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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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50th century A.M. —⟶ tag: 50th century A.M. Sorted Chronologically (old to new). Sort most recent first? A medieval manuscript illustration of the aggadah that the Yam Suf was split in 12 discrete channels, one for each tribe, as reflected above by a 12-color rainbow Categories: Tags: 12th century C.E., 50th century A.M., אז ישיר Az Yashir, קריעת ים סוף qriyat yam suf, safe passage, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, Song of the Sea, the Rainbow Contributor(s): Some Jewish communities, especially those in the region of the Four Lands, have a custom of fasting on the 20th of Sivan. This day has a full seliḥot service, commemorating a series of horrors that occurred on that day, most prominently the Chmielnicki (Khmielnetsky) massacres of 1648-49. But this poem was written for another horrific occurrence on 20 Sivan, the blood libel of Blois in 1171. This was the first time the accusation of ritual murder was ever made against the Jews of France, but it wasn’t the last. This seliḥah poem, written by Hillel ben Jacob of Bonn, starts with the dramatic accusation that God has abandoned the people Israel, continuing by listing those who died in myriad horrid ways, and ending with several citations from the apocalyptic final chapter of the book of Joel. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Alphabetic Acrostic, Blois Incident of 1171, קינות Ḳinōt, סליחות səliḥot Contributor(s): This translation of “Ki Eshmera Shabbat” by Rabbi David Aaron de Sola of a piyyut by Avraham ibn Ezra was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). The piyyut and popular shabbat table song, Ki Eshmera Shabbat, in Hebrew with a rhyming translation. A translation of the piyyut, Anim Zemirot. A “praying translation” of the piyyut, Anim Zemirot. Aish Tukad is a ḳinah for Tishah b’Av, usually recited towards the conclusion of the set of dirges for the morning service (in Goldshmidt’s numbering, it is number 32 of our 46 Kinot). According to Goldshmidt’s introduction, the structure of this Piyyut is based on a Midrash in Eicha Zuta 19, where Moses’ praises for God and Israel are seen as parallel to Jeremiah’s laments, thus creating the concept of a comparison between the joy of the Exodus and the pain of the Temple’s destruction. This is the shir ha-yiḥud l’yom shabbat (hymn of unity for day of shabbat), as translated by Herbert Adler and published in the maḥzor for Rosh ha-Shanah by Arthur Davis & Herbert Adler (1907). Categories: Tags: Contributor(s): This is the shir ha-yiḥud l’yom shishi (hymn of unity for the sixth day), as translated by Herbert Adler and published in the maḥzor for Rosh ha-Shanah by Arthur Davis & Herbert Adler (1907). Categories: Tags: Contributor(s): This is the shir ha-yiḥud l’yom ḥamishi (hymn of unity for the fifth day), as translated by Herbert Adler and published in the maḥzor for Rosh ha-Shanah by Arthur Davis & Herbert Adler (1907). Categories: Tags: 12th century C.E., 50th century A.M., neo-Aristotelian Judaism, פיוטים piyyuṭim, שיר היחוד Shir haYiḥud, via negativa Contributor(s): A rhyming translation of the pizmon for maariv on Yom Kippur. This is the shir ha-yiḥud l’yom revi’i (hymn of unity for the fourth day), as translated by Nina Salaman and published in the maḥzor for Rosh ha-Shanah by Arthur Davis and Herbert Adler (1907). This is the shir ha-yiḥud l’yom shlishi (hymn or song of unity for the third day), as translated by Arthur Davis and published in the maḥzor for Rosh ha-Shanah by Arthur Davis and Herbert Adler (1907). Categories: Tags: 12th century C.E., 50th century A.M., neo-Aristotelian Judaism, פיוטים piyyuṭim, שיר היחוד Shir haYiḥud, via negativa Contributor(s): This is the shir ha-yiḥud l’yom sheni (hymn or song of unity for the second day), as translated by Nina Salaman and published in the maḥzor for Yom haKippurim by Arthur Davis and Herbert Adler (1904). Categories: Tags: 12th century C.E., 50th century A.M., neo-Aristotelian Judaism, פיוטים piyyuṭim, שיר היחוד Shir haYiḥud, via negativa Contributor(s): This is the shir ha-yiḥud l’yom rishon (hymn or song of unity for the first day), as translated by Nina Salaman and published in the maḥzor for Rosh ha-Shanah by Arthur Davis and Herbert Adler (1907). Categories: Tags: Contributor(s): This is the Minhag Ashkenaz (western Germany, codified in Frankfurt) Maȝaravot for the seventh day of Pesaḥ, by Rabbi Menaḥem ben Jacob of Worms. An ahava piyyut for Shabbat Vayera, recited in the old Nusaḥ Polin (Eastern Ashkenazi) rite, written (according to Davidson) by R. Shmuel bar Avraham haLevi. Shmuel bar Avraham haLevi (1165-1216, according to Graetz) was a poet and scholar of the ibn Ḥasdai family of Barcelona, and the father of the noted Maimonidean translator Avraham bar Shmuel ibn Ḥasdai. This piyyuṭ takes God’s fateful instruction to Abraham — “Take, please, your son, your only one, whom you love,” and, in a shocking bit of poetic ḥutzpah, reframes it a request that God takes back Israel! This seliḥah poem, written by R. Joseph of Chartres, commemorates the martyrdom of approximately 150 Jews in Clifford’s Tower, York, England, in the year 1190. A summary of the events of 1190, sometimes referred to as “the English Masada,” can be found here. Like many medieval Jewish poems about massacres, Elohim B’alunu carefully treads the line between assuming guilt and declaring innocence. This poem, interestingly enough, directly calls out the person seen by R. Joseph of Chartres as ultimately responsible — the crusader King Richard Ⅰ. Beloved in Christian memory, this radical zealot of a king has a much darker, more horrific reputation among Jewish and Muslim groups. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Alphabetic Acrostic, British Jewry, King Richard I, קינות Ḳinōt, סליחות səliḥot, York Massacre of 1190 Contributor(s): This is a portion of the tenth gate from ספר תחכמוני Sefer Taḥkemoni of Yehudah Al-Harizi (ca. 1179-1235), narrated by The Farmer. The transcription and English translation was made by Isaac Gantwerk Mayer. Isaac adds, “While Israel Davidson in Parody in Jewish Literature (1907) considered this satire, the imagery of a rooster so desperate not to be killed and eaten that he is begging humans to kill and eat his children instead is horrifying.” A mourner’s ḳaddish in the event there is no quorum. | ||
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