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rhyming translation —⟶ tag: rhyming translation Sorted Chronologically (old to new). Sort most recent first? “Éikh Mishkenai Elyōn” is the first reshut offered before Nishmat at the outset of Shaḥarit (concluding the Zemirot). It is the third reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. “Aryeh Shâăg” is the second reshut offered before Barukh sheAmar at the outset of the Zemirot (preceding Shaḥarit) on Shabbat Ḥazon — the final shabbat before 9 Av. It is the second reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon. Categories: Tags: Contributor(s): “Qol Ohalah” is the reshut offered before the Torah service following Shaḥarit. It is the ninth reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, phonetic acrostic translation, פיוטים piyyuṭim, רשויות reshuyot, rhyming translation, שבת חזון Shabbat Ḥazon Contributor(s): A rhymed translation of the piyyut sung following the Havdallah ritual. Categories: Tags: 11th century C.E., 49th century A.M., Acrostic signature, המבדיל בין קדש לחל Hamavdil Bein Ḳodesh l'Ḥol, הבדלות havdalot, נעילה neilah, פיוטים piyyuṭim, rhyming translation Contributor(s): This is a variation of the qinah for Tishah b’Av, “Shomron Qol Titein” in its Ashkenazi nusaḥ. Isaac Gantwerk Mayer first shared this translation via his Facebook page on Tishah b’Av, 2022. Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by David de Aaron de Sola was transcribed from his prayerbook Seder haTefilot vol. 1 (1836), p. 122. Categories: Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, Nusaḥ Sefaradi, פיוטים piyyuṭim, rhyming translation Contributor(s): Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by George Borrow was shared in his tales in The Bible in Spain (1843), p. 222. (The text in the 1913 edition on page 546 is a bit easier to read.) Categories: Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, פיוטים piyyuṭim, rhyming translation Contributor(s): A rhyming English translation of Adon Olam by Rosa Emma Salaman. The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. Categories: Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by Jacob Waley was transcribed from the prayerbook of his daughter Julia M. Cohen’s The Children’s Psalm-Book (1907), pp. 298-299. Categories: Tags: 11th century C.E., 19th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, Nusaḥ Sefaradi, פיוטים piyyuṭim, rhyming translation Contributor(s): The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Israel Zangwill was transcribed from the Jewish Quarterly Review vol. 13 (January 1901), p. 321. Categories: Tags: 11th century C.E., 20th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, פיוטים piyyuṭim, rhyming translation Contributor(s): This translation Rabbi J. Leonard Levy of Shlomo ibn Gabirol’s “Adon Olam” was first published in The Children’s Service for Use in Religious Schools (1902). In the second edition from 1904, it is found on page 127. Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Jessie Ethel Sampter was transcribed from Joseph Friedlander and George Alexander Kohut’s The standard book of Jewish verse (1917), p. 394. Categories: Tags: 11th century C.E., 20th century C.E., 49th century A.M., 57th century A.M., אדון עולם Adon Olam, cosmological, פיוטים piyyuṭim, rhyming translation Contributor(s): A rhyming translation in English to the popular piyyut, Adon Olam. Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Nusaḥ Sefaradi, Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): The reshut for praying at dawn, in Hebrew with English translation. “Prayer” for Sabbath—ⅩⅬⅢ is Alice Lucas’s English verse adaptation of the piyyut “Shaḥar Avaqeshkha Tsuri u-Misgabi” by Shlomo ibn Gabirol, published in her The Jewish Year: A Collection of Devotional Poems for Sabbaths and Holidays throughout the Year (1898), page 97. Categories: Tags: 11th century C.E., 49th century A.M., Needing source text, פיוטים piyyuṭim, rhyming translation, שחר אבקשך Shaḥar Avaqeshkha Contributor(s): The reshut for praying at dawn, in Hebrew with English translation. | ||
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