (1766), p. 29. The translation there appears without the Hebrew. The Hebrew text of the piyyut set side-by-side with the translation was transcribed from Rabbi David de Sola Pool’s Tefilot l’Rosh haShanah (1937). . . . Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by David de Aaron de Sola was transcribed from his prayerbook Seder haTefilot vol. 1 (1836), p. 122. . . . Categories: Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, Nusaḥ Sefaradi, פיוטים piyyuṭim, rhyming translation Contributor(s): Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by George Borrow was shared in his tales in The Bible in Spain (1843), p. 222. (The text in the 1913 edition on page 546 is a bit easier to read.) . . . Categories: Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, פיוטים piyyuṭim, rhyming translation Contributor(s): | ||
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