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tag: hymns of creation Sorted Chronologically (old to new). Sort most recent first? Rabbi Zalman Schachter-Shalomi, z”l, included his translation of Psalms 148 in his Siddur Tehillat Hashem Yidaber Pi (2009). Psalms 148 in Hebrew with an interpretive translation in English by Arthur Waskow. Rabbi Zalman Schachter-Shalomi, z”l, included his translation of Psalms 147 in his Siddur Tehillat Hashem Yidaber Pi (2009). Categories: Tags: בהמות behemot, Daily Hallel, devotional interpretation, הללו־יה hallelu-yah, hazon et hakol, hymns of creation, interpretive translation, פסוקי דזמרה pesuqei dezimrah, Psalms 147 Contributor(s): Rabbi Zalman Schachter-Shalomi, z”l, included his translation of “Barkhi Nafshi” (Psalms 104) for Rosh Ḥodesh in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with the verses comprising the Psalm. –Aharon N. Varady Psalms 104, translated by Mordecai Kaplan and presented as “God as Creator and Renewer of Nature” can be found on p. 360-5 of his The Sabbath Prayer Book (New York: The Jewish Reconstructionist Foundation, 1945), the first prayer in a subsection of supplementary prayers called “GOD IN NATURE.” Categories: Tags: Contributor(s): An English translation of Psalm 104 set side-by-side with the Masoretic text. Categories: Tags: Contributor(s): Rabbi Zalman Schachter-Shalomi’s translation of Psalms 29 was first published in Psalms in a Translation for Praying (Alliance for Jewish Renewal, Philadelphia: 2014), p. 45. Rabbi Zalman Schachter-Shalomi’s translation of Psalms 19 was first published in Psalms in a Translation for Praying (Alliance for Jewish Renewal, Philadelphia: 2014), pp. 28-29. Rabbi Zalman Schachter-Shalomi’s translation of Psalms 8 was first published in Psalms in a Translation for Praying (Alliance for Jewish Renewal, Philadelphia: 2014), p. 10. Categories: Tags: על הגתית Al HaGitit, animals, devotional interpretation, hymns of creation, interpretive translation, למנציח Lamnatse'aḥ, מזמור Mizmor, mortality Contributor(s): 💬 בן סירא מב:כא-מג:לא | ben Sira 42:21-43:31, a hymn of creation translated by Rabbi Mordecai KaplanEcclesiasticus (ben Sira) 42:21-43:31 is presented as “God the Lord of Nature” in The Sabbath Prayer Book of Rabbi Mordecai Kaplan (The Reconstructionist Foundation 1945), p. 376-372 in the Supplements subsection, “God in Nature.” The text of Ben Sira used here differs in places found in other manuscripts. Categories: Tags: 2nd century B.C.E., 36th century A.M., Classical Antiquity, deuterocanonical works, Ecclesiasticus, hymns of creation, Jews of Alexandria, Openers Contributor(s): The critical text of Pereq Shirah prepared by Dr. Malachi Beit-Arié in 1967. Categories: Tags: 43rd century A.M., 5th century C.E., animals, birds, cosmological, creeping creatures, Early Ammoraic, Early Middle Ages, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, heikhalot literature, hymns of creation, Late Tannaitic, Openers Contributor(s): Talmudic and midrashic sources contain hymns of the creation usually based on homiletic expansions of metaphorical descriptions and personifications of the created world in the Bible. The explicitly homiletic background of some of the hymns in Perek Shira indicates a possible connection between the other hymns and Tannaitic and Amoraic homiletics, and suggests a hymnal index to well-known, but mostly unpreserved, homiletics. The origin of this work, the period of its composition and its significance may be deduced from literary parallels. A Tannaitic source in the tractate Hagiga of the Jerusalem (Hag. 2:1,77a—b) and Babylonian Talmud (Hag. 14b), in hymns of nature associated with apocalyptic visions and with the teaching of ma’aseh merkaba serves as a key to Perek Shira’s close spiritual relationship with this literature. Parallels to it can be found in apocalyptic literature, in mystic layers in Talmudic literature, in Jewish mystical prayers surviving in fourth-century Greek Christian composition, in Heikhalot literature, and in Merkaba mysticism. The affinity of Perek Shira with Heikhalot literature, which abounds in hymns, can be noted in the explicitly mystic introduction to the seven crowings of the cock — the only non-hymnal text in the collection — and the striking resemblance between the language of the additions and that of Shi’ur Koma and other examples of this literature. In Seder Rabba de-Bereshit, a Heikhalot tract, in conjunction with the description of ma’aseh bereshit, there is a clear parallel to Perek Shira’s praise of creation and to the structure of its hymns. The concept reflected in this source is based on a belief in the existence of angelic archetypes of created beings who mediate between God and His creation, and express their role through singing hymns. As the first interpretations of Perek Shira also bear witness to its mystic character and angelologic significance, it would appear to be a mystical chapter of Heikhalot literature, dating from late Tannaitic — early Amoraic period, or early Middle Ages. Categories: Hekhalot Writings, Erev Shabbat, Rosh Ḥodesh Readings, Morning Baqashot, Rosh haShanah la-Melakhim Readings, Rosh haShanah la-Behemah Readings, Rosh haShanah Readings, Tu biShvat Readings Tags: 43rd century A.M., 5th century C.E., animals, birds, cosmological, creeping creatures, Early Ammoraic, Early Middle Ages, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, heikhalot literature, hymns of creation, Late Tannaitic, Openers Contributor(s): This is the shir ha-yiḥud l’yom shishi (hymn of unity for the sixth day), as translated by Herbert Adler and published in the maḥzor for Rosh ha-Shanah by Arthur Davis & Herbert Adler (1907). Categories: Tags: Contributor(s): A Ladino pizmon recited on Shabbat evenings, “El Disho Ke Bueno Era” retells the events of the seven days of creation. Categories: Tags: Contributor(s): This is the poem by Sir Robert Grant known best from its incipit “O Worship the King,” as published posthumously under the title “Psalm ⅭⅣ” by his brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 33-35. It was first published without attribution as hymn №31 in the Appendix of Hymns for private devotion, selected and original (ed. Bethia Fuller-Maitland, 1827) on pages 206-207. It was first published with attribution as psalm №104 in Psalms and Hymns for Public, Private, and Social Worship (ed. Henry V. Elliott, 1835) on pages 34-35. Identified as an adaptation of Psalms 104 (and with five of its six stanzas) the hymn was included as №16 in the Union hymnal for Jewish worship (1914). Brian Hehn writes, “This hymn, one of Grant’s most popular, is a paraphrase of Psalm 104. It was originally thought to have been a rendering of William Kethe’s setting of the same psalm in the Anglo-Genevan Psalter of 1561. However, Episcopal hymnologist Raymond F. Glover contends that this is a misconception. He argues that the two settings are in the same meter only because they were written for the same psalm.” Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, hymns of creation, Prayers as poems, Psalms 104 Contributor(s): “Meditation on the works of God” by Grace Aguilar was published posthumously by her mother Sarah Aguilar in the UK edition of Sacred Communings, pp. 79-82. It is not found in the US edition. “Evening Hymn (Blessed art Thou)” by Grace Aguilar was published posthumously by her mother Sarah Aguilar in the UK edition of Sacred Communings, pp. 94-95. It is not found in the US edition. “Morning hymn (Father all)” [in Illness] by Grace Aguilar was published posthumously by her mother Sarah Aguilar in the UK edition of Sacred Communings, pp. 116-117. It is not found in the US edition. Categories: Tags: 19th century C.E., 56th century A.M., blessings prior to the shema, English vernacular prayer, hymns of creation, paraliturgical teḥinot, paraliturgical yotser ohr, תחינות teḥinot, teḥinot in English Contributor(s): “Morning hymn (Bless thou the Lord)” by Grace Aguilar was published posthumously by her mother Sarah Aguilar in Essays and Miscellanies (1853), in the section “Sacred Communings,” pp. 181-183. Categories: Tags: 19th century C.E., 56th century A.M., English vernacular prayer, Gratitude, hymns of creation, paraliturgical modeh ani, תחינות teḥinot, teḥinot in English, waking Contributor(s): This prayer by Hillel Zeitlin was published as “That We Be Reborn” with an English translation by Eugene Kohn in the Sabbath Prayer Book (Jewish Reconstructionist Foundation 1945) of Rabbi Mordecai Kaplan. I have slightly modified Kohn’s translation by replacing thee and thou with you and your, etc. Zeitlin’s prayer is undated and likely was published earlier and elsewhere. If you have more information on the original publication of this prayer, please contact us or leave a comment. | ||
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