This is an archive of prayers written for שָׁבוּעוֹת Shavuōt (a/k/a Pentecost), the festival upon which twin loaves of processed grain loaves were elevated/waved as offerings in the Temple, expressing gratitude for the first produce of the barley/wheat harvest of the spring season in the Land of Israel. The first work to make the connection between the festival and the granting of the Torah is in the parabilblical work from the Second Temple Period, Sefer ha-Yovelim (the Book of Jubilees), chapter 6:15-22 —
"And [Hashem] gave a sign to Noaḥ and his children that there should not again be a flood upon the earth. [Hashem] set his [rain]bow in the clouds for a sign of the covenant which is forever, that the water of the Flood should therefore not be upon the earth to destroy it all of the days of the earth. Therefore, it is ordained and written in the heavenly tablets that [the children of Yisrael] should observe the feast of Shevuot in this month, once per year, in order to renew the covenant in all (respects), year by year. And all of this feast was celebrated in heaven from the day of creation until the days of Noaḥ, twenty-six jubilees and five weeks of years. And Noaḥ and his children kept it for seven jubilees and one week of years until the day of the death of Noaḥ. And from the day of the death of Noaḥ, his sons corrupted it until the days of Avraham, and they ate blood. But Avraham alone kept it. And Yitsḥaq and Yaaqov and his sons kept it until your days, but in your days the children of Yisrael forgot it until you renewed it for them on this mountain. And you, command the children of Israel so that they might keep this feast in all of their generations as a commandment to them. One day per year in this month they shall celebrate the feast, for it is the feast of Shevuot [oaths] and it is the feast of the first fruits. This feast is twofold and of two natures. Just as it is written and engraved concerning it, observe it. This is because I have written it in the book of the first law, which I wrote for you, so that you might observe it in each of its appointed times, one day per year. And I have told you its sacrificial offering so that the children of Israel might remember them and observe them in their generations in this month one day each year." (translation after the surviving Ge'ez text by O.S. Wintermute, from J. Charlesworth’s O.T. Pseudepigrapha) Click here to contribute a prayer you have written, or a historic prayer you have transcribed and translated for Shavuot. Filter resources by Name Filter resources by Tag Filter resources by Category Filter resources by Language Filter resources by Date Range Psalms 67 is a priestly blessing for all the peoples of the earth to be sustained by the earth’s harvest (yevulah), and it is a petition that all humanity recognize the divine nature (Elohim) illuminating the world. Composed of seven verses, the psalm is often visually depicted as a seven branched menorah. There are 49 words in the entire psalm, and in the Nusaḥ ha-ARI z”l there is one word for each day of the Sefirat haOmer. Similarly, the fifth verse has 49 letters and each letter can be used as a focal point for meditating on the meaning of the day in its week in the journey to Shavuot, the festival of weeks (the culmination of the barley harvest), and the festival of oaths (shevuot) in celebration of receiving the Torah. Many of the themes of Psalms 67 are repeated in the prayer Ana b’Koaḥ, which also has 49 words, and which are also used to focus on the meaning of each day on the cyclical and labyrinthine journey towards Shavuot. Categories: Tags: 42 letter divine name, a red ribbon, acrostic, אנא בכח Ana b'Khoaḥ, anxiety, barley, captives, cyclical, Divine name acrostic, first fruits, labyrinth, Psalms 67, Raḥav, shalmah, walled cities, wheat Contributor(s): This is a Birkat ha-Mazon in the Ashkenazi nusaḥ incorporating a reconstruction of a liturgy for a Birkat haMazon for Shavuot witnessed in the Cairo Geniza fragment T-S H6.37 (page 4, recto and verso). Visit here, for a transcription and translation of the former (without the full Birkat ha-Mazon). Categories: Tags: Contributor(s): “Arkin” is one of two Aramaic piyyutim read by some Ashkenazi communities at the beginning of the Torah reading on the first day of Shavuot (the other being the Aqdamut). The piyyut makes reference to an important legend featuring Mosheh experiencing an ascent in which he must wrest the Torah from angelic entities that are averse to parting with it, or loathe to giving it up, to humanity. Introducing the piyyut she translated in Jewish Aramaic Poetry from Late Antiquity (Brill: 2018), Dr. Laura Lieber writes, “This [Shavuot] poem dramatizes neither the content of revelation, as other poems here do, nor the season of its giving, as the story of Ruth does. Instead, our poet imagines God’s summoning of Moses to the heavens to receive the Torah atop Mount Sinai. God’s voice is most prominent here, although the angels also speak; Moses, however, keeps silent, and the poet depicts him with anything but aggression and bravado. The poet crafts a scene that recreates the tension of the imagined encounter: God repeatedly reassures Moses, who fears angelic aggression, but the angels also express fear of Moses, who is here depicted as having horns, which God encourages Moses to use in self-defense.” Categories: Tags: acrostic, Alphabetic Acrostic, Angelic Nature, Angelification, Angels, Aramaic, Decalogue, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, mid-first millennium CE, Mosheh Rabbenu, פיוטים piyyuṭim, תרגום targum Contributor(s): The Yiddish translation of the Aramaic piyyut “Arkin” is appended to the first known printing of the Maaséh Aqdamut (Fürth 1694). The transcription is based on an earlier transcription of the Fürth 1694 printing published by Isaac Rivkind in “די היסטאָרישע אַלעגאָריע פון ר׳ מאיר שַ״ץ” (“The Historical Allegory of Rabbi Meir, shatz [Shaliaḥ Tsibur]”) the first chapter in Filologishe shriftn vol. 3 (1929), pp. 1-42. (This translation of the Aqdamut appears on pages/numbered columns 40-42.) Categories: Tags: acrostic, Alphabetic Acrostic, Angelic Nature, Angelification, Angels, Aramaic, ארכין Arkin, Decalogue, ההיכלות ויורדי המרכבה haHeikhalot v'Yordei haMerkavah, mid-first millennium CE, Mosheh Rabbenu, פיוטים piyyuṭim, תרגום targum, Yiddish translation Contributor(s): This piyyut, “Joseph Overpowered,” was originally written in the Byzantine era as an introduction to the seventh commandment, the commandment against adultery. It tells a midrashic elaboration of the story of Potiphar’s wife’s attempt and failure to seduce Joseph. It’s honestly a bit racier than one would expect from a liturgical text, with quite a few double entendres on the topic of sexuality. Like the two prior piyyutim — Amar Yitzḥak and Itgabar — it begins in medias res. Categories: Tags: 45th century A.M., 7th century C.E., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, Decalogue, פיוטים piyyuṭim, sexual attraction, sexual conduct, תרגום targum, Yosef cycle Contributor(s): This piyyut, “Amar Yitsḥaq,” was originally written as an introduction to the fifth commandment, the commandment of honoring your father and mother. In the eyes of the payṭan, the quintessential example of honoring your father is an incredibly morbid one — Isaac, encouraging his father to go through with it on the altar and begging him to strike true, so that the sacrifice isn’t rendered unfit! It incorporates midrashic narratives about Isaac’s total willingness to go through with the sacrifice, as well as his longing for his mother in the process. To our modern eyes it is quite a disturbing work! But it’s worth remembering that there were many cases in medieval Europe of Jewish parents so desperate and terrified on account of the Crusades that they killed their own children rather than have them submit to baptism. Perhaps this poem provided those who heard such horrific stories some comfort. Categories: Tags: 45th century A.M., 7th century C.E., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aqédat Yitsḥaq, Aramaic, Decalogue, martyrdom, פיוטים piyyuṭim, self-sacrifice, תרגום targum, יצחק Yitsḥaq Contributor(s): This piyyut, “Itgabar,” was originally written as an introduction to the sixth commandment, the commandment of not murdering. It is a poetic retelling of the death of Joab in I Kings 2:28-34. Joab, the leader of David’s armies, was a notoriously violent man, the slaughterer of Abner and Amasa. He died in a correspondingly violent way, struck down by Benaiah son of Jehoiada within the Tabernacle itself. Surprisingly enough, this poem frames Solomon as an unjust and cruel ruler, treating Joab’s death as a tragedy rather than the quid-pro-quo consequence it is portrayed as in Kings. In this location, it almost goes so far as to calling Solomon himself a murderer. Categories: Tags: 45th century A.M., 7th century C.E., acrostic, phonetic alphabetic acrostic translation, Alphabetic Acrostic, Aramaic, bloodshed, Decalogue, murder, פיוטים piyyuṭim, תרגום targum, ultraviolence Contributor(s): This piyyut, “Ḥanaiah, Mishael, and Azariah,” was originally written to be recited as an introduction to the targum of the Second Commandment, the prohibition on worshiping other gods. It is a dispute-poem retelling the story of Ḥanaiah, Mishael, and Azariah, the three “holy children” of Daniel chapter 3 who would rather be thrown into an oven than worship an idol. It’s an intricate multi-part acrostic that I absolutely love. (I also am partially convinced it may be influenced by the apocryphal “Song of the Three Holy Children,” if not in context then in the idea of an extensive poem related to their story.) Since the original poem’s acrostic only goes halfway through the alphabet, the great Meir bar Isaac Nehorai of Orleans wrote a continuation that is also included here. Categories: Tags: Contributor(s): A Birkat haMazon for Shavuot presenting an alphabetic acrostic from a manuscript preserved in the Cairo Geniza. Categories: Tags: Contributor(s): “Elimelekh G’la” is a Byzantine-era Western Aramaic poetic retelling of the Book of Ruth. It was probably originally used as part of the liturgy for Shavuot, perhaps as a poetic addition to the recitation of a Targumic interpretation of the Book of Ruth. (The verses from Ruth and Psalms appended to the coda of the piyyuṭ would suggest such a Sitz im Leben.) But in any case, it has a great acrostic structure and rhyme scheme, and ought to be preserved! Here is included a vocalized text, largely based on the unvocalized text compiled in Jewish Palestinian Aramaic Poetry from Late Antiquity (ed. Yahalom and Sakaloff, 1999) where it’s the tenth poem recorded. ‘ve added a rhyming poetic translation that preserves the Hebrew acrostic. Credit to Laura Suzanne Lieber’s literal translations of these poems (in Jewish Aramaic Poetry from Late Antiquity: Translations and Commentaries, 2018), which have served as a very helpful resource for the project. Categories: Tags: Contributor(s): An Aramaic piyyut composed as an introduction to the reading of the Targum for the Torah reading on Shavuot. Categories: Tags: Contributor(s): A “bikkur” piyyut traditionally added at the end of Hashkivenu for Shavˁuot in the Old French (and Maḥzor Vitry) and Romaniote rites. From the acrostic we know the author was named Yosef ben Yaˁakov. Other than that we know very little about this poem’s origin and age, although its structure fits with the early Ashkenazi piyyut oeuvre. Categories: Tags: Contributor(s): The maaravot-cycle of piyyutim for the first night of Shavuot, by Joseph ben Samuel Bonfils. In normative maaravot fashion, it is one extended cycle with an overarching structure (the first words of each of the Ten Commandments) throughout the whole of the kriat shema, with additional piyyutim incorporated into the first blessing after the shema. Categories: Tags: Contributor(s): A poetic introduction to the Azharot of Solomon ibn Gabirol read in the afternoon of Shavuot by Sefaradim. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, אזהרות azharot, Decalogue, Har Sinai, Nusaḥ Sefaradi, פיוטים piyyuṭim, התורה the Torah, theophany Contributor(s): This meorah, by R. Avraham bar Shmuel of Speyer (the elder brother of R. Yehuda heḤasid and a great scholar in his own right) is recited on Shabbat Naso. This is usually after Shavuot, but sometimes (in 2025, for instance) it is before. This meorah is a poetic interpretation of the Priestly Blessing, and a plea for vengeance against the antisemitic nations. As a meorah, it is recited prior to the final line of the guf and the ḥatima of the Yotser Or blessing. Categories: Tags: Contributor(s): “Ar’a Raqda,” a piyyut read directly before the Ten Commandments in the Targum, uses wedding imagery and language from the Shir haShirim to paint Sinai as a ḥuppah. Categories: Tags: Contributor(s): Ana is a poem for the first commandment, that discusses all that God did for the ancestors. Categories: Tags: Contributor(s): This is the piyyut “Eyumah Nikhtrah (Lo, the Mighty Nation…)” by Isaac ben Meshulam for maariv (after the shema) on the second night of Shavuot, was first published in Adler and Davis’s Maḥzor for Shavuot, Avodat Ḥag ha-Shavuot (1909), pp. 178-179. Categories: Tags: Contributor(s): This is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. Categories: Tags: Contributor(s): A popular piyyut for Simḥat Torah (4th hakkafah) originally composed as a piyyut for Shavuot and often referred to by its incipit, “Mipi El.” Categories: Tags: Contributor(s): |
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