This is an archive of prayers, songs, and other individual works relevant to the final course of the seder for Pesaḥ (Passover): Nirtsah, containing piyyutim and the counting of the Omer. Click here to contribute a work or a transcription and translation of a historical work that you have prepared for Nirtsah in the Seder Pesaḥ. Filter resources by Collaborator Name Filter resources by Tag Filter resources by Category Filter resources by Language Filter resources by Date Range
Resources filtered by COLLABORATOR: “Isaac Gantwerk Mayer (transcription & naqdanut)” (clear filter)A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . Tags: 16th century C.E., 53rd century A.M., Aramaic, Bukharan Jewry, Bukhori, חד גדיא Ḥad Gadya, Judeo-Tajik, פיוטים piyyuṭim, predation, salvation, זמירות zemirot A Judeo-Arabic translation of the popular Passover song, Ḥad Gadya. . . . A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . Tags: 16th century C.E., 53rd century A.M., Aramaic, Bukharan Jewry, Crimean Tatar, חד גדיא Ḥad Gadya, Krymchak, פיוטים piyyuṭim, predation, salvation, זמירות zemirot A Čveneburuli (Judeo-Georgian) translation of the popular Passover song, Ḥad Gadya. . . . A Judezmo/Ladino translation of the popular Passover song, Ḥad Gadya. . . . Tags: 16th century C.E., 53rd century A.M., Aramaic, חד גדיא Ḥad Gadya, Judeo-Spanish, Judezmo, Ladino Translation, פיוטים piyyuṭim, predation, salvation, זמירות zemirot A Judeo-Berber translation of the popular Passover song, Ḥad Gadya. . . .
Tags: 16th century C.E., 53rd century A.M., Aramaic, constructed languages, Esperanto translation, חד גדיא Ḥad Gadya, L.L. Zamenhoff, פיוטים piyyuṭim, predation, salvation, זמירות zemirot A Yevanic (Judeo-Greek) translation of the popular Passover song, Ḥad Gadya. . . . Tags: 16th century C.E., 53rd century A.M., Aramaic, חד גדיא Ḥad Gadya, Judeo-Greek, פיוטים piyyuṭim, predation, Romaniote, salvation, Yevanic, זמירות zemirot A Judeo-Moroccan Arabic (Darija) adaptation of the Passover seder song, Ḥad Gadya, as found in Mahzor Moȝadé Hashem. . . . Tags: 16th century C.E., 53rd century A.M., Arabic translation, Aramaic, Darija, חד גדיא Ḥad Gadya, Judeo-Arabic, Morocco, פיוטים piyyuṭim, predation, salvation, זמירות zemirot Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. It is mostly written in Hebrew, counting up to 13, but there are versions that can be found in many different languages. This translation is in Bukhori, also known as Judeo-Tajik, as translated by the great Shimon ben Eliyahu Ḥakham (1843-1910), the chief rabbi of the Bukharan Jewish community in Jerusalem. His full translation of all liturgical additions in the month of Nisan for the Bukharan community can be found in חוקת הפסח Ḥuqat haPesaḥ (1904) – the source for this transcription on page 128-130 (see included). Shimon Ḥakham transcribed it into vocalized Hebrew script, which is included here alongside transliterations into Tajik Cyrillic and a Roman transcription. . . . The text of the popular Passover song “Who Knows One?” in Hebrew set side-by-side with an Aramaic translation. . . . Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. Counting up to 13, it is mostly written in Hebrew, but there are versions that can be found in many different languages. This translation is in the Judeo-Italian dialect of Siena, based on Geremia Mario Castelnuovo’s 1956 recording from Leo Levi’s collection of Judeo-Italian ethnomusicological recordings. A link to the original recording can be found here. . . . A Judeo-Moroccan Arabic (Darija) adaptation of the Passover counting song Eḥad Mi Yodeaȝ, as found in Mahzor Moȝadé Hashem. . . . A translation of Ḥad Gadya into Hulaulá (Trans-Zab Jewish Neo-Aramaic), the Aramaic dialect of the Jews of Sanandaj. Largely based on the translation of Alan Niku (found here), with a few minor changes, and with the transcription altered to the scholarly transcription of Geoffrey Khan in his analysis of the dialect. Also featuring a transcription into Hebrew script. . . . |
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