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tag: 49th century A.M. Sorted Chronologically (old to new). Sort most recent first? ברייתא דרבי ישמעאל | The Baraita of Rebbi Yishma’el: thirteen principles of halakhic exegesis (translated by Rabbi Ben-Zion Bokser)The thirteen exegetical rules by which halakhot from the Torah may be derived, according to Rebbi Yishmael, included with the preliminary prayers before the Psukei d’Zimrah/Zemirot of Shaḥarit. . . . מִי כָמֽוֹךָ וְאֵין כָּמֽוֹךָ | Mi Khamokha v’Ein Kamokha, a retelling of Megillat Esther in a piyyut for Shabbat Zakhor by Yehudah ben Shmuel haLevi (ca. 11th c.)The poem Mi Khamokha v-Ein Khamokha, an epic retelling of the book of Esther in verse, was written for Shabbat Zakhor, the Shabbat before Purim, by the great paytan Yehuda ben Shmuel haLevi. It was originally written as a “geulah,” meant to be inserted into the prayer after the Shema in place of the verse beginning with “A new song…” But later Sephardic poskim ruled that it was forbidden to insert piyyutim into the Shema blessings, so in the communities that recite it today it is generally either read after the Full Kaddish as an introduction to the Torah service, or (for instance, in most Spanish and Portuguese communities) within the verse “Kol atzmotai tomarna” in the Nishmat prayer. Wherever you include it in your service, it’s a beautiful and intricately rhymed piyyut, and surprisingly easy to understand at that. It is presented here in a gender-neutral translation with all the Biblical verses cited, alongside a new translation that preserves the fourfold acrostic, two alphabetical and two authorial. –Isaac Gantwerk Mayer . . . Categories: Purim יוֹם שַׁבָּתוֹן | Yom Shabbaton, a Shabbat song by Yehudah haLevi (interpretive translation by Rabbi Zalman Schachter-Shalomi)An interpretive translation of Yehudah haLevi’s shabbat song, “Yom Shabbaton.” . . . Categories: Se'udat Yom Shabbat אַקְדָמוּת מִילִין | Aḳdamut Milin, a preface to the Targum for the Shavuot Torah Reading, attributed to Meir ben Isaac Nehorai of Orléans (ca. 11th c.)An Aramaic piyyut composed as an introduction to the reading of the Targum for the Torah reading on Shavuot. . . . Categories: Shavuot Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, אקדמות Aqdamut, Aramaic, בהמות behemot, פיוטים piyyutim, תרגום targum Contributor(s): Cantor Hinda Labovitz, Meir ben Isaac Nehorai of Orléans and Aharon N. Varady (transcription) אַקְדָמּוּת מִלִּין | The Aḳdamut, a piyyut for introducing the Decalogue by Meir ben Yitsḥaq Nehorai of Orléans (acrostic translation by Isaac Gantwerk Mayer)The piyyut read as an introduction to the Decalogue during the Torah reading on Shavuot. . . . Categories: Shavuot The traditional Ashkenazi qerovot added to the Musaf repetition for Shabbat Sheqalim, alongside a new gender-neutral translation . . . Categories: Musaf l'Shabbat קרובות לתענית אסתר | Ḳerovot for Taanit Esther by Yosef ibn Abitur (ca. 10th c.) with other seliḥot arranged by Isaac Gantwerk MayerThe poetic genre known as qerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar haḲalir’s Purim “Ḳrovetz“, a majestically interwoven piece of piyyut if ever there was one. But there are many other ḳerovot that have historically been recited, many of which were discovered in the Cairo Geniza. This set of ḳerovot, composed by the prolific Spanish paytan Yosef ibn Abitur, is meant to be included within the Shaḥarit amidah for Ta’anit Esther, the fast day before Purim. Consequently, it only goes up to the sixth blessing (the blessing for forgiveness) and concludes by leading directly into Seliḥot, which (before R. Yosef Karo’s standardization of the liturgy, and even now among some Western Ashkenazim) were inserted into the aforementioned blessing. In order to demonstrate this structure on a large scale, the editor here has compiled a full Shaḥarit repetition, nusaḥ Ashkenaz, incorporating the qerovot of Yosef ibn Abitur as well as the three seliḥot piyyutim of the Ashkenazi rite. . . . Categories: Ta'anit Esther אָב הָרַחֲמִים שׁוֹכֵן מְרוֹמִים | Av haRaḥamim Shokhein Meromim, a prayer for the martyred during the First Crusade & Rhineland massacresA prayer for those martyred in the First Crusade and Rhineland Massacres, and by extension, all subsequent pogroms up until and including the Holocaust. . . . אִילּוּ פּוּמֵּי נִימֵי | Ilu Pume Nima (If Our Mouths Were Thread) — an introductory a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)This piyyut, Ilu Pume Nima (If Our Mouths Were Thread), the first in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the first aliyah, as an introduction or ‘reshut’ to the seder meturgeman as a whole. . . . Categories: 7th Day of Pesaḥ אֲבוּנָן דְּבִשְׁמַיָּא וּבָרְיַן | Abunan D’biShmaya (Our Parent in Heaven) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)This piyyut, Abunan D’biShmaya (Our Parent in Heaven), the second in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the fifth verse of the first aliyah (or second verse of the second aliyah on Shabbat). . . . Categories: 7th Day of Pesaḥ אֱלָהָא עָלַם | Elaha Alam (Ageless God) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Meir ben Isaac Nehorai of Orléans (ca. 11th c.)This piyyut, Elaha Alam (Ageless God), the fourth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the Song of the Sea proper as an introduction to the targum of the text. . . . Categories: 7th Day of Pesaḥ אֱלָהָא תַּקִּיפָא רַבָּא וְגִבָּרָא | Elaha Taqifa (Mighty God) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ by Yequtiel ben YosefThis piyyut, Elaha Taqifa (Mighty God), the third in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the concluding verse of the second aliyah (third on Shabbat). The translation preserves the alphabetical acrostic, as well as the authorial tag — Jequtiel son of Joseph. . . . Categories: 7th Day of Pesaḥ אִזֵל מֹשֶׁה | Izel Mosheh (Arise, Moses) — a piyyut for the Seder Meturgeman of the 7th Day of PesaḥThis piyyut, Izel Moshe (Arise, Moses), the fifth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the second verse of the song proper, as an elaboration on God’s strength. The English translation preserves the Hebrew acrostic of the original. . . . Categories: 7th Day of Pesaḥ Ḳerovot for Tu biShvat, a celebration of Divine verdancy, which namedrops a stunning array of flora from throughout the land of Israel. . . . Categories: Rosh haShanah la-Ilanot (Tu biShvat) לְשׁוֹנִי כּוֹנַנְתָּ | Leshoni Konanta (My tongue you have fashioned), a reshut attributed to Shlomo ibn Gabirol (ca. 11th c.) translated by Sara LapidotThe reshut for the prayer for rain and dew on Shemini Atseret and Pesaḥ, in Hebrew with English translation. . . . הַמַּבְדִּיל בֵּין קֹדֶשׁ לְחֹל | Hamavdil Bein Ḳodesh l’Ḥol (abridged), a piyyut attributed to Yitsḥak ben Yehudah Ibn Ghayyāth HaLevi (ca. 11th c.)The short form of the piyyut for motsei shabbat, with English translation. . . . Categories: Motsei Shabbat הַמַּבְדִּיל בֵּין קֹדֶשׁ לְחֹל | Hamavdil Ben Ḳodesh l’Ḥol, a piyyut attributed to Yitsḥaq ben Yehudah ibn Ghayyat (rhymed translation by Alice Lucas, 1898)A rhymed translation of the piyyut sung following the Havdallah ritual. . . . הַמַּבְדִּיל בֵּין קֹדֶשׁ לְחֹל | Hamavdil Ben Ḳodesh l’Ḥol, a piyyut attributed to Yitsḥaq ben Yehudah ibn Ghayyat (German translation by Franz Rosenzweig 1921)The text of the piyyut, “HaMavdil,” with a German translation by Franz Rosenzweig. . . . סליחה מר׳ יצחק אבן גיאת | Seliḥah by Yitsḥaq ben Yehudah Ibn Ghayyat (ca. 11th century) translated by Rabbi Zalman Schachter-ShalomiThe following love poem is one of the Selihot recited between Rosh Hashanah and Yom Kippur. Ibn Gayat (1038 – 1089) was not timid about using the most intimate symbols in asking God to become reconciled with us. . . . Categories: Yom Kippur שַׁחַר אֲבַקֶּשְׁךָ | Shaḥar Avaqeshkha (At dawn I seek you), a reshut by Shlomo ibn Gabirol (ca. 11th c.) translated by Sara LapidotThe reshut for praying at dawn, in Hebrew with English translation. . . . Categories: Morning Baqashot לְמַעַנְךָ וְלֹא לָנוּ | l’Maankha v’lo lanu (For your sake, not for ours), a piyyut by an unknown paytan (trans. Rabbi David Aaron de Sola, 1857)This translation by Rabbi David de Aaron de Sola of “Lema’ankha v’lo lanu” by an unknown paytan was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Categories: Morning Baqashot Tags: 11th century C.E., 49th century A.M., בקשות Baqashot, ירושלם Jerusalem, למענך l'maankha, געולה ge'ulah (redemption) Contributor(s): David de Aaron de Sola (translation), Unknown Author(s) and Aharon N. Varady (transcription) A piyyut by Shlomo ibn Gabirol included in the arrangement of Baqashot before the morning service in the liturgical custom of Sefaradim. . . . Categories: Morning Baqashot A piyyut presenting a dialogue between a couple and Hashem. . . . בַּחֹֽדֶשׁ הָֽרְבִיעִי | baḤodesh haRevi’i (In the fourth month), a ḳinah for the 17th of Tamuz attributed to Solomon ibn Gabirol (ca. 11th c.)The seliḥah with its English translation as found in Siddur Siftei Tsadiqim (The Form of Prayers) vol. 6: Seder haTefilot laTaaniyot (ed. Isaac Leeser 1838) p.107-109. . . . Categories: Shiv'ah Asar b'Tamuz Contributor(s): Isaac Leeser (translation), Unknown Translator(s), Shlomo ibn Gabirol and Aharon N. Varady (transcription) שַׁחַר אֲבַקֶּשְׁךָ | Shaḥar Avaqeshkha (At dawn I seek you), a reshut by Shlomo ibn Gabirol (ca. 11th c.) translated by Rabbi David Aaron de Sola (1857)The reshut for praying at dawn, in Hebrew with English translation. . . . Categories: Morning Baqashot Tags: 11th century C.E., 49th century A.M., Dawn, פיוטים piyyutim, רשות reshut, rhyming translation, שחר אבקשך Shaḥar Avaqeshkha Contributor(s): Aharon N. Varady (transcription), David de Aaron de Sola (translation) and Shlomo ibn Gabirol מימיני מיכאל | “Mikhael is on my right,” an apotropaic invocation of angelic protection in the Bedtime Shema from the Maḥzor Vitry (ca. 11th c.)An “angels on all sides” formula included with the Bedtime Shema service in the Maḥzor Vitry. . . . Tags: 11th century C.E., 49th century A.M., Angelic Protection, Angels, Angels of Healing, apotropaic prayers of protection, Before Sleep, danger, night, שכינה Shekhinah, sleep Contributor(s): Dan Levene, Dalia Marx, Simḥah ben Shmuel of Vitry and Aharon N. Varady (translation) שׁוֹמְרוֹן קוֹל תִּתֵּן (אשכנז) | Shomron Qol Titein, a qinah for Tishah b’Av by Shlomo ibn Gabirol (ca. 11th c.)This is a variation of the qinah for Tishah b’Av, “Shomron Qol Titein” in its Ashkenazi nusaḥ. Isaac Gantwerk Mayer first shared this translation via his Facebook page on Tishah b’Av, 2022. . . . Categories: Tishah b'Av אוֹדְךָ כִּי אָנַֽפְתָּ בִּי | Odekha Ki Anafta Bi, a Yotser (Hymn) for Ḥanukkah by Yosef bar Shlomo of Carcassone (ca. 11th cent.)“Odekha ki anafta bi (I give thanks to you although you were angry with me) was composed by Joseph ben Solomon of Carcassonne, who is dated to the first half of the eleventh century. This elegant and abstruse poem tells an epic tale of the Jews’ resistance to the decrees of Antiochus IV and includes accounts of both the Hasmonean bride and Judith. It bears a considerable resemblance to texts 4 and 12 of the Hanukkah midrashim (find Grintz, Sefer Yehudit, pp. 205, 207–08) and this is evidence for the circulation of the joint Hasmonean daughter-Judith tales in the eleventh century, even if the surviving manuscripts of these stories are from a later date.” (Deborah Levine Gera, “The Jewish Textual Traditions” in The Sword of Judith: Judith Studies Across the Disciplines (2010).) . . . אֶזְכְּרָה מָצוֹק | Ezkerah Matsōk (“I remember the distress”), a seliḥah for the Fast of Tevet attributed to Joseph ben Samuel Bonfils (11th c.)“Ezkera Matsok” (I remember the distress) is a seliḥah in alphabetic acrostic recited on the Fast of Tevet in the Ashkenazi nusaḥ minhag Polin. . . . Categories: Asarah b'Tevet The maaravot-cycle of piyyutim for the first night of Shavuot, by Joseph ben Samuel Bonfils. In normative maaravot fashion, it is one extended cycle with an overarching structure (the first words of each of the Ten Commandments) throughout the whole of the kriat shema, with additional piyyutim incorporated into the first blessing after the shema. . . . Categories: Shavuot שַׁחַר אֲבַקֶּשְׁךָ | Shaḥar Avaqeshkha (At dawn I seek you), a reshut by Shlomo ibn Gabirol (ca. 11th c.) translated by Nina Salaman (1901)The reshut for praying at dawn, in Hebrew with English translation. . . . Categories: Morning Baqashot Tags: 11th century C.E., 49th century A.M., Dawn, Needing Source Images, פיוטים piyyutim, רשות reshut, rhyming translation, שחר אבקשך Shaḥar Avaqeshkha Contributor(s): Nina Davis Salaman (translation), Shlomo ibn Gabirol and Aharon N. Varady (transcription) אָדָם בְּקוּם עָלֵֽינוּ | Adam B’qum ‘Alenu, a seliḥah for Taanit Esther by Menaḥem ben Makhir (ca. 11th c.)An alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . Categories: Ta'anit Esther בִּמְתֵי מִסְפָּר | BiM’tei Mispar, a seliḥah for Taanit Esther by Meshullam ben Ḳalonymus (11th c.)A reverse alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . Categories: Ta'anit Esther 💬 התפילות של מרדכי ואסתר | the Prayers of Mordekhai and Esther, from Divrei haYamim l’Yeraḥmiel (ca. 11-12th c.)The dream and prayer of Mordecai, and the prayer of Esther, as copied in the medieval pseudo-historical Chronicle of Yeraḥmiel. . . . כָּל־בְּרוּאֵי | Kol B’ru-ei, a piyyut by Shlomo ibn Gabirol (trans. Rabbi David Aaron de Sola, 1857)A piyyut by Shlomo ibn Gabirol included in the arrangement of Baqashot before the morning service in the liturgical custom of Sefaradim translated by Rabbi David Aaron de Sola. . . . Categories: Morning Baqashot Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, בקשות Baqashot, כל ברואי kol beruei, ספר יצירה Sefer Yetsirah Contributor(s): David de Aaron de Sola (translation), Shlomo ibn Gabirol and Aharon N. Varady (transcription) שְׁנֵי זֵיתִים | Shnei Zeitim (Two Olive Branches) — a meorah piyyut for Shabbat Ḥanukkah, by Shlomo ibn GabirolShnei Zeitim, by Shlomo ibn Gabirol, was once the most beloved song for Ḥanukkah. Though in recent years it has largely been replaced in popular consciousness by Maoz Tsur, in rites which preserve the customs of piyyut recitation within the Shema service it is still a beloved part of the holiday. The piyyut, a meorah — intended to introduce the ḥatimah for the Ahavah Rabbah blessing before the Shema, is included here with an original translation. Interestingly enough, Shnei Zeitim has an anti-Hasmonean focus, with emphasis on the importance of separation of powers between priest and king. For further discusson of this aspect, I’d recommend Yitzhak Szyf’s article on The Lehrhaus. . . . Categories: Ḥanukkah Ḥakham Ishak Nieto’s translation of Adon Olam was first printed on page 197 of Orden de las Oraciones de Ros-ashanah y Kipur (1740), his maḥzor in Spanish translation for Rosh haShanah and Yom Kippur. The Hebrew text of the piyyut set side-by-side with the translation was transcribed from Rabbi David de Sola Pool’s Tefilot l’Rosh haShanah (1937). . . . This is Isaac Pinto’s English translation of Adon Olam from Prayers for Shabbath, Rosh-Hashanah, and [Yom] Kippur (1766), p. 29. The translation there appears without the Hebrew. The Hebrew text of the piyyut set side-by-side with the translation was transcribed from Rabbi David de Sola Pool’s Tefilot l’Rosh haShanah (1937). . . . Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by David de Aaron de Sola was transcribed from his prayerbook Seder haTefilot vol. 1 (1836), p. 122. . . . Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, Nusaḥ Sefaradi, פיוטים piyyutim, rhyming translation Contributor(s): Aharon N. Varady (transcription), David de Aaron de Sola (translation) and Shlomo ibn Gabirol Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by George Borrow was shared in his tales in The Bible in Spain (1843), p. 222. (The text in the 1913 edition on page 546 is a bit easier to read.) . . . A rhyming English translation of Adon Olam by Rosa Emma Salaman. . . . The German translation of “Adon Olam” appearing here is as found in Rabbi David Einhorn’s עלת תמיד Gebetbuch für Israelitische Reform-Gemeinden (1858), pp. 1-2. The English translation here, by Joshua Giorgio-Rubin, translating Rabbi David Einhorn, is as found in Rubin’s Olat Hadashah: A Modern Adaptation of David Einhorn’s Olat Tamid for Shabbat Evening (2020), p. 14. . . . Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, German translation, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyutim Contributor(s): Joshua Giorgio-Rubin, David Einhorn, Shlomo ibn Gabirol and Aharon N. Varady (transcription) The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . . Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyutim, rhyming translation Contributor(s): Tsvi Hirsch Filipowski (translation), Shlomo ibn Gabirol and Aharon N. Varady (transcription) Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by Jacob Waley was transcribed from the prayerbook of his daughter Julia M. Cohen’s The Children’s Psalm-Book (1907), pp. 298-299. . . . אֲדוֹן עוֹלָם | Adōn Olam, translated by Rabbi Marcus Jastrow after the abridged arrangement of Rabbi Benjamin Szold (1873)An English translation of an abridged arrangement of the piyyut, Adon Olam. . . . Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyutim Contributor(s): Marcus Jastrow, Benjamin Szold, Shlomo ibn Gabirol and Aharon N. Varady (transcription) Rabbi Dr. Moses Gaster’s translation of Adon Olam in Romaninan was first printed on pages 3-4 of Siddur Tefilat Yisrael: Carte de Rugăcĭunĭ Pentru Israeliţĭ (1883), his daily Siddur. . . . This is Yosef Naḥmuli’s Greek translation of Adon Olam from his bilingual Hebrew-Greek everyday siddur, Καθημεριναι Προσευχαι (Corfu 1885), p. 6-9. . . . אֲדוֹן עוֹלָם (מנהג הספרדים במזרח) | Adōn Olam (Ladino translation from the Sidur Tefilat Kol Pe, 1891)The Seder Tefilat Kol Peh was printed in 1891 in Vienna, and features a full Ladino translation of the entire siddur. The Ladino translation here is found on the left side of pagespread №145. Along with a full transcription of the Ladino text, Isaac Gantwerk Mayer has also prepared a full romanization of the Ladino. . . . The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . . Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Israel Zangwill was transcribed from the Jewish Quarterly Review vol. 13 (January 1901), p. 321. . . . Tags: 11th century C.E., 20th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, פיוטים piyyutim, rhyming translation Contributor(s): Israel Zangwill (translation), Shlomo ibn Gabirol and Aharon N. Varady (transcription) | ||
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