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Parashat b’Shalaḥ

This is an archive of Torah and Haftarah readings for Parashat b'Shalaḥ (Exodus 13:17-17:16), the fourth parashah in Sefer Shemot according to the annual Torah reading cycle.

The haftarah reading for Parashat b'Shalaḥ is Judges 4:4-5:31.

Parashat b'Shalaḥ is preceded by parashat Parashat Bo (Exodus 10:1-13:16). Parashat Yitro (Exodus 18:1-20:22) follows it.

Click here to contribute a novel translation of a Torah or Haftarah reading you have prepared for Parashat b'Shalaḥ.

Resources filtered by CATEGORY: “7th Day of Pesaḥ” (clear filter)

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📜 שירת הים | Shirat haYam :: the Song of the Sea (Exodus 15:1-19)

According to Rabbinic tradition, the 21st of Nissan is the day in the Jewish calendar on which Pharaoh’s army was drowned in the Sea of Reeds, and the redeemed children of Yisrael sang the Song of the Sea, the (Shirat Hayam, Exodus 15:1-19). The song, as included in the the morning prayers, comprises one of the most ancient text in Jewish liturgy. The 21st of Nissan corresponds to the 7th day of Passover, and the recitation of the Shirat HaYam is part of the daily Torah Reading. Rabbi Hillel Ḥayim Yisraeli-Lavery shares a performance of a melody he learned for the Shirat Hayam from צוף דבש Tzuf Devash, a Moroccan synagogue in the Old City of Jerusalem. If there is something about this tune that strikes one as particularly celebratory, it might be because the relationship between G!d and the Jewish people is traditionally described as a marriage consummated with the Covenant at Mt. Sinai. The passage of Bnei Yisrael through the Sea of Reeds towards Mt. Sinai thus begins a bridal march commencing in the theophany at Mt. Sinai, 42 days later.

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אז ישיר Az Yashir, conflicting messages, קריעת ים סוף qriyat yam suf, safe passage, שירת הים Shirat haYam, Song of the Sea, symplegades, Yom Vayosha

Contributor(s):

the Mesorah (TaNaKh) and Aharon N. Varady (transcription)

שִׁירַת מִרְיָם | The Song of Miriam — a reconstruction based on the fragmentary pseudobiblical composition found in the Dead Sea Scrolls (4Q365)

This is the Song of Miriam from a parabiblical (or pseudo-biblical) attestation in 4Q365, as reconstructed by scholars based on the work of largely based on the work of Dr. Ariel Feldman, and with addition lacunae filled in by Issac Gantwerk Mayer. Isaac also vocalized, cantillated, and translated the test according to Masoretic norms, and provided a rendering of the text styled according to the Shirat ha-Yam as reproduced by scribes in the Masoretic tradition.

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Parashat b'Shalaḥ, Shirat ha-Yam, 7th Day of Pesaḥ

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21st century C.E., 58th century A.M., Classical Antiquity, Dead Sea Scrolls, Jewish Women's Prayers, Miriam, גאולה geūlah (redemption), Second Temple Period, שבת שירה shabbat shirah

Contributor(s):

Isaac Gantwerk Mayer, Isaac Gantwerk Mayer (translation) and Unknown

שיר חדש אשיר | Shir Ḥadash Ashir (“Song Anew”) — a traditional piyyuṭ before the Song of the Sea

This piyyuṭ, bearing the acrostic signature “Samuel,” is traditionally recited in the communities of Babylonia and India as a petiḥa, or opening poem, before the Song of the Sea. It is also sung on Shabbat Shira, the Sabbath where we read the Song of the Sea in public. This translation is an attempt to preserve the original meaning as well as the rhyme scheme and poetic form.

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Parashat b'Shalaḥ, 7th Day of Pesaḥ

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Acrostic signature, אז ישיר Az Yashir, פיוטים piyyuṭim, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, ימי השובבים Yemei haShovavim

Contributor(s):

Shmuel haPaytan and Isaac Gantwerk Mayer (translation)

אָשִֽׁירָה כְּשִׁירַת מֹשֶׁה | Ashira k-Shirat Moshe (Let me sing like the song of Moses)

Ashira k-Shirat Moshe is a brief piyyut of uncertain origin, recited in Moroccan Jewish practice as an introduction to the Song of the Sea at the end of Zemirot on Shabbat Shirah and the seventh day of Pesaḥ. It lists seven Biblical songs — those of Moses, Miriam, Joshua, Deborah, Hannah, David, and Solomon — and concludes with an eighth song, the song that Israel will sing at the the future redemption.

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Parashat b'Shalaḥ, Shirat ha-Yam, 7th Day of Pesaḥ

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Devorah, Hannah, Life of David HaMelekh, Miriam, Mosheh Rabbenu, גאולה geūlah (redemption), שבת שירה shabbat shirah, Song of Songs, Yehoshua (Joshua), זמירות zemirot

Contributor(s):

Isaac Gantwerk Mayer (translation) and Unknown

יוֹם לְיַבָּשָׁה | Yom le-Yabashah (The Day On Which to Dry Land) — a geulah piyyut for the 7th day of Pesaḥ and Shabbat Shirah by Yehudah haLevi (early 12th c.)

Originally written by Yehuda haLevi for the seventh day of Pesaḥ, Yom le-Yabasha — a celebration of the crossing of the Sea of Reeds and the establishment of the covenant as signified by the circumcision and tsitsit — it quickly became a beloved piyyut on that occasion and more.

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Shirat ha-Yam, Parashat b'Shalaḥ, 7th Day of Pesaḥ

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12th century C.E., 49th century A.M., Acrostic signature, phonetic alphabetic acrostic translation, brit milah, פיוטים piyyuṭim, קריעת ים סוף qriyat yam suf, rhyming translation, שבת שירה shabbat shirah, Yom Vayosha

Contributor(s):

Isaac Gantwerk Mayer (translation) and Yehudah ben Shmuel haLevi

הנסים שהיו על הים סוף | The Miracles at the Sea of Reeds as related in Rambam’s commentary on the Pirqei Avot

A medieval manuscript illustration of the aggadah that the Yam Suf was split in 12 discrete channels, one for each tribe, as reflected above by a 12-color rainbow

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Art & Craft, Parashat b'Shalaḥ, Shirat ha-Yam, 7th Day of Pesaḥ

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12th century C.E., 50th century A.M., אז ישיר Az Yashir, קריעת ים סוף qriyat yam suf, safe passage, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, Song of the Sea, the Rainbow

Contributor(s):

Moshe ben Maimon and Aharon N. Varady (translation)

אוֹדֶה אֵל שַדַּי | Odeh El Shaddai, a pizmon for Shabbat Shirah

This is a pizmon for Shabbat Shirah (Parashat B’Shalaḥ) by an unknown author. The text is as transcribed from the pizmonim included in the siddur משמרת הקדש: קול שומר שבת Mishmeret haQodesh: Qol Shomer Shabbat (Pisa 1821), p. 117.

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Parashat b'Shalaḥ, 7th Day of Pesaḥ

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19th century C.E., 56th century A.M., פיוטים piyyuṭim, פזמונים pizmonim, שבת שירה shabbat shirah, שירת הים Shirat haYam

Contributor(s):

Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation) and Unknown

מַֽהֲרוּ כׇּל־שָׁרִים | Maharu Kol Sharim — a pizmon on the parting of the Sea of Reeds with stanzas added in the Shirei Yisrael b-Erets ha-Qedem

This pizmon, signed with the name Moshe but of otherwise unclear attribution, is recited in the Sephardic communities of Rhodes and Istanbul (and nowadays in Seattle) before the open ark on Shabbat Shirah and the seventh day of Pesaḥ. The main Hebrew text of the first and last two stanzas are as found in the Seattle Sephardic community’s 2002 Siddur Zehut Yosef (as well as the Gözlem Kitap press in Istanbul’s 2011 Şaloş Regalim), with footnotes marking differences in the Shirei Yisrael B’Erets HaḲedem (published in Istanbul in 1921) and the Yeshiva University Library diwan of Baruch Moshe Moreno, written by hand in the monastery neighborhood of Tiberias in 1867 (YU MS. 1126). In between are three additional non-rhyming stanzas found in substantially different form in the other two sources but not recited in modern Sephardic communities.

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Before the Aliyot, Parashat b'Shalaḥ, 7th Day of Pesaḥ

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Acrostic signature, phonetic alphabetic acrostic translation, Eastern Sefaradim, Nusaḥ Sefaradi, פיוטים piyyuṭim, פזמונים pizmonim, שבת שירה shabbat shirah, שירת הים Shirat haYam, Turkish translation

Contributor(s):

Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut) and Unknown

מַֽהֲרוּ כׇּל־שָׁרִים | Maharu Kol Sharim — a pizmon on the parting of the Sea of Reeds with stanzas added in YU MS 1126

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Before the Aliyot, Parashat b'Shalaḥ, 7th Day of Pesaḥ

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Acrostic signature, phonetic alphabetic acrostic translation, Eastern Sefaradim, מהרו כל שרים Maharu Kol Sharim, Nusaḥ Sefaradi, פיוטים piyyuṭim, פזמונים pizmonim, שבת שירה shabbat shirah, שירת הים Shirat haYam, Turkish translation

Contributor(s):

Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut) and Unknown

Lord, Do Thou Guide Me — a prayer-poem for Shabbat parashat b’Shalaḥ by Alice Montefiore Lucas (1898)

“Lord, do Thou guide me” by Alice Montefiore Lucas was written for “Sabbath—ⅩⅥ,” (i.e., Shabbat parashat b’Shalaḥ) and first published in her collection of prayers, The Jewish Year (1898), p. 34.

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Travel, Parashat b'Shalaḥ, Shirat ha-Yam, 7th Day of Pesaḥ

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19th century C.E., 57th century A.M., English vernacular prayer, Prayers as poems, פרשת בשלח parashat B'shalaḥ, traveler

Contributor(s):

Aharon N. Varady (transcription) and Alice Montefiore Lucas

שיר של מרים הנביאה | The Song of Miriam, a petiḥah by Rabbi Ruth H. Sohn (1981)

“The Song of Miriam” by Rabbi Ruth Sohn was first published as “I Shall Sing to the Lord a New Song,” in Kol Haneshamah: Shabbat Vehagim, Reconstructionist Prayerbook, 1989, 1995 Second Edition. Reconstructionist Press, pp. 768-769. (This poem was also published in several haggadot and other books and set to music by several composers in the U.S. and Israel.) Rabbi Sohn wrote the poem in 1981 as a rabbinical student after immersing herself in the Torah verses and the traditional midrashim about Miriam, and after writing a longer modern midrash about Miriam. Part of this modern midrash was published as “Journeys,” in All the Women Followed Her, ed. Rebecca Schwartz (Rikudei Miriam Press, 2001).

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Parashat b'Shalaḥ, 7th Day of Pesaḥ

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20th century C.E., 58th century A.M., אז ישיר Az Yashir, English vernacular prayer, Jewish Women's Prayers, Miriam, Opening Prayers, Openers, Prayers as poems, תפילות קודם התפילה Prayers before Praying, Prayers for Praying

Contributor(s):

Ruth H. Sohn

מִרְיָם הַנְּבִיאָה | Miryam haNevi’ah, by rabbis Leila Gal Berner & Arthur Waskow (ca. 1994)

These are the lyrics of the song, Miryam haNevi’ah, written by rabbis Leila Gal Berner and Arthur Waskow (with Hebrew by Leila Gal Berner) as found published in My People’s Prayer Book, vol. 7: Shabbat at Home, (ed. L. Hoffman, 1997), section 3, p. 189. The English lyrics are from an article published several years earlier — “Memories of a Jewish Lesbian Evening” by Roger McDougle appearing in Bridges (vol. 4:1, Winter/Spring 1994), on the top of page 58. No specific date is given for the havdalah program described in the article, alas. If you know the earliest reference for the publication or use of Miryam haNevi’ah, please contact us.

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Parashat b'Shalaḥ, 7th Day of Pesaḥ, Motsaei Shabbat

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20th century C.E., 58th century A.M., הבדלות havdalot, Miriam, שירת הים Shirat haYam, זמירות zemirot

Contributor(s):

Leila Gal Berner, Arthur Waskow and Aharon N. Varady (transcription)

the song at the sea of ending one story and beginning another, by Kohenet Ilana Joy Streit (February 2023)

This piece emerged in February 2023 upon realizing that instead of reading ים סוף as Yam Suf (generally understood at the Sea of Reeds), it could be read as Yam Sof: Sea of End[ing]. It was apparent to me that we may have approached this sea (escaping from slavery) thinking that it would be the end of us. It was not. But it was the end of *something*.

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Parashat b'Shalaḥ, 7th Day of Pesaḥ

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21st century C.E., 58th century A.M., English vernacular prayer, Prayers as poems, safe passage, יציאת מצרים Yetsiat Mitsrayim

Contributor(s):

Kohenet Ilana Joy Streit

עוּרִי עוּרִי – שִׁירַת מִרְיָם וּדְבוֹרָה | Uri Uri – Song of Miriam and Devorah, a piyyuṭ for Shabbat Shirah by the Diwan Ashira Project

“Shirat Miriam and Devorah / Uri, Uri” (Song of Miriam, Song of Deborah / Rise up, Rise Up) was first published in 2024, as the second of four piyyutim published through the Diwan Ashira Project by Ephraim Kahn.

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Parashat b'Shalaḥ, 7th Day of Pesaḥ

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2023-2025 Israel–Hamas war, 21st century C.E., 58th century A.M., Devorah, Miriam, פיוטים piyyuṭim, רשויות reshuyot, פרשת בשלח parashat B'shalaḥ, שבת שירה shabbat shirah, שירת הים Shirat haYam, זמירות zemirot

Contributor(s):

Diwan Ashira Project

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Moses Gebet bei der Amelikiter Schlacht (Gustav Jäger 1835)

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ויהי נעם אדני אלהינו עלינו ומעשה ידינו כוננה עלינו ומעשה ידינו כוננהו׃ (תהלים צ:יז) · "May the pleasantness of אדֹני our elo’ah be upon us; may our handiwork be established for us — our handiwork, may it be established." (Psalms 90:17)

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