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פיוטים piyyutim —⟶ tag: פיוטים piyyutim Sorted Chronologically (old to new). Sort most recent first? Qedushta Additions for the Public Repetition of the Amidah on Sigd, adapted from the original liturgical texts by Isaac Gantwerk MayerThis is a Hebrew adaptation of the poems traditionally recited by the Beta Israel community for the festival of Sigd, altered and adapted to fit the traditional qedushta form of poetic Amidah additions. The texts of the first few prayers were rewritten substantially and combined with relevant verses so as to fit in the strict form of the magen, mehaye, meshalesh, and El Na. After this, the qiqlar is slightly edited to fit a couplet rhyme scheme, while the silluq (the freest of the genres of qedusha piyyut) is almost entirely preserved — the only change being several verses whose placement is postponed so as to better lead into the qedusha as a silluq should. Regarding translations, the silluq largely uses my original translation with slight alterations (replacing the clunky use of ‘God’ as a pronoun with a gender-neutral THEIR, translating the Agaw passages into Latin rather than English to preserve general comprehensibility while clarifying that this is a different language), while the rest of the poems are different enough for their translation to largely be from scratch. These would be recited with the Ark open for all the piyyutim, as one would on the Yamim Noraim, ideally using melodies from the Sigd liturgy. . . . Categories: Sigd Festival Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, Beta Esrael, Ethiopian Jewry, קרובות ḳerovot, פיוטים piyyutim, Public Amidah Contributor(s): Isaac Gantwerk Mayer (transcription & naqdanut) and Isaac Gantwerk Mayer (translation) כִּי־לְךָ תֻּקְרָא כׇּל־בְּרָכָה | Ki Lᵊkha Tuqra Kol Bᵊrakhah, a macaronic poem for Yom Meturgeman by Isaac Gantwerk MayerThis is a macaronic poem for Yom Meturgeman. Macaronic poetry is poetry in multiple languages at once. In this case, the languages reflected are Hebrew, Aramaic, Judeo-Arabic, Yiddish, Ladino, and English, with a repeated Hebrew refrain. Each language is meant to rhyme with the colloquial Hebrew as it would be read — i.e. though the Yiddish doesn’t rhyme with the modern Hebrew pronunciation, it rhymes with the traditional Ashkenazi one. . . . Categories: Yom Meturgeman אֵין אַדִּיר כַּיְיָ (מִפִּי אֵל) | Ayn Adir kAdonai | לָא קָאדִּר סַוָא אַלְלָה (There is none like Allah), minhag Cairo variation with a Judeo-Arabic translationThis is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. . . . A yotser for Pesaḥ Sheni. Each stanza is written with a threefold acrostic — the first two lines in atbash, the third spelling “Yitsḥaq Har’el Ḥazaq,” and the fourth a verse from Numbers 9. . . . Categories: Pesaḥ Sheni An ofan for Pesaḥ Sheni in tripartite stanzas. Each stanza begins with a citation of Numbers 9:12-14, then an acrostic spelling out “the son of Avraham the priest, ḥazaq.” . . . Categories: Pesaḥ Sheni יִשְׂרָאֵל אִם־לֹא בְּשִׂמְחָה | Yisrael Im Lo b-Simḥah — an ahavah for Pesaḥ Sheni, by Isaac Gantwerk MayerAn ahavah for Pesaḥ Sheni. An acrostic spelling out “Yitsḥaq son of Avraham, the priest, ḥazaq,” with a refrain derived from Mishnah Pesaḥim 9:1. . . . Categories: Pesaḥ Sheni A zulat for Pesaḥ Sheni. Each line begins with a word from Numbers 9:11 followed by a letter spelling out “Remember me for good, amen,” excepting the final five lines. The first of these concluding lines is the refrain from the ahavah for the same set, and the final four all begin with hei and transition into the berakhah. This zulat focuses largely on the Temple, where Pesaḥ Sheni offerings were held. . . . Categories: Pesaḥ Sheni The genre of B’raḥ Dodi piyyutim, a variety of geulah piyyut oriented around many Shir haShirim citations, is exclusively associated with Pesaḥ in Ashkenazi practice. Maḥzorim for Pesaḥ include B’raḥ Dodi piyyutim for the first two days and Shabbat Ḥol ha-Moed of Pesaḥ and nowhere else. So to reflect the themes of Pesaḥ Sheni, a B’raḥ Dodi piyyut is a great fit! . . . Categories: Pesaḥ Sheni A piyyuṭ sung by the Jews of Algiers on Shavu’ot and Simḥat Torah (and by some Moroccans for baqashot on Parashat Toldot). Yayin Tov Ratov is a love song from the perspective of God that uses a lot of language from Song of Songs. Wine and song, in this case, are both metaphors for the Torah. Of unknown origin, the acrostic spells out the name יצחק, although I can confirm that it wasn’t me who wrote it. . . . Categories: Shavuot אַהֲבָה תְּלַבְלֵב כְּמוֹ־פֶֽרַח | Ahava T’lavlev K’mo Peraḥ (Love blossoms like a flower) — a yotser for Tu b’Av by Isaac Gantwerk MayerA yotser for Tu b’Av, the first part of an intended cycle of yotsrot. A retelling of the list of reasons for Tu b’Av given in the Talmud, with repeated refrains from Psalm 45 for the alphabetical verses and the rest of the Tanakh for the name-acrostic choruses. Written in honor of my friend Eliran’s wedding. . . . Categories: Tu b'Av סְלִיחָה לְחֹדֶשׁ אֱלוּל בְּצֵל הַמִּלְחָמָה בְּעַזָּה | Seliḥah for Elul in the shadow of the war on Gaza, by Rabbi Dr. Aryeh Cohen (2024)This seliḥah was written for Seliḥot in Los Angeles, Elul, 5784, 2024, in the light of the horrific killing that the IDF has perpetrated in Gaza since October 8 (after the Hamas massacre of October 7), 2023. The opening frame is from the Tokheḥah and the closing line from Eikhah. The only hope is that we do teshuvah and stop the war and the violence now. The language is an adaptation of Hebrew of piyyutim and seliḥot. –Aryeh Cohen . . . Categories: War אֵלֶּה אֶזְכְּרָה | These I Remember, a seliḥah before the anniversary of October 7th by Ze’ev KainanA selïhah piyyut for the massacres of 7 October prepared for Seliḥot services in advance of the first anniversary of 7 October. . . . Yotsrot for Yom Simḥat Kohen/Yom Shem ha-El (11 Tishrei) in a Cairo Geniza weekday yotsrot style by Isaac Gantwerk MayerA new and original cycle of yotsrot in the style of the weekday yotsrot of the Cairo Geniza, for the day after Yom Kippur, referred to either as Yom Simḥat Kohen or Yom Shem ha-El depending on the custom. . . . Categories: Yom Simḥat Kohen | ||
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