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tag: Cairo Geniza Sorted Chronologically (old to new). Sort most recent first? Selected verses from the book of ben Sira for a Seliḥot service . . . Categories: Second Temple Period 💬 מזמור לבן סירא על זכות אבותינו (פרקים מד-נ) | Paean of Ben Sira on the Merit of the Ancestors (ch. 44-50), vocalized and cantillated with the Poetic Masoretic System by Isaac Gantwerk MayerThe poem lauding the ancestors from Chapters 44 to 50 of Ben Sira (Ecclesiasticus) is considered by many scholars to be the original influence for the Yom Kippur Avodah service, and the paean to Shimon the Righteous bears a striking similarity to the beloved piyyut “Mar’eh Khohen.” This passage from Ben Sira, the great paean on the merit of the ancestors, takes the Hebrew text of one of the Cairo Geniza manuscripts — Bodleian MS Heb e62 — and versifies it according to the standard Septuagintal text, along with vocalization and cantillation per the standard Masoretic EMe”T system for poetic books. It could be read on Yom Kippur for the avodah service, or just studied as a fascinating piece of Jewish history. . . . 💬 ילקוט מזמורים לבן סירא פרק נ״א | An Appendix of Psalms of Ben Sira chapter 51, vocalized, cantillated, and translated by Isaac Gantwerk MayerThe end of the scroll of Ben Sira (Ecclesiasticus) reconstructed from Cairo Geniza fragments not contained within the Septuagint. . . . Categories: Second Temple Period בְּאַרְבָּעָה בְּחֹדֶשׁ אִיָּר | On the 4th of Iyyar — the fourth psalm of the “Additional Psalms” from the Cairo Geniza, MS RNL Antonin 798This is the third of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with some suggesting a medieval pious forgery and others suggesting an origin in the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) Preserved in its entirety, the third psalms in Antonin 798 largely focuses on reversal of fortune. It also appears to invoke the memory of Moshe, but not by name. . . . בִּשְׁלֹשָׁה בְּחֹדֶשׁ אִיָּר | On the 3rd of Iyyar — the third psalm of the “Additional Psalms” from the Cairo Geniza, MS RNL Antonin 798This is the third of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with some suggesting a medieval pious forgery and others suggesting an origin in the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) Preserved in its entirety, the third psalms in Antonin 798 largely focuses on reversal of fortune. It also appears to invoke the memory of Moshe, but not by name. . . . בְּחֹדֶשׁ אִיָּר בִּשְׁנַיִם | On the 2nd of Iyyar — the second psalm of the “Additional Psalms” from the Cairo Geniza, MS RNL Antonin 798This is the second of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with earlier scholars suggesting a medieval pious forgery and more recent scholars suggesting an origin in or contemporaneous with the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) The second psalm found in this partial manuscript is preserved in its entirety and preserves an introductory schema found for the rest of the psalms here and likely missing from the first. Perhaps the text originally included psalms for each day in Iyyar! This psalm begins by invoking martyrdom, with the powerful image of a shephard killing his own flock. It then transitions into universalist-messianic language reminiscent of texts such as the second paragraph of Aleinu and the Rosh haShanah piyyut Va-ye’etayu, then discussing the beauty of the Torah before ending with a catena of blessings. . . . [בחודש אייר בראשון] | [On the 1st of Iyyar] — the first psalm of the “Additional Psalms” from the Cairo Geniza, MS RNL Antonin 798This is the first of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with earlier scholars suggesting a medieval pious forgery and more recent scholars suggesting an origin in or contemporaneous with the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) The first psalm found in this partial manuscript is an acrostic psalm. It is incomplete at the beginning, missing the letters alef and bet. It also shows evidence of the Galilean dialect in the confusion between hei and ḥet, a guttural merger also found in Qumran texts and in Samaritan Hebrew. It largely focuses on the covenant with David and his rule. . . . קדיש דרבנן (נוסח ארץ ישראל) | Ḳaddish d’Rabanan variant from the Cairo Geniza (nusaḥ Erets Yisrael, ca. 11th c.)A unique Nusaḥ Erets Yisrael variant of the Qaddish found in the Cairo Geniza, most well known for including the names of the leading rabbis of the community in its text. . . . Categories: Ḳaddish אַזְכִּֽירָה יָמִים עִם יָמִים | Azkira Yamim Im Yamim, a piyyut for the First Shabbat of Admonition by Rabbi Yannai (ca. early 6th c.)The works of the great paytan Yannai were, with the exception of a small handful of poems, almost completely lost until their rediscovery in the Cairo Geniza. This poem, an acrostic comparison of the days of Moses and Jeremiah, was written by Yannai to serve as part of the Musaf Ḳedushah on the first Shabbat after 17 Tammuz, on which the opening section of Jeremiah is recited. It bears structural and linguistic similarities to the later famous ḳinah Esh Tuqad. In its liturgical context, it was intended to introduce the final few verses of the Ḳedushah . Nowadays the custom of poetic inserts into the ḳedushah is nearly extinct, but the poem stands as a moving and powerful work nonetheless. . . . Tags: 43rd century A.M., 6th century C.E., phonetic alphabetic acrostic translation, alphabetic mesostic, Cairo Geniza, First Shabbat of Admonition, חורבן Ḥurban, Mourning this Broken World, פיוטים piyyuṭim, קינות Ḳinōt, Shabbatot of Admonition, Siege of Jerusalem (597 BCE), Siege of Jerusalem (70 CE), Three Weeks of Mourning, יציאת מצרים Yetsiat Mitsrayim ברכת המזון לשבועות | Birkat haMazon for Shavuot, according to the Cairo Geniza fragment T-S H6.37 vocalized and translated by Isaac Gantwerk MayerA Birkat haMazon for Shavuot presenting an alphabetic acrostic from a manuscript preserved in the Cairo Geniza. . . . Contributor(s): Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation) 📄 הגדה של פסח | Pesaḥ Haggadah (Nusaḥ Erets Yisrael), based on multiple Cairo Geniza manuscripts compiled and translated by Isaac Gantwerk MayerThis is a vocalized reconstruction, arrangement and translation of the Haggadah according to the ancient Land of Israel rite, based on multiple manuscripts from the Cairo Geniza, including Halper 211 and T-S H2.152, with additional input from the Italian rite and customs recorded by Rav Saadia Gaon. It is translated in gender-neutral Hebrew. . . . Categories: Haggadot for the Seder Leil Pesaḥ Contributor(s): Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation) This is a poetic Birkat haMazon for Pesaḥ, from the Cairo Geniza (CUL T-S H11.88 1v). Much thanks to the work of Dr. Avi Shmidman, whose 2009 doctoral thesis is the foundational work for poetic Birkat haMazon studies. He marks it as Piyyut 64, and his Hebrew-language commentary begins on page 394 of his work. I’ve included two translations of the poetic portions — one literal and one preserving the acrostic and rhyme scheme. . . . Categories: Barekh ברכת המזון לפורים | Poetic Birkat haMazon for Purim, according to the Cairo Geniza fragment T-S H6.37 vocalized and translated by Isaac Gantwerk MayerThis is a reconstruction of a liturgy for a Birkat haMazon for Purim witnessed in the Cairo Geniza fragment T-S H6.37 (page 1, recto and verso). . . . ברכת המזון לחנוכה | Poetic Birkat haMazon for Ḥanukkah, reconstructed from multiple Cairo Geniza manuscripts by Isaac Gantwerk MayerThis is a reconstruction of a liturgy for a Birkat haMazon for Ḥanukkah witnessed in multiple Cairo Geniza manuscripts, including Cambridge, CUL: T-S H4.13; T-S H6.37; T-S 8H10.14; T-S NS 328.56; T-S NS 328.61; T-S AS 101.293; New York, JTS: ENA 2885.7; Oxford: MS heb. e.71/27 – MS heb. e.71/32; St. Peterburg: Yevr. III B 135. . . . ברכת המזון לחול ולשבת | Birkat haMazon for Weekdays and on Shabbat from the Cairo Genizah fragment Or.1080 15.4A birkat haMazon found in the collection of Cairo Geniza fragments at the University of Cambridge library. . . . Categories: Blessings After Eating Contributor(s): Unknown Author(s), Aharon N. Varady (translation) and Shoshana Michael Zucker (translation) אַתָּה הָאֵל עוֹשֵׂה פְלָאוֹת | Atah ha-El Oseh Fela’ot, a seliḥah for Taanit Esther by Shimon bar Isaac (ca. 10th c.)An alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . Categories: Ta'anit Esther קרובות לתענית אסתר | Ḳerovot for Taanit Esther by Yosef ibn Abitur (ca. 10th c.) with other seliḥot arranged by Isaac Gantwerk MayerThe poetic genre known as qerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar haḲalir’s Purim “Ḳrovetz“, a majestically interwoven piece of piyyut if ever there was one. But there are many other ḳerovot that have historically been recited, many of which were discovered in the Cairo Geniza. This set of ḳerovot, composed by the prolific Spanish paytan Yosef ibn Abitur, is meant to be included within the Shaḥarit amidah for Ta’anit Esther, the fast day before Purim. Consequently, it only goes up to the sixth blessing (the blessing for forgiveness) and concludes by leading directly into Seliḥot, which (before R. Yosef Karo’s standardization of the liturgy, and even now among some Western Ashkenazim) were inserted into the aforementioned blessing. In order to demonstrate this structure on a large scale, the editor here has compiled a full Shaḥarit repetition, nusaḥ Ashkenaz, incorporating the qerovot of Yosef ibn Abitur as well as the three seliḥot piyyutim of the Ashkenazi rite. . . . Categories: Ta'anit Esther Ḳerovot for Tu biShvat, a celebration of Divine verdancy, which namedrops a stunning array of flora from throughout the land of Israel. . . . Categories: Rosh haShanah la-Ilanot (Tu biShvat) The custom of reciting BaMeh Madliqin, the second chapter of Mishnah Shabbat, on Friday nights probably originated as an anti-Karaite polemic. While the Karaites were opposed to any use of fire on Shabbat, rabbinic Jews kindle lights before Shabbat, and the recitation of BaMeh Madliqin — the laws of Shabbat lights — emphasized this distinction. One of the best firsthand sources we have for this is the following introductory blessing from the Cairo Genizah (T-S NS 299.150 verso) for the recitation of BaMeh Madliqin, first published by Naftali Wieder in this article. This blessing emphasizes the continuity of the Torah both written and oral from Sinai to the sages and elders. . . . Categories: Erev Shabbat A blessing before the recitation of psalms, used in the old Eretz Yisrael rite as found in the Cairo Geniza. Since its structure is similar to the blessing before the haftara which is often cantillated, I have taken the liberty of adding psalmodic cantillation to the text. . . . Categories: Birkhot haTorah אָדָם בְּקוּם עָלֵֽינוּ | Adam B’qum ‘Alenu, a seliḥah for Taanit Esther by Menaḥem ben Makhir (ca. 11th c.)An alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . Categories: Ta'anit Esther בִּמְתֵי מִסְפָּר | BiM’tei Mispar, a seliḥah for Taanit Esther by Meshullam ben Ḳalonymus (11th c.)A reverse alphabetic acrostic seliḥah piyyut for Taanit Esther in Hebrew with English translation . . . Categories: Ta'anit Esther | ||
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