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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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פיוטים piyyuṭim —⟶ tag: פיוטים piyyuṭim Sorted Chronologically (old to new). Sort most recent first? This is the early piyyut, “v-Yeètayu Kol l’Avdèkha,” as paraphrased in rhymed English verse by Israel Zangwill in Arthur Davis and Herbert Adler’s Maḥzor Avodat Ohel Moed: Avodat Yom haKippurim vol. 2 (1904), pp. 154-155. Categories: Tags: Contributor(s): “Arkin” is one of two Aramaic piyyutim read by some Ashkenazi communities at the beginning of the Torah reading on the first day of Shavuot (the other being the Aqdamut). The piyyut makes reference to an important legend featuring Mosheh experiencing an ascent in which he must wrest the Torah from angelic entities that are averse to parting with it, or loathe to giving it up, to humanity. Introducing the piyyut she translated in Jewish Aramaic Poetry from Late Antiquity (Brill: 2018), Dr. Laura Lieber writes, “This [Shavuot] poem dramatizes neither the content of revelation, as other poems here do, nor the season of its giving, as the story of Ruth does. Instead, our poet imagines God’s summoning of Moses to the heavens to receive the Torah atop Mount Sinai. God’s voice is most prominent here, although the angels also speak; Moses, however, keeps silent, and the poet depicts him with anything but aggression and bravado. The poet crafts a scene that recreates the tension of the imagined encounter: God repeatedly reassures Moses, who fears angelic aggression, but the angels also express fear of Moses, who is here depicted as having horns, which God encourages Moses to use in self-defense.” Categories: Tags: acrostic, Alphabetic Acrostic, Angelic Nature, Angelification, Angels, Aramaic, Decalogue, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, mid-first millennium CE, Mosheh Rabbenu, פיוטים piyyuṭim, תרגום targum Contributor(s): The Yiddish translation of the Aramaic piyyut “Arkin” is appended to the first known printing of the Maaséh Aqdamut (Fürth 1694). The transcription is based on an earlier transcription of the Fürth 1694 printing published by Isaac Rivkind in “די היסטאָרישע אַלעגאָריע פון ר׳ מאיר שַ״ץ” (“The Historical Allegory of Rabbi Meir, shatz [Shaliaḥ Tsibur]”) the first chapter in Filologishe shriftn vol. 3 (1929), pp. 1-42. (This translation of the Aqdamut appears on pages/numbered columns 40-42.) Categories: Tags: acrostic, Alphabetic Acrostic, Angelic Nature, Angelification, Angels, Aramaic, ארכין Arkin, Decalogue, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, mid-first millennium CE, Mosheh Rabbenu, פיוטים piyyuṭim, תרגום targum, Yiddish translation Contributor(s): The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. Categories: Tags: 43rd century A.M., 5th century C.E., acrostic, Alphabetic Acrostic, אז רוב נסים Az rov nisim, Latin translation, פיוטים piyyuṭim Contributor(s): This is an original Esperanto translation of Ein K’Eloheinu, with a transcription using my own original Hebraization schema. Categories: Tags: constructed languages, אין כאלהינו Ein kEloheinu, Esperanto translation, פיוטים piyyuṭim, זמירות zemirot Contributor(s): This Aramaic poem, written in the early Byzantine era by an unknown author, can be found in its entirety within the Targum Sheni for Esther 7:9. It features an argument between an assortment of trees over which one is required to bear the great dishonor of having to be the one to hold Haman. It’s also chock-full of anti-Christian polemic and references to Toledot Yeshu. This piyyut of unknown authorship is certainly ancient, showing the lack of a rhyme scheme characteristic of the REALLY old piyyutim (see also Aleinu or El Adon). It is still found in some Ashkenazi and Teman maḥzorim, with many different mostly minor variants (which have been combined together somewhat eclectically into one text here). It is presented here along with an English translation attempting to preserve the Hebrew acrostic. Originally it was recited before the Ashrei leading into musaf, but perhaps for those who follow Ashkenazi customs a more appropriate location would be as an introduction to the Yizkor service on Shmini ‘Atzeret — which for those who don’t keep second-day yontef is the same day. It could also be adapted as part of the liturgy for the seventh of Adar, although the final verse (the old Western rite berakha for finishing a full Torah cycle) would have to be elided. The works of the great paytan Yannai were, with the exception of a small handful of poems, almost completely lost until their rediscovery in the Cairo Geniza. This poem, an acrostic comparison of the days of Moses and Jeremiah, was written by Yannai to serve as part of the Musaf Ḳedushah on the first Shabbat after 17 Tammuz, on which the opening section of Jeremiah is recited. It bears structural and linguistic similarities to the later famous ḳinah Esh Tuqad. In its liturgical context, it was intended to introduce the final few verses of the Ḳedushah . Nowadays the custom of poetic inserts into the ḳedushah is nearly extinct, but the poem stands as a moving and powerful work nonetheless. Categories: Tags: 43rd century A.M., 6th century C.E., phonetic alphabetic acrostic translation, alphabetic mesostic, Cairo Geniza, First Shabbat of Admonition, חורבן Ḥurban, Mourning this Broken World, פיוטים piyyuṭim, קינות Ḳinōt, Shabbatot of Admonition, Siege of Jerusalem (597 BCE), Siege of Jerusalem (70 CE), Three Weeks of Mourning, יציאת מצרים Yetsiat Mitsrayim Contributor(s): Doyen has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has, to the best of his ability, developed this adaptation of the litany of thanksgiving at the culmination of Maggie into Quenya, with thanks and credit to the experts at elfdict and in the Vinyë Lambengolmor Discord server for their help. He has also transcribed it into a home-brewed transcription system into Hebrew script also used for his Min Yacincë translation of Ḥad Gadya, as well as his Minë mamo ista? Translation of Eḥad Mi Yodea. Categories: Tags: constructed languages, דיינו Daiyenu, High-Elven, Middle-Earth, פיוטים piyyuṭim, Quenya translation, זמירות zemirot Contributor(s): The piyyut, Dayenu, in its Latin translation by Johann Stephan Rittangel. Categories: Tags: Contributor(s): The alphabetic acrostic piyyut, Adir Hu, in its Latin translation by Johann Stephan Rittangel as found in his translation of the Pesaḥ seder haggadah, Liber Rituum Paschalium (1644). Categories: Tags: 17th century C.E., 55th century A.M., acrostic, אדיר הוא Adir Hu, Alphabetic Acrostic, Latin translation, פיוטים piyyuṭim, זמירות zemirot Contributor(s): This is a variation of the “Baugesang,” a variation of the piyyut Adir Hu sung in German translation. Better known in form found in the 1769 Selig Haggadah, this is a variation published in 1717 by Paul Christian Kirchner. Categories: Tags: 18th century C.E., 56th century A.M., אדיר הוא Adir Hu, Christian Hebraism, German vernacular prayer, haggadah supplements, פיוטים piyyuṭim, Temple restoration, זמירות zemirot Contributor(s): This Western Yiddish alphabetical adaptation of Adir Hu is first found in the 1769 Selig Haggadah, under the name of “Baugesang” (meaning Building Song). It grew to be a beloved part of the Western Ashkenazi rite, to the point where the traditional German Jewish greeting after the Seder was “Bau gut,” or “build well!” The first day of Pesach, according to the Sages, is the day the world is judged for grain and dew. Because of this, many customs have developed tying it into the pomp of the High Holy Days. One custom preserved in many medieval maḥzorim is to extend the final blessing of the the Musaf “Tal” (Dew) service, including a Hayom piyyut, a piyyut form otherwise almost exclusively associated with the Yamim Noraim. This extended Sim Shalom berakha including piyyutim is presented here, largely based on the form compiled by Ernst Daniel Goldschmidt (zatsal). Categories: Tags: היום תאמצנו Hayom T'amtsenu, Nusaḥ Ashkenaz, peace, פיוטים piyyuṭim, Prayers for Precipitation, Spring, טל tal Contributor(s): An alphabetical acrostic piyyut celebrating the victory of Esther and Mordekhai over the forces of Haman. Categories: Tags: Contributor(s): The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. Categories: Tags: 44th century A.M., 7th century C.E., acrostic, Alphabetic Acrostic, Latin translation, אומץ גבורתיך Omets G'vuratekha, פיוטים piyyuṭim Contributor(s): This is the piyyut, “Aamir Otekha Selah” by Elazar ben Qallir for Sukkot, as translated into rhyming English verse by Alice Montefiore Lucas, first published in her anthology of versified translations Songs of Zion by Hebrew Singers of Mediæval Times (1894). Her translation was later set opposite Qallir’s Hebrew text in Maḥzor Avodat Ohel Moed: Avodat Ḥag haSukkot (ed. Arthur Davis & Herbert Adler, 1908). This is the piyyut “Az K’einei Avadim (As slaves, with eyes beseeching,…)” by an unknown paytan for the seventh circuit of the Hoshana Rabba service (on the seventh and final day of Sukkot), published in Adler and Davis’s Maḥzor for Sukkot, Avodat Ḥag ha-Sukkot (1908), pp. 183. Categories: Tags: Contributor(s): This is the piyyut “Az Haytah Ḥanayat Sukō (Of yore, abode His dwelling place,)” a qerovah piyyut by Elazar Kalir for the first day of Sukkot, published in Adler and Davis’s Maḥzor for Sukkot, Avodat Ḥag ha-Sukkot (1908), pp. 212. Categories: Tags: Contributor(s): This is the piyyut “Az K’einei Avadim (As slaves, with eyes beseeching,…)” by an unknown paytan for the seventh circuit of the Hoshana Rabba service (on the seventh and final day of Sukkot), published in Adler and Davis’s Maḥzor for Sukkot, Avodat Ḥag ha-Sukkot (1908), pp. 183. Categories: Tags: Contributor(s): | ||
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