A variation of the piyyut, Yedid Nefesh, in Hebrew with a creative English translation. . . . A variation of the piyyut Yedid Nefesh with a corresponding translation in Arabic. . . . A variation of the piyyut “Yedid Nefesh” in Hebrew with English translation. . . . A variation of the piyyut “Yedid Nefesh” in Hebrew with English translation. . . . The popular piyyut, Yedid Nefesh, in Hebrew with English translation. . . . The piyyut, “Adon haKol” by Rabbi Shalom Shabazi . . . “Auf, auf, den Herrn zu loben” is a hymn by the Lutheran composer of hymns, Johann Franck (1618-1677). The first two stanzas were translated by Rabbi James Koppel Gutheim and published as “Ein gottergehener sinn (Pious Resignation.)” in his Hymns, for Divine Service in the Temple Emanu-El (1871) as hymn №4, pp. 8-9. The use of these two stanzas in a Jewish context can be found in Gebet- und Gesangbuch für die sabbathe und Feste des Jahres: eingefuehrt in der israelitischen Gemeinde zu Coblenz (1850), hymn №18, p. 117. The source of the text from a Christian hymnal is that of Schatzkästlein von hundert und fünfzig geistreichen Liedern älterer Zeit (Samuel Christian Gottfried Küster, 1821) where it is hymn №6, p. 10. The original printing of the hymn is found in the first volume of Franck’s collected hymns Teutsche Gedichte, enthaltend geistliches Zion samt Vaterunserharfe nebst irdischem Helicon oder Lob-, Lieb-, Leidgedichte, etc (Guben, 1674), pp. 212-214. . . . “Morning hymn (Bless thou the Lord)” by Grace Aguilar was published posthumously by her mother Sarah Aguilar in Essays and Miscellanies (1853), in the section “Sacred Communings,” pp. 181-183. . . . “In God, the holy, wise, and just,” by Penina Moïse, was published in 1842, and appears under the subject of Omniscience as Hymn 6 in Hymns Written for the Service of the Hebrew Congregation Beth Elohim, South Carolina (Penina Moïse et al., Ḳ.Ḳ. Beth Elohim, 1842), pp. 11-12. . . . “Fear not, fear not, Jeshurun (Isaiah, Chap. XLIV),” by Penina Moïse, was published in 1842, and appears under the subject of “Divine Providence in Relation to Israel” as Hymn 10 in Hymns Written for the Service of the Hebrew Congregation Beth Elohim, South Carolina (Penina Moïse et al., Ḳ.Ḳ. Beth Elohim, 1842), pp. 15-16. . . . “When morning paints the eastern sky,” by Cordelia Moïse Cohen (1809-1869), first published in 1842, appears under the subject “Immortality of the Soul” as Hymn 54 in Hymns Written for the Service of the Hebrew Congregation Beth Elohim, South Carolina (Penina Moïse et al., Ḳ.Ḳ. Beth Elohim, 1842), p. 57. That page is missing in the one copy of the first edition we know to exist. Thankfully, the hymn appears under the same subject as Hymn 40 in Hymns Written for the Use of Hebrew Congregations (Penina Moïse et al., Ḳ.Ḳ. Beth Elohim, 1856), p. 44. . . . A hymn by the abolitionist Harriet Beecher Stowe, included in the hymnal of Congregation Adath Jeshurun in Philadelphia in 1926. . . . A popular 20th century piyyut. . . . A 20th century piyyut by Ḥayyim Shaul Aboud. . . . The poem “Tsafririm” (1900) by Ḥayyim Naḥman Bialik with an English translation by Ben Aronin. . . . Tags: 19th century C.E., 57th century A.M., alternate rhyming scheme, animistic spirits, entering magical territory, first person, Jewish faeries, Light, modern hebrew poetry, mythopoetic, numinous beings, Prayers as poems, romanticism The poem, “Im Shamesh” (At Sunrise) by Ḥayyim Naḥman Bialik in June 1903. . . . “Petition for Prayer” by Rabbi Morrison David Bial was first published in his anthology, An Offering of Prayer (1962), p. 27, from where this prayer was transcribed. . . . A companion to the classic piyyut, Yigdal. . . . |
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