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tag: German vernacular prayer Sorted Chronologically (old to new). Sort most recent first? This is a variation of the “Baugesang,” a variation of the piyyut Adir Hu sung in German translation. Better known in form found in the 1769 Selig Haggadah, this is a variation published in 1717 by Paul Christian Kirchner. Categories: Tags: 18th century C.E., 56th century A.M., אדיר הוא Adir Hu, Christian Hebraism, German vernacular prayer, haggadah supplements, פיוטים piyyuṭim, Temple restoration, זמירות zemirot Contributor(s): The paraliturgical adaptation and expansion of “Adaun Aulom” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 93-94. I have set the stanzas or verses from Adon Olam in their original Hebrew side-by-side with Lise Tarlau’s adapted text (according to the arrangement that seems closest to me) so that their proximity may illuminate her inspiration. “Zweites Gebet vor Neïla” is an abridged, adapted translation by Yehoshua Heshil Miro of the piyyut by Yehudah haLevi “Barkhi Nafshi et Adonai.” There are seven stanzas missing near the end including the final stanza and a portion of the penultimate stanza. The translation was published in Miro’s anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaicher Religion. It first appears in the 1835 edition, as teḥinah №48 pp. 83-85. In the 1842 edition, it appears as teḥinah №50 on pp. 86-90. Categories: Tags: 12th century C.E., 19th century C.E., 49th century A.M., 56th century A.M., Acrostic signature, Alphabetic Acrostic, German Jewry, German vernacular prayer, Jewish Women's Prayers, paraliturgical neïlah, תחינות teḥinot Contributor(s): “Gebet für den Regenten” was translated/adapted by Yehoshua Heshil Miro from the traditional prayer for the sovereign (“Hanoten Teshua”) and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. It first appears in the 1833 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion on pp. 66-67. In the 1835 edition, it appears as teḥinah №45 on pp. 75-76. In the 1842 edition, it appears as teḥinah №47 on pp. 78-79, with the name of Friedrich Wilhelm Ⅲ (1770-1840) replaced by Friedrich Wilhelm Ⅳ (1795-1861). The Hebrew liturgy from which Miro’s translation was derived was reconstructed from variations of Hanoten Teshua current in the 19th century at the time this prayer was published. Categories: Tags: 19th century C.E., 56th century A.M., German Jewry, German vernacular prayer, הנותן תשועה haNotén Teshuah, Kingdom of Prussia Contributor(s): A German translation of Maoz Tsur, by the early Reform rabbi Leopold Stein. This singable German translation was cited as an inspiration for Gustav Gottheil and Marcus Jastrow’s well-known English edition. In some communities in the German Empire, for instance the community of Beuthen (now Bytom, Poland), it was recited during the morning service on Ḥanukkah. It poetically translates the first five verses in their entirety, avoiding the controversial sixth verse (said by some to have been added post-facto, and rejected by the early Reform movement). Categories: Tags: 13th century C.E., 51st century A.M., Acrostic signature, German language, German Reform Movement, German-speaking Jewry, German vernacular prayer, מעוז צור Maoz Tsur, פיוטים piyyuṭim, Spanish-Portuguese Contributor(s): This is a German translation of the Passover table-song Ḥad Gadya as translated by Paul Christian Kirchner in 1717. Categories: Tags: 18th century C.E., 56th century A.M., Aramaic, Christian Hebraism, German vernacular prayer, חד גדיא Ḥad Gadya, haggadah supplements, פיוטים piyyuṭim, predation, salvation, זמירות zemirot Contributor(s): A German-language Lied, or art song, retelling Ḥad Gadya, by the great cantor (and father of an even greater composer) Isaac Offenbach. First published in his 1838 “Hagadah, oder Erzählung von Israels Auszug aus Egypten” in Cologne, along with sheet music of a setting for voice and piano, it is here typed in modernized German spelling. Categories: Tags: Contributor(s): A German-language Lied, or art song, retelling Ḥad Gadya, by the great cantor (and father of an even greater composer) Isaac Offenbach. First published in his 1838 “Hagadah, oder Erzählung von Israels Auszug aus Egypten” in Cologne, along with sheet music of a setting for voice and piano, it is here typed in modernized German spelling. Categories: Tags: Contributor(s): Born into Judaism, Paul Christian Kirchner was baptized a Christian in 1713. In 1717, he first published the word “Jüdisches Ceremoniel” or “Jewish Ceremony,” for which he is most well known — a firsthand recollection (and, to be honest, criticism) of Jewish practices throughout the year and life cycle. While the work is written by an apostate for a Christian audience, and thus it is certainly not an unbiased source — and it had been almost a decade since he left the community so some of his memories are a bit muddled — it is still a fascinating work if only for its depiction of Jewish practices otherwise forgotten. In this portion of Kirchner’s description of the Seder night, he describes a ritual somewhat similar to the one still practiced in many North African communities to this day along with six — count ’em, six! — questions asked by the eldest (‽) child to the father. Categories: Tags: 18th century C.E., 56th century A.M., Christian Hebraism, Four Questions, German vernacular prayer, haggadah supplements, liberation, paraliturgical Contributor(s): A prayer of a physician from Markus Herz in German with its Hebrew and English translations. A prayer upon preparing ḥallot for Shabbat. Categories: Tags: 18th century C.E., 56th century A.M., baking ḥallah, eros, German vernacular prayer, חלה challah ḥallah, taking dough, תחינות teḥinot Contributor(s): In 1785 Friedrich Schiller wrote his ‘An die Freude an ode ‘To Joy’, describing his ideal of an equal society united in joy and friendship. Numerous copies and adaptations attest to its popularity at the time. The slightly altered 1803 edition was set to music not only by Ludwig van Beethoven in his Ninth Symphony but also by other composers such as Franz Schubert and Pyotr Tchaikovsky. Hs. Ros. PL B-57 contains a Hebrew translation of the first edition of the ode (apparently rendered before the 1803 alteration), revealing that the spirit of the age even managed to reach the Jewish community in the Netherlands. Whereas the imagery of Schiller’s original is drawn from Greek mythology, the author of the שִׁיר לְשִׂמְחָה relies on the Bible as a source. In fact, he not only utilises Biblical imagery, but successfully avoids any allusion to Hellenistic ideas whatsoever. Categories: 🇪🇺 European Union, 🇺🇸 National Brotherhood Week, 🌐 Day of Democracy (September 15th), Rosh Ḥodesh Adar (אַדָר) Alef & Bet Tags: 18th century C.E., 56th century A.M., civil declarations and charters, Emancipation, the Enlightenment, euphoria, Felix Libertate, German vernacular prayer, Hebrew translation, liberation, national anthems, Needing Proofreading, Ode to Joy Contributor(s): The first anthology of teḥinot published in Judeo-German rather than Yiddish. “Bei muthmaßlicher Gefahr zur Verführung (In suspected danger of seduction)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №66 on pp. 184-187 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №66 in Henry Frank’s 1839 edition on pp. 158-160. A variation can also be found in the Beer’s 1843 edition as teḥinah №67 on p. 157-159. Categories: Tags: 19th century C.E., 56th century A.M., chastity, German vernacular prayer, Jewish Women's Prayers, protection, תחינות teḥinot, Teḥinot in German Contributor(s): “Unglückliche Ehe (Unhappy Marriage)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №39 on p. 127-129 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №39 in Henry Frank’s 1839 edition on p. 108-110. A variation can also be found in the Beer’s 1843 edition as teḥinah №40 on p. 107-109. Categories: Tags: 19th century C.E., 56th century A.M., German vernacular prayer, Jewish Women's Prayers, Problematic prayers, תחינות teḥinot, Teḥinot in German Contributor(s): “[Gebet] In den letzten Monaten der Schwangerschaft (Prayer in the last months of pregnancy)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №61 on pp. 173-175 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №61 in Henry Frank’s 1839 edition on pp. 148-150. A variation can also be found in Beer’s 1843 edition as teḥinah №62 on p. 147-149. “[Gebet] Am Geburtstage (Prayer on a birthday)” was first published in Peter (Peretz) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №34 on p. 115-118 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №34 in Henry Frank’s 1839 edition on p. 98-100. A variation can also be found in the Beer’s 1843 edition as teḥinah №34 on p. 95-97. “[Gebet] Nach der Entbindung (Prayer after the childbirth)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №62 on pp. 175-177 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №62 in Henry Frank’s 1839 edition on pp. 150-151. A variation can also be found in Beer’s 1843 edition as teḥinah №63 on p. 149-150. “Gebet einer Handelsfrau (Prayer for a merchant woman)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №40 on p. 129-132 where it was rendered in Judeo-German. The German rendering transcribed above follows that of Henry Frank’s 1839 edition on p. 110-112. “Gebet einer Shwangern (Prayer for a pregnant woman)” was first published in Pereẓ (Peter) Beer’s Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1815), as teḥinah №60 on pp. 172-173 where it was rendered in Judeo-German. The German rendering transcribed above follows teḥinah №60 in Henry Frank’s 1839 edition on pp. 147-148. A variation can also be found in Beer’s 1843 edition as teḥinah №61 on p. 146-147. | ||
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