The piyyut, Yah Ribon, in Aramaic with an English translation. . . .
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Contributor(s): Aharon N. Varady (transcription), Israel Brodie and Yisrael Najara
Shared on כ״ח באדר ה׳תשפ״א (2021-03-12) — under the following terms: Creative Commons Zero (CC 0) Universal license a Public Domain dedication Categories:  Se'udat Leil Shabbat, Se'udat Yom Shabbat
Tags:  זמירות zemirot, acrostic, Aramaic, פיוטים piyyutim, 16th century C.E., 54th century A.M., Acrostic signature, יה רבון Yah Ribon
Contributor(s): Aharon N. Varady (transcription), Paltiel Birnbaum (translation) and Yisrael Najara
Shared on כ״ח באדר ה׳תשפ״א (2021-03-12) — under the following terms: Creative Commons Zero (CC 0) Universal license a Public Domain dedication Categories: Se'udat Leil Shabbat, Se'udat Yom Shabbat
Tags: זמירות zemirot, acrostic, Aramaic, פיוטים piyyutim, 16th century C.E., 54th century A.M., Acrostic signature, יה רבון Yah Ribon
The piyyut, Yah Ribon, in Aramaic with an English translation. . . . 
Contributor(s): Aharon N. Varady (translation) and Yaacov Maoz (Aramaic translation)
Shared on י״ד במרחשון ה׳תשפ״א (2020-11-01) — under the following terms: Categories: Se'udat Leil Shabbat
Tags: פיוטים piyyutim, prophylactic, apotropaic prayers of protection, Aramaic translation, שלום עליכם shalom aleikhem, Assyrian Neo-Aramaic (Suret) 
The popular piyyut for welcoming the Shabbat, in Hebrew with translations in Assyrian-Aramaic and English. . . . 
Contributor(s): Akiva Sanders (translation), Aharon N. Varady (transcription) and Unknown Author(s)
Shared on ד׳ בכסלו ה׳תש״פ (2019-12-02) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Shavuot, Se'udat Leil Shabbat, Shemini Atseret (and Simḥat Torah)
Tags: זמירות zemirot, acrostic, פיוטים piyyutim, 17th century C.E., 54th century A.M., Alphabetic Acrostic, הקפה ד׳ fourth haḳafah 
A popular piyyut for Simḥat Torah (4th hakkafah) originally composed as a piyyut for Shavuot and often referred to by its incipit, “Mipi El.” . . . 
Contributor(s): Mark X. Jacobs
Shared on ג׳ בטבת ה׳תשע״א (2010-12-10) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Rosh haShanah la-Ilanot (Tu biShvat), Se'udat Leil Shabbat
Tags: 20th century C.E., eco-conscious, North America, kiddush, 58th century A.M., Teva Learning Center 
We call to sukkat shalom, the shelter of peace, all of our various selves To rest from the contortion of social life and the demands of others. We liberate ourselves and each other from roles and titles labels and closets positions and pretendings internalized oppressions and oppressive projections hierarchies and competition. . . . 
Contributor(s): Aharon N. Varady (transcription) and Alter Abelson
Shared on י״ט בשבט ה׳תשע״ט (2019-01-25) — under the following terms: Creative Commons Zero (CC 0) Universal license a Public Domain dedication Categories: Kabbalat Shabbat, Se'udat Leil Shabbat
Tags: romanticism, 20th century C.E., 57th century A.M., Sabbath Queen, Queens, Kohenet 
The poem “Friday Eve” by Rabbi Alter Abelson (1931). . . . 
Contributor(s): Aharon N. Varady (transcription), the Masoretic Text and Unknown Author(s)
Shared on י״ג בטבת ה׳תש״פ (2020-01-09) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Se'udat Leil Shabbat, Tehilim Book 5 (Psalms 107–150)
Tags: acrostic, gender roles, Alphabetic Acrostic, Eyshet Ḥayil, gender expression, male role models 
Psalms 112 in Hebrew with English translation, arranged by Aharon Varady. . . . 
Contributor(s): Peri Sinclair and Alex Sinclair
Shared on ז׳ בשבט ה׳תשע״ב (2012-01-30) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Mishlei (Proverbs), Se'udat Leil Shabbat
Tags: Feminism, love, eros, acrostic, 21st century C.E., 58th century A.M., Alphabetic Acrostic, Masorti, Eyshet Ḥayil, Modi'in, ישראל Yisrael 
Peri and Alex Sinclair’s adaptation of the traditional Eishet Ḥayil, replacing a number of verses with ones selected from Shir haShirim (the Song of Songs/Canticles), Genesis, and elsewhere in Mishlei (Proverbs). . . . 
Contributor(s): Aharon N. Varady (transcription), Heinrich Heine and Margaret Armour (translation)
Shared on כ׳ בכסלו ה׳תשע״ח (2017-12-07) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Se'udat Leil Shabbat, Se'udat Yom Shabbat, Se'udah Shlishit
Tags: 19th century C.E., food, 57th century A.M., שכינה Shekhinah, לכה דודי Lekhah Dodi, Ode to Joy, Sabbath Queen, Gashmiut and Ruchniut, Elysium, lycanthropy, German orientalism, German romanticism, Sardonic poetry 
“Prinzessin Sabbat” by Heinrich Heine, in Romanzero III: Hebraeische Melodien, (“Princess Shabbat,” in Romanzero III, Hebrew Melodies.), 1851 was translated into English by Margaret Armour (1860-1943), The Works of Heinrich Heine vol. 12: Romancero: Book III, Last Poems (1891). We have replaced “schalet” (unchanged in Armour’s translation) with cholent. . . .
Contributor(s): Zalman Schachter-Shalomi, Unknown Author(s) and the Masoretic Text
Shared on י״ד במרחשון ה׳תשע״ה (2014-11-06) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Mishlei (Proverbs), Se'udat Leil Shabbat
Tags: interpretive translation, זמירות zemirot, Alphabetic Acrostic, Eyshet Ḥayil, devotional interpretation
Rabbi Zalman Schachter-Shalomi’s interpretive translation of Proverbs 31:10-31, popularly read before the first festive meal for shabbat on Friday night. . . . 
Contributor(s): Aharon N. Varady (transcription), Zalman Schachter-Shalomi and Aharon ben Yaakov Perlov of Karlin
Shared on כ״ג בטבת ה׳תש״פ (2020-01-19) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Se'udat Leil Shabbat
Tags: זמירות zemirot, 56th century A.M., 18th Century C.E., Hassidic, hymns 
An interpretive translation of the shabbes hymn, Yah Ekhsof. . . . 
Contributor(s): Trisha Arlin
Shared on י״ח באייר ה׳תשע״א (2011-05-22) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Se'udat Leil Shabbat
Tags: food, bread, חלה ḥallah, yom tov, Kolot Chayeinu, 21st century C.E., 58th century A.M., English vernacular prayer 
Trisha Arlin shares “Motzi”, a kavanah (intention) for the blessing, Hamotzi Lehem Min Ha’aretz, over challah. Describing the kavanah she writes that it’s, “based on Rabbi Ellen Lippmann’s tradition on having us create a chain of touch around room that leads to and from the challah, which she then explains as both exemplifying the connection created when people eat together and the chain of work that went to creating the challah itself.” . . . 
Contributor(s): Karaite Jews of America and Ya'aqov ha-Paitan
Shared on י״ט באדר ב׳ ה׳תשע״ט (2019-03-26) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Se'udat Leil Shabbat, Se'udat Yom Shabbat, Se'udah Shlishit
Tags: זמירות zemirot, acrostic, Acrostic signature, Needing Attribution 
A song for celebrating the Shabbat. . . . 
Contributor(s): Benyamim Sedaka
Shared on כ״ג בתשרי ה׳תשע״ז (2016-10-25) — under the following terms: Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license Categories: Se'udat Leil Shabbat
Tags: kiddush, Samaritan, Needing Transcription, Nusaḥ haSamerim, Needing Source Images 
Benyamim Sedaka’s English translations of the Israelite-Samaritan “Blessing on the Food” (Kiddush) and Abraham ben Marchiv Tsedaka Hassafari’s opening to the Friday night Shabbat meal . . . Shared on כ״ט באייר ה׳תשע״ט (2019-06-02) — under the following terms: Fair Use Right (17 U.S. Code §107 - Limitations on exclusive rights: Fair use) Categories: Se'udat Leil Shabbat, Shabbat, the Zohar
Tags: eros A reading from the Zohar providing context for the first meal of Shabbat on Friday evening. . . . |
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