This is an archive of Torah and Haftarah readings for Parashat b’Shalaḥ (Exodus 13:17-17:16), the fourth parashah in Sefer Shemot according to the annual Torah reading cycle. The haftarah reading for Parashat b’Shalaḥ is Judges 4:4-5:31. Parashat b’Shalaḥ is preceded by parashat Parashat Bo (Exodus 10:1-13:16). Parashat Yitro (Exodus 18:1-20:22) follows it. Click here to contribute a novel translation of a Torah or Haftarah reading you have prepared for Parashat b’Shalaḥ. Filter resources by Name Filter resources by Tag Filter resources by Category According to Rabbinic tradition, the 21st of Nissan is the day in the Jewish calendar on which Pharaoh’s army was drowned in the Sea of Reeds, and the redeemed children of Yisrael sang the Song of the Sea, the (Shirat Hayam, Exodus 15:1-19). The song, as included in the the morning prayers, comprises one of the most ancient text in Jewish liturgy. The 21st of Nissan corresponds to the 7th day of Passover, and the recitation of the Shirat HaYam is part of the daily Torah Reading. Rabbi Hillel Ḥayim Yisraeli-Lavery shares a performance of a melody he learned for the Shirat Hayam from צוף דבש Tzuf Devash, a Moroccan synagogue in the Old City of Jerusalem. If there is something about this tune that strikes one as particularly celebratory, it might be because the relationship between G!d and the Jewish people is traditionally described as a marriage consummated with the Covenant at Mt. Sinai. The passage of Bnei Yisrael through the Sea of Reeds towards Mt. Sinai thus begins a bridal march commencing in the theophany at Mt. Sinai, 42 days later. . . .
This piyyuṭ, bearing the acrostic signature “Samuel,” is traditionally recited in the communities of Babylonia and India as a petiḥa, or opening poem, before the Song of the Sea. It is also sung on Shabbat Shira, the Sabbath where we read the Song of the Sea in public. This translation is an attempt to preserve the original meaning as well as the rhyme scheme and poetic form. . . .
A medieval manuscript illustration of the aggadah that the Yam Suf was split in 12 discrete channels, one for each tribe, as reflected above by a 12-color rainbow . . .
“The Song of Miriam” by Rabbi Ruth Sohn was first published as “I Shall Sing to the Lord a New Song,” in Kol Haneshamah: Shabbat Vehagim, Reconstructionist Prayerbook, 1989, 1995 Second Edition. Reconstructionist Press, pp. 768-769. (This poem was also published in several haggadot and other books and set to music by several composers in the U.S. and Israel.) Rabbi Sohn wrote the poem in 1981 as a rabbinical student after immersing herself in the Torah verses and the traditional midrashim about Miriam, and after writing a longer modern midrash about Miriam. Part of this modern midrash was published as “Journeys,” in All the Women Followed Her, ed. Rebecca Schwartz (Rikudei Miriam Press, 2001). . . .
Tags: 20th century C.E., 58th century A.M., אז ישיר Az Yashir, English vernacular prayer, Jewish Women's Prayers, Miriam, Opening Prayers, Openers, Prayers as poems, תפילות קודם התפילה Prayers before Praying, Prayers for Praying
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