A compilation of Jewish women’s prayers in Yiddish published in Vilna in 1910, with prayers attributed to Rokhl Esther bat Aviḥayil, a Jewish woman living in Jerusalem. . . .
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A statement by the Bat Mitsvah after her first aliyah. . . . 
The “Tkhine of the Gate of Tears” by an unknown author presented here derives from the Vilna, 1848 edition. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can scan an image of the page from the edition this was copied from, please share it with us. . . . 
“A Tkhine for a Kaleh before the Khupe” by an unknown author is a faithful transcription of the version published in Rokhl m’vakoh al boneho (Rokhel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. . . . 
“Tkhine of the Matriarchs for the New Moon of Elul” by Rebbetsin Seril Rappaport is a faithful transcription of her tkhine published in Vilna, 1874, as re-published in The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. . . . 
“Tkhine of the Matriarchs for the New Moon of Tishrei [Rosh Hashanah]” by Rebbetsin Seril Rappaport is a faithful transcription of her tkhine included in “תחנה אמהות מן ראש חודש אלול” (Tkhine of the Matriarchs for the New Moon of Elul) published in Vilna, 1874, as re-published in The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. . . . 
“Tkhine of the Matriarchs for the Blowing of the Shofar” by Rebbetsin Seril Rappaport is a faithful transcription of her tkhine included in “תחנה אמהות מן ראש חודש אלול” (Tkhine of the Matriarchs for the New Moon of Elul) published in Vilna, 1874, as re-published in The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. . . . 
“Tkine for a Mother Who Leads Her Child to Kheyder” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. Please offer a translation of this tkhine in the comments. . . .
“Tkine for a Mother Who Leads Her Child to Kheyder” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. Please offer a translation of this tkhine in the comments. . . . 
The author of this tkhine intended for women to begin their morning devotional reading of prayers by first accepting patriarchal dominion. Women compensate for their inherent weakness and gain their honor only through the established gender roles assigned to them. The placement of this tkhine at the beginning of the Shas Tkhine Rav Peninim, a popular collection of women’s tkhines published in 1916 (during the ascent of women’s suffrage in the U.S.), suggests that it was written as a prescriptive polemic to influence pious Jewish women to reject advancing feminist ideas. . . . 
This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ תַּמוּז (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tamuz”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ סִיוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Sivan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
The teḥinah for the blessing of the new moon is said each Shabbat Mevorkhim, addition to the specific teḥinah for that month. The prayer is recited when the Aron HaKodesh is opened, signifying the opening of the Heavenly gates of mercy (an especially propitious time to pray for health, livelihood, and all good). . . . 
This is Fanny Neuda’s “Prayer for Shemini Atseret,” faithfully transcribed and proofread with the help of German Wikisource contributors from Fanny Neuda’s Stunden Der Andacht (1855), p. 66. . . . 
A teḥinah written in Judeo-German for the Fast of Gedalyah on the day after Rosh Hashanah. . . . 
This is the prayer for Rosh Ḥodesh (the day of the New Moon, and first day of the month in the Jewish calendar) included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German, Stunden der Andacht (1855). Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. The translation in English was made by Moritz Mayer in his abridged translation of Neuda’s collection, Hours of Devotion (1866). . . . 
This is Prayer for the Shabbat preceding the New Moon (Shabbat Mevorkhim) included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German, Stunden der Andacht (1855). Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אִיָיר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Iyyar”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
This is Fanny Neuda’s prayer “on Simḥat Torah,” faithfully transcribed and proofread with the help of German Wikisource contributors from Fanny Neuda’s Stunden Der Andacht (1855), p. 66-67. We are happy to share your translation of Neuda’s tkhines in any language. The translation provided here was made by Julia Watts Belser for Hours of Devotion: Fanny Neuda’s Book of Prayers for Jewish Women (ed. Dinah Berland, Schocken 2007), and set here for the first time side-by-side with Neuda’s original German. . . . 
“The Song of Miriam” by Rabbi Ruth Sohn was first published as “I Shall Sing to the Lord a New Song,” in Kol Haneshamah: Shabbat Vehagim, Reconstructionist Prayerbook, 1989, 1995 Second Edition. Reconstructionist Press, pp. 768-769. (This poem was also published in several haggadot and other books and set to music by several composers in the U.S. and Israel.) Rabbi Sohn wrote the poem in 1981 as a rabbinical student after immersing herself in the Torah verses and the traditional midrashim about Miriam, and after writing a longer modern midrash about Miriam. Part of this modern midrash was published as “Journeys,” in All the Women Followed Her, ed. Rebecca Schwartz (Rikudei Miriam Press, 2001). . . . 
A popular collection of tkhines compiled from earlier collections by Ben-Tsiyon Alfes. . . . 
After the popular reception among German speaking Jewry of Fanny Neuda’s Stunden Der Andacht (1855), additional sifrei teḥinnot, collections of prayers composed in the vernacular for women, were published in German. One of them, Hanna. Gebet- und Andachtsbuch für israelitische Frauen und Mädchen, published in 1867, was compiled with teḥinnot composed by the leading luminaries of Liberal Judaism in Breslau, Silesia: Jacob Freund (1827-1877), Rabbi Abraham Geiger (1810-1874), and Rabbi Moritz Güdemann (1835-1918), Manuel Joël (1826-1890), and Moritz Abraham Levy (1817-1872). The title of the collection is a direct reference to the biblical figure, Ḥanna whose petitionary prayer for a child was answered with the birth of her son, the prophet Shmuel. . . . 
Stunden Der Andacht, Fanny Neuda (nèe Schmiedl)’s popular collection of prayers written in German and published in Prague in 1855 was already in its fifth printing a decade later when Rabbi Moritz Mayer published his English translation, Hours of Devotion (1866) in New York. Neuda’s collection of Jewish prayers is unique by virtue of its being possibly the first to authored by a Jewish woman. . . . 
Fanny Neuda’s teḥinah for women experiencing difficulty conceiving children. . . . 
General public forms of prayer may not always be adapted to the peculiar exigencies of every mind; the compilers of this work have therefore striven to supply in some measure this spiritual need, by meditations and prayers suited to every situation and occasion in life; and it has been the humble yet anxious endeavour of the translator to preserve the spirit of the original in its English garb. . . . 
I have the great pleasure to be sharing a crowdsourced labor of love, the first book of prayers that the Open Siddur Project has completely proofread on Wikisource: Stunden Der Andacht (Hours of Devotion, 1855) by Fanny Schmiedl Neuda. I initially prepared the transcription from the 145-page, 1858 edition of Stunden Der Andacht with Tesseract-OCR and a scan of the book made by Google Books. Many thanks to Open Siddur Project contributor and volunteer, Chajm Guski, for helping to upload the transcription to the German Wikisource site. Many thanks go to the untold numbers of volunteer proofreaders, both veteran Wikisource volunteers as well as the many folk who came to proofread the text after seeing a tweet, facebook status update, or reading an email asking for German fluent readers for help. . . . 
Herr des Weltalls, reich geschmückt mit deinen Gaben und Segnungen hast du die Natur. Das Thal mit seinem üppigen Grün, der Berg mit seinem Kranz von Wäldern, das Gefilde mit seiner lachenden Frucht ist ein Erzeugnis; deiner Gnade, zum Segen deiner Menschenkinder, zur Nahrung ihres Leibes, zur Stillung ihrer Bedürfnisse, zur Ergötzung ihres Auges, zum Balsam ihrer Wunden; und kein Blättchen ist so klein, kein Grashalm so niedrig in dem weiten Reiche der Natur, daß es nicht wohlthuende heilsame Kräfte für uns enthielte. . . . 
As part of our ongoing project creating a new digital edition of Fanny Neuda’s collection of tkhines in German, Stunden Der Andacht (1855), we are setting her prayers (for the first time ever) side by side with that of her work’s first English translation. . . . 
Join us in creating a faithful digital transcription of אמרי לב Prières D’un Cœur Israélite (Arnaud Aron and Jonas Ennery, 1848). After transcription and proofreading, this new digital edition will need to be encoded in TEI XML and archived in the Open Siddur database. The edition will be shared under a Creative Commons Zero (CC0) Public Domain dedication. . . . 
Language is simultaneously a portal and a barrier to prayer. Jews have prayed in Hebrew for millennia, yet our oldest sources also speak of prayer in other languages. Come explore the history of the language of prayer, how our linguistic preferences define what prayer is about, and how we might approach this issue today. . . . |
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