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פיוטים piyyutim —⟶ tag: פיוטים piyyutim Sorted Chronologically (old to new). Sort most recent first? A piyyuṭ sung by the Jews of Algiers on Shavu’ot and Simḥat Torah (and by some Moroccans for baqashot on Parashat Toldot). Yayin Tov Ratov is a love song from the perspective of God that uses a lot of language from Song of Songs. Wine and song, in this case, are both metaphors for the Torah. Of unknown origin, the acrostic spells out the name יצחק, although I can confirm that it wasn’t me who wrote it. . . . Categories: Shavuot Making sense of Ḥad Gadya beyond its explicit meaning has long inspired commentary. For me, Ḥad Gadya expresses in its own beautiful and macabre way a particularly important idea in Judaism that has become obscure if not esoteric. While an animal’s life may today be purchased, ultimately, the forces of exploitation, predation, and destruction that dominate our world will be overturned. Singing Ḥad Gadya is thus particularly apropos for the night of Passover since, in the Jewish calendar, this one night, different from all other nights, is considered the most dangerous night of the year — it is the time in which the forces of darkness in the world are strongest. Why? It is on this night that the divine aspect of Mashḥit, the executioner, is explicitly invoked (albeit, only in the context of the divine acting as midwife and guardian/protector of her people), as explained in the midrash for Exodus 12:12 . . . Categories: Nirtsah A Latin translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | Un Cabri: La Légende de l’Agneau, a French translation of Ḥad Gadya by Dom Pedro Ⅱ, emperor of Brazil (1891)This is “Had Gadiâ | Un Cabri: La Légende de l’Agneau (Poésie chaldaico-provençale, chantée a la table de famille les soirs de Paques),” a translation of Ḥad Gadya into French by Dom Pedro Ⅱ (1825-1891), emperor of Brazil, as published in Poésies hébraïco-provençales du rituel israélite comtadin traduites et transcriptes par S. M. D. Pedro Ⅱ, de Alcântara, empereur du Brésil (1891), pp. 45-59. A note on the last page indicates the translation was made in Vichy, France on 30 July 1891. . . . Categories: Nirtsah חַד גַּדְיָא | Йаке бузғола | Yake Buzghola (יַכֵּי בּוּזְגָאלַה) — a Judeo-Tajik translation of Ḥad Gadya by Rabbi Shimon ben Eliyahu Hakham (1904)A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., Aramaic, Bukharan Jewry, Bukhori, חד גדיא Ḥad Gadya, Judeo-Tajik, פיוטים piyyutim, predation, salvation, זמירות zemirot Contributor(s): Shimon ben Eliyahu Hakham, Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) חַד גַּדְיָא | Бир Улакъ | Bir Ulaq (בִּיר אוּלָק) — a Qrımçah tılyı (Krymchak) translation of Ḥad Gadya by Rabbi Nisim haLevy Tsahtsir (1904)A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., Aramaic, Bukharan Jewry, Crimean Tatar, חד גדיא Ḥad Gadya, Krymchak, פיוטים piyyutim, predation, salvation, זמירות zemirot Contributor(s): Nisim haLevy Tsahtsir, Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) A Judezmo/Ladino translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah ואחד ג’די | أغنية لعيد الفصح اليهودي | חַד גַּדְיָא (Waaḥid Jady) — an Arabic translation of Ḥad Gadya (Syrian Damascus variation)An Arabic translation of Ḥad Gadya in its Syrian Jewish Damascus variation. . . . Categories: Nirtsah A Judeo-Arabic translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah A Judeo-Berber translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | ერთი თიკანი | Erti tiḳani (ארתי תיקהני) — a Čveneburuli translation of Ḥad Gadya by Tamari Lomtadze & Reuven EnochA Čveneburuli (Judeo-Georgian) translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | Mēre Hobritsos (מֵײרֶע הוֹבְּרִיטְסוֹס) — a Judeo-Valyrian translation of Ḥad Gadya by Isaac Gantwerk MayerThis is the translation of Ḥad Gadya into Judeo-Valyrian with a Hebraicization schema for Valyrian by Isaac Gantwerk Mayer. . . . Categories: Nirtsah חַד גַּדְיָא | | Min Yacincë (מִן יַקִינְקֶי) — a Judeo-Quenya translation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has developed this adaptation of the well-known seder table-song Ḥad Gadya into Quenya, as well as a home-brewed transcription system into Hebrew script included here (PDF | ODT). This translation uses several fan-made terms, such as cuimacir for “butcher” and luhtya- for “extinguish”, as well as one original neologism, yacincë for “kid-goat.” . . . Categories: Nirtsah חַד גַּדְיָא | | וַא תַרְגְחָמְאֶא | wa’ targhHom’e’ (One little targ) — a tlhIngan Hol adaptation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish quadrant, and in many communities it was read in translation. This adaptation into tlhIngan Hol is very useful for when your universal translator is malfunctioning at a Seder on Qo’noS. Okay, but to be serious for a moment, while the many connections between the canon of Star Trek and the Jewish community are well known, one of the lesser-known ones is that the inventor of tlhIngan Hol (the Klingon language), Marc Okrand, is Jewish, and a substantial number of Klingon terms come from Hebrew or Yiddish. In honor of that connection, the editor has developed this adaptation of the well-known seder table-song Ḥad Gadya into tlhIngan Hol, as well as a home-brewed transcription system into Hebrew script called pIluy. The wildlife has also been adapted, so instead of a goat the story begins with one little targ. (Sure, they might LOOK like pigs, but who knows if they chew cud or not!) . . . Categories: Nirtsah אונו קאַפּרידאָ | חַד גַּדְיָא | Unu Kaprido — an Esperanto translation of Ḥad Gadya by Erin Piateski (2010)A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., Aramaic, constructed languages, Esperanto translation, חד גדיא Ḥad Gadya, L.L. Zamenhoff, פיוטים piyyutim, predation, salvation, זמירות zemirot Contributor(s): Erin Piateski (translation), Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) חַד גַּדְיָא | Ένα κατσίκι | Éna katsíki (אֵנַה קַצִיקִי) — a Yevanic translation of Ḥad Gadya by Isaac Gantwerk MayerA Yevanic (Judeo-Greek) translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | Un Kabritu (אוע קַאברִיטו) — a Papiamentu translation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. The Caribbean island of Curaçao is home to the oldest Jewish community west of the Atlantic, and its local creole language of Papiamentu has substantial Jewish influence. This is a translation of Ḥad Gadya into Papiamentu, along with a transcription into Hebrew according to a new methodology for Papiamentu in Hebrew. . . . Categories: Nirtsah חַד גַּדְיָא | Jb Wꜥ | Ib wa (יב וע) — a Middle Egyptian translation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. This Middle Egyptian translation was almost certainly the one that Moshe Rabbeinu himself sang at his seder table that fateful night in Egypt! …Not really. Ḥad Gadya postdates Middle Egyptian as a written language by about three millennia. But it’s fun and Pesaḥ-appropriate to sing this song in the language of that dagnabbed Pharaoh himself. Also included is a transcript of the text into Hebrew script, since Judeo-Hieroglyphics don’t exist… yet. Eh, the alphabet was adapted from hieroglyphics from the start. It’s fine. You could even say it’s an improvement. For reading out loud I’ve also included the standard Egyptological pronunciation system. If you’re stuck in a time machine be careful, it’s an artificial convention that should not be mistaken for how Egyptian was pronounced at the time. But personally I think “Tutenkhamen” is easier to say than *Təwā́təʾ-ʿā́nəkh-ʾamā́nəʾ, so sue me. . . . Categories: Nirtsah Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, seeing as it was written over a millenium after Akkadian became extinct. But in my opinion there ought to be a representation of the East Semitic language family in the canon of Ḥad Gadya translations. Also included is a transcript of the Akkadian text into Hebrew script, since Judeo-Cuneiform doesn’t exist… yet. Eh, Aramaic script was invented in the places Akkadian was spoken anyway, it’s fine. A hearty thanks to Dr. Janine Wende at the University of Leipzig for proofreading and editing the Akkadian translation! . . . Categories: Nirtsah חַד גַּדְיָא | 𐌰𐌹𐌽 𐌲𐌰𐌹𐍄𐌴𐌹𐌽 | Ain Gaitein (ען גּעטיִן) — a Gothic translation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one, but who knows? While there’s no known community of Jews who spoke Gothic or any other East Germanic language, there certainly were Jews who came into contact with it, such as the communities of Crimea (where variants of Gothic continued to be spoken until the 18th century). In any case this translation of Ḥad Gadya follows the grammar of Wulfila’s 4th-century Gothic translations. . . . Categories: Nirtsah חַד גַּדְיָא | አሐዱ፡ማሕስእ፡ጠሊ (ʾÄḥädu Maḥsəʾ Ṭäli) — a Gəʽəz translation of Ḥad Gadya by Isaac Gantwerk MayerA Ge’ez translation of the popular Passover seder song, Ḥad Gadya. . . . Categories: Nirtsah גַּדְיָא חֲדָא | חַד גַּדְיָא (Gaḏyå Ḥăḏa) — a version of Ḥad Gadya for Grammarians and Other Insufferable Pedants, by Isaac Gantwerk MayerAn original version of Ḥad Gadya which has been fully Aramaicized, with all the Hebrew words removed and the verbs conjugated properly. . . . Categories: Nirtsah חַד גַּדְיָא | Ān Tiċċen (אָן טִקֵﬞן) — an Old English translation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, since the earliest evidence of Jews in England dates back to 1070, by which point Middle English was already on its way to development. . . . Categories: Nirtsah חַד גַּדְיָא | ᛂᛁᚿᚿ᛫ᚴᛁᚧᛚᛁᚶᚱ᛬ | Einn Kiðlingr (עַין֘ קידֿלינגר) — an Old Norse translation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, since there is very little evidence of any Jews having lived in the Nordic countries before the Spanish expulsion, long after the end of the Old Norse era. . . . Categories: Nirtsah וַאחְדְ אזְדִיוַא | وحد الجديوة | חַד גַּדְיָא (Waaḥₔd ₔZdiwa) — a Judeo-Moroccan Arabic (Darija) adaptation of Ḥad GadyaA Judeo-Moroccan Arabic (Darija) adaptation of the Passover seder song, Ḥad Gadya, as found in Mahzor Moȝadé Hashem. . . . Categories: Nirtsah חַד גַּדְיָא | 𐎀𐎈𐎄𐎟𐎂𐎄𐎊𐎟 | אַחַּﬞדֻ גָדִיֻ (ʾAḥḥadu Gādiyu) — a Ugaritic translation of Ḥad Gadya, by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, seeing as it was written over two millenia after the Ugaritic language became extinct. But Ugaritic, closely related to the Canaanite language family of which Hebrew is a part, is worth studying for any Jewish scholar because of the light it sheds on the history of the Western Semitic peoples. So I’ve attempted a Ugaritic translation of Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | Hād-ĕi Gădìyă (הַ֨דֵ֬י גַ֬דִ֖יַ֬א) — a Tărgŭn Bìyènlìyén Dì translation of Ḥad Gadya derived from an alternate timeline by Isaac Gantwerk MayerIn our timeline, the Kaifeng Jewish community had originally spoken Persian as their lingua franca, before adopting the Kaifeng dialect of Mandarin that their neighbors spoke. But just change a little and all of history could be different! This is a translation of Ḥad Gadya in a timeline where Judeo-Aramaic was a little more prevalent in eastern Persia all those years ago. In this timeline, instead of speaking Judeo-Persian before adopting Chinese, the Kaifeng Jews spoke Aramaic. And this dialect of Aramaic, like many other languages spoken in the greater Chinese cultural sphere, underwent tonogenesis! . . . Categories: Nirtsah אֶחָד מִי יוֹדֵעַ | Eḥad Mi Yode’a :: Who Knows One?, a counting song in Hebrew and Yiddish (Prague Haggadah, 1526)The text of the popular Passover song “Who Knows One?” in its original Hebrew and Yiddish, with a translation in English. . . . Categories: Nirtsah אֶחָד מִי יוֹדֵעַ | Unum (est &) quis scit? | Eḥad Mi Yode’a, a Latin translation of the counting song by Johann Stephan Rittangel (1644)The text of the popular counting song “Who Knows One?” in its original Hebrew, with a translation in Latin. . . . Categories: Nirtsah אֶחָד מִי יוֹדֵעַ | Якумин кӣ медонад | Yakumin Ki Medonad :: a Bukhori (Judeo-Tajik) Translation of Eḥad Mi Yodea by Rabbi Shimon ben Eliyahu Hakham (1904)Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. It is mostly written in Hebrew, counting up to 13, but there are versions that can be found in many different languages. This translation is in Bukhori, also known as Judeo-Tajik, as translated by the great Shimon ben Eliyahu Ḥakham (1843-1910), the chief rabbi of the Bukharan Jewish community in Jerusalem. His full translation of all liturgical additions in the month of Nisan for the Bukharan community can be found in חוקת הפסח Ḥuqat haPesaḥ (1904) – the source for this transcription on page 128-130 (see included). Shimon Ḥakham transcribed it into vocalized Hebrew script, which is included here alongside transliterations into Tajik Cyrillic and a Roman transcription. . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., Bukharan Jewry, Bukhori, counting songs, אחד מי יודע eḥad mi yode'a, Judeo-Tajik, פיוטים piyyutim, זמירות zemirot Contributor(s): Shimon ben Eliyahu Hakham, Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) חַד מָה יוּדָא | אֶחָד מִי יוֹדֵעַ | Ḥad Mah Yuda :: Who Knows One?, a counting-song in Aramaic translationThe text of the popular Passover song “Who Knows One?” in Hebrew set side-by-side with an Aramaic translation. . . . Categories: Nirtsah קיו סציאַס אונו? | אֶחָד מִי יוֹדֵעַ | Kiu Scias Unu? — an Esperanto translation of Eḥad Mi Yodéa by Erin Piateski (2010)A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., constructed languages, counting songs, אחד מי יודע eḥad mi yode'a, Esperanto translation, L.L. Zamenhoff, פיוטים piyyutim, זמירות zemirot Contributor(s): Erin Piateski (translation), Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) קְי ווֹלְירַה קְי אְינטְינדְירַה | אֶחָד מִי יוֹדֵעַ | Che volera, che entendera — a Judeo-Sienese translation of Eḥad Mi YodeaEḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. Counting up to 13, it is mostly written in Hebrew, but there are versions that can be found in many different languages. This translation is in the Judeo-Italian dialect of Siena, based on Geremia Mario Castelnuovo’s 1956 recording from Leo Levi’s collection of Judeo-Italian ethnomusicological recordings. A link to the original recording can be found here. . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., counting songs, אחד מי יודע eḥad mi yode'a, Italian translation, פיוטים piyyutim, זמירות zemirot Contributor(s): Unknown Translator(s), Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) כָּאנְדְרִי נְדְרִיהוּם | אֶחָד מִי יוֹדֵעַ | Kaanₔdri Nₔdrihom — a Judeo-Moroccan Arabic (Darija) adaptation of Eḥad Mi YodeaȝA Judeo-Moroccan Arabic (Darija) adaptation of the Passover counting song Eḥad Mi Yodeaȝ, as found in Mahzor Moȝadé Hashem. . . . Categories: Nirtsah אוֹדֶה לָאֵל | Odeh la-El Levav Ḥoqer B’ran Yaḥad Kokhvei Boqer, a morning piyyut by Rabbi Shamayah Ḳosson (ca. 16th c.)“Odeh La-Él” sings to the waking soul, calling on it to return to the service of the Divine. . . . Categories: Morning Baqashot A (kosher-for-Passover) prayer for redemption from exile. . . . Categories: Nirtsah לְכָה דוֹדִי | Lekhah Dodi, the piyyut for Ḳabbalat Shabbat by Shlomo haLevi Al-Qabets (translation by Rabbi Levi Weiman-Kelman & Shaul Vardi)This translation of the piyyut for Shabbat by Shlomo Al-Qabets can be found in HaAvodah SheBaLev – the Service of the Heart (Kehilat Kol HaNeshama, Jerusalem, 2007). . . . Categories: Ḳabbalat Shabbat Tags: 16th century C.E., 54th century A.M., acrostic, Alphabetic Acrostic, לכה דודי Lekhah Dodi, פיוטים piyyutim, שבת shabbat Contributor(s): Shaul Vardi (translation), Levi Weiman-Kelman (translation) and Shlomo haLevi Al-Qabets “Odeh La-Él” sings to the waking soul, calling on it to return to the service of the Divine. . . . Categories: Morning Baqashot In many eastern Sephardic and Mizraḥi communities, there is a custom that a poetic “ketubah,” or marriage-contract, is recited before the Torah service on Shavuot. This custom, based on the midrashic idea that the Torah is the ketubah for the marriage between the bride Israel and the groom God, is beloved by the ḳabbalists. By far the most commonly used Shavuot ketubah is that of the great paytan and meḳubal Yisrael ben Moshe Najara, who wrote the following some time in the sixteenth century. This is a new translation of Najara’s poem. . . . יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) translation by Rabbi David Aaron de Sola (1857)This translation by Rabbi David Aaron de Sola of “Yah Ribon” by Rabbi Yisrael Najara was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, Aramaic, פיוטים piyyutim, rhyming translation, יה רבון Yah Ribon, זמירות zemirot Contributor(s): Aharon N. Varady (transcription), David de Aaron de Sola (translation) and Yisrael Najara יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) rhyming translation by Israel Abrahams (1914)The piyyut, yah Ribon Olam, in Hebrew with a rhyming English translation. . . . יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) translated by Paltiel Birnbaum (1949)The piyyut, Yah Ribon, in Aramaic with an English translation. . . . יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) translated by Rabbi Israel Brodie (1962)The piyyut, Yah Ribon, in Aramaic with an English translation. . . . יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) translation by Sara-Kinneret LapidotThe piyyut, yah Ribon Olam, in Hebrew with an English translation. . . . בְּנֵי הֵיכָלָא | Bnei Heikhala, a piyyut for Shabbat afternoon by Rabbi Yitsḥaq Luria (translation by Rabbi Zalman Schachter Shalomi)A piyyut by the ARI for the afternoon of Shabbat in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. . . . Categories: Se'udah haShlishit אֲזַמֵּר בִּשְׁבָחִין | Azamer biShvaḥin, a piyyut for Friday evening by Rabbi Yitsḥaq Luria (translation by Rabbi Zalman Schachter Shalomi)The Friday evening shabbat piyyut, Atqinu Seudata, in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. . . . Categories: Se'udat Leil Shabbat אֲסַדֵּר לִסְעוּדָתָא | Asader liS’udata, a piyyut for Shabbat morning by Rabbi Yitsḥaq Luria (translation by Rabbi Zalman Schachter Shalomi)A piyyut by the ARI for the day of Shabbat in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. . . . Categories: Se'udat Yom Shabbat יוֹם זֶה לְיִשְׁרַאֵל | Yom Zeh l’Yisrael, a piyyut by Rabbi Yitsḥaq Luria (translation by Rabbi David Aaron de Sola, 1857)This translation of “Yom Zeh l’Yisrael” by Rabbi David Aaron de Sola of a piyyut by Rabbi Yitsḥaq Luria was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Categories: Se'udat Yom Shabbat Tags: 16th century C.E., 54th century A.M., Acrostic signature, פיוטים piyyutim, יום זה לישראל Yom Zeh l'Yisrael, זמירות zemirot Contributor(s): David de Aaron de Sola (translation), Yitsḥak Luria and Aharon N. Varady (transcription) יוֹם זֶה לְיִשְׁרַאֵל | Yom Zeh l’Yisrael, a piyyut by Rabbi Yitsḥaq Luria (abridged rhymed translation by Alice Lucas, 1898)An abridged rhymed translation of the piyyut Yom Zeh l’Yisrael. . . . Categories: Se'udat Yom Shabbat יוֹם זֶה לְיִשְׁרַאֵל | Yom Zeh l’Yisrael, a piyyut by Rabbi Yitsḥaq Luria (translation by Nina Salaman, 1914)A translation of the piyyut Yom Zeh l’Yisrael. . . . Categories: Se'udat Yom Shabbat Tags: 16th century C.E., 54th century A.M., Acrostic signature, פיוטים piyyutim, יום זה לישראל Yom Zeh l'Yisrael, זמירות zemirot Contributor(s): Nina Davis Salaman (translation), Yitsḥak Luria and Aharon N. Varady (transcription) | ||
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