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tag: 16th century C.E. Sorted Chronologically (old to new). Sort most recent first? There are various traditions as to the numbering of the commandments, as well as the enumeration of verses of the Decalogue, the Ten Commandment. In this transcription of the Ladino text we are following the numeration of verses according to the Constantinople Codex of 1547 C.E., as edited by the great scholar Professor Moshe Lazar (z”l) of the University of Southern California in 1988. This newly typeset text is an original transcription by Reb Shmuel Gonzales, of the Boyle Heights Chavurah – of the grassroots Jewish community of East Los Angeles, California; transcriber and editor of Sephardic texts for the Open Siddur Project; in celebration of Shavuot of 5783, and published in May of 2023. . . . Making sense of Ḥad Gadya beyond its explicit meaning has long inspired commentary. For me, Ḥad Gadya expresses in its own beautiful and macabre way a particularly important idea in Judaism that has become obscure if not esoteric. While an animal’s life may today be purchased, ultimately, the forces of exploitation, predation, and destruction that dominate our world will be overturned. Singing Ḥad Gadya is thus particularly apropos for the night of Passover since, in the Jewish calendar, this one night, different from all other nights, is considered the most dangerous night of the year — it is the time in which the forces of darkness in the world are strongest. Why? It is on this night that the divine aspect of Mashḥit, the executioner, is explicitly invoked (albeit, only in the context of the divine acting as midwife and guardian/protector of her people), as explained in the midrash for Exodus 12:12 . . . Categories: Nirtsah A Latin translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | Un Cabri: La Légende de l’Agneau, a French translation of Ḥad Gadya by Dom Pedro Ⅱ, emperor of Brazil (1891)This is “Had Gadiâ | Un Cabri: La Légende de l’Agneau (Poésie chaldaico-provençale, chantée a la table de famille les soirs de Paques),” a translation of Ḥad Gadya into French by Dom Pedro Ⅱ (1825-1891), emperor of Brazil, as published in Poésies hébraïco-provençales du rituel israélite comtadin traduites et transcriptes par S. M. D. Pedro Ⅱ, de Alcântara, empereur du Brésil (1891), pp. 45-59. A note on the last page indicates the translation was made in Vichy, France on 30 July 1891. . . . Categories: Nirtsah חַד גַּדְיָא | Йаке бузғола | Yake Buzghola (יַכֵּי בּוּזְגָאלַה) — a Judeo-Tajik translation of Ḥad Gadya by Rabbi Shimon ben Eliyahu Hakham (1904)A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., Aramaic, Bukharan Jewry, Bukhori, חד גדיא Ḥad Gadya, Judeo-Tajik, פיוטים piyyutim, predation, salvation, זמירות zemirot Contributor(s): Shimon ben Eliyahu Hakham, Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) חַד גַּדְיָא | Бир Улакъ | Bir Ulaq (בִּיר אוּלָק) — a Qrımçah tılyı (Krymchak) translation of Ḥad Gadya by Rabbi Nisim haLevy Tsahtsir (1904)A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., Aramaic, Bukharan Jewry, Crimean Tatar, חד גדיא Ḥad Gadya, Krymchak, פיוטים piyyutim, predation, salvation, זמירות zemirot Contributor(s): Nisim haLevy Tsahtsir, Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) A Judezmo/Ladino translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah ואחד ג’די | أغنية لعيد الفصح اليهودي | חַד גַּדְיָא (Waaḥid Jady) — an Arabic translation of Ḥad Gadya (Syrian Damascus variation)An Arabic translation of Ḥad Gadya in its Syrian Jewish Damascus variation. . . . Categories: Nirtsah A Judeo-Arabic translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah A Judeo-Berber translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | ერთი თიკანი | Erti tiḳani (ארתי תיקהני) — a Čveneburuli translation of Ḥad Gadya by Tamari Lomtadze & Reuven EnochA Čveneburuli (Judeo-Georgian) translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | Mēre Hobritsos (מֵײרֶע הוֹבְּרִיטְסוֹס) — a Judeo-Valyrian translation of Ḥad Gadya by Isaac Gantwerk MayerThis is the translation of Ḥad Gadya into Judeo-Valyrian with a Hebraicization schema for Valyrian by Isaac Gantwerk Mayer. . . . Categories: Nirtsah חַד גַּדְיָא | | Min Yacincë (מִן יַקִינְקֶי) — a Judeo-Quenya translation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has developed this adaptation of the well-known seder table-song Ḥad Gadya into Quenya, as well as a home-brewed transcription system into Hebrew script included here (PDF | ODT). This translation uses several fan-made terms, such as cuimacir for “butcher” and luhtya- for “extinguish”, as well as one original neologism, yacincë for “kid-goat.” . . . Categories: Nirtsah חַד גַּדְיָא | | וַא תַרְגְחָמְאֶא | wa’ targhHom’e’ (One little targ) — a tlhIngan Hol adaptation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish quadrant, and in many communities it was read in translation. This adaptation into tlhIngan Hol is very useful for when your universal translator is malfunctioning at a Seder on Qo’noS. Okay, but to be serious for a moment, while the many connections between the canon of Star Trek and the Jewish community are well known, one of the lesser-known ones is that the inventor of tlhIngan Hol (the Klingon language), Marc Okrand, is Jewish, and a substantial number of Klingon terms come from Hebrew or Yiddish. In honor of that connection, the editor has developed this adaptation of the well-known seder table-song Ḥad Gadya into tlhIngan Hol, as well as a home-brewed transcription system into Hebrew script called pIluy. The wildlife has also been adapted, so instead of a goat the story begins with one little targ. (Sure, they might LOOK like pigs, but who knows if they chew cud or not!) . . . Categories: Nirtsah אונו קאַפּרידאָ | חַד גַּדְיָא | Unu Kaprido — an Esperanto translation of Ḥad Gadya by Erin Piateski (2010)A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., Aramaic, constructed languages, Esperanto translation, חד גדיא Ḥad Gadya, L.L. Zamenhoff, פיוטים piyyutim, predation, salvation, זמירות zemirot Contributor(s): Erin Piateski (translation), Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) חַד גַּדְיָא | Ένα κατσίκι | Éna katsíki (אֵנַה קַצִיקִי) — a Yevanic translation of Ḥad Gadya by Isaac Gantwerk MayerA Yevanic (Judeo-Greek) translation of the popular Passover song, Ḥad Gadya. . . . Categories: Nirtsah חַד גַּדְיָא | Un Kabritu (אוע קַאברִיטו) — a Papiamentu translation of Ḥad Gadya by Isaac Gantwerk MayerḤad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. The Caribbean island of Curaçao is home to the oldest Jewish community west of the Atlantic, and its local creole language of Papiamentu has substantial Jewish influence. This is a translation of Ḥad Gadya into Papiamentu, along with a transcription into Hebrew according to a new methodology for Papiamentu in Hebrew. . . . Categories: Nirtsah חַד גַּדְיָא | አሐዱ፡ማሕስእ፡ጠሊ (ʾÄḥädu Maḥsəʾ Ṭäli) — a Gəʽəz translation of Ḥad Gadya by Isaac Gantwerk MayerA Ge’ez translation of the popular Passover seder song, Ḥad Gadya. . . . Categories: Nirtsah גַּדְיָא חֲדָא | חַד גַּדְיָא (Gaḏyå Ḥăḏa) — a version of Ḥad Gadya for Grammarians and Other Insufferable Pedants, by Isaac Gantwerk MayerAn original version of Ḥad Gadya which has been fully Aramaicized, with all the Hebrew words removed and the verbs conjugated properly. . . . Categories: Nirtsah וַאחְדְ אזְדִיוַא | وحد الجديوة | חַד גַּדְיָא (Waaḥₔd ₔZdiwa) — a Judeo-Moroccan Arabic (Darija) adaptation of Ḥad GadyaA Judeo-Moroccan Arabic (Darija) adaptation of the Passover seder song, Ḥad Gadya, as found in Mahzor Moȝadé Hashem. . . . Categories: Nirtsah אֶחָד מִי יוֹדֵעַ | Eḥad Mi Yode’a :: Who Knows One?, a counting song in Hebrew and Yiddish (Prague Haggadah, 1526)The text of the popular Passover song “Who Knows One?” in its original Hebrew and Yiddish, with a translation in English. . . . Categories: Nirtsah אֶחָד מִי יוֹדֵעַ | Unum (est &) quis scit? | Eḥad Mi Yode’a, a Latin translation of the counting song by Johann Stephan Rittangel (1644)The text of the popular counting song “Who Knows One?” in its original Hebrew, with a translation in Latin. . . . Categories: Nirtsah אֶחָד מִי יוֹדֵעַ | Якумин кӣ медонад | Yakumin Ki Medonad :: a Bukhori (Judeo-Tajik) Translation of Eḥad Mi Yodea by Rabbi Shimon ben Eliyahu Hakham (1904)Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. It is mostly written in Hebrew, counting up to 13, but there are versions that can be found in many different languages. This translation is in Bukhori, also known as Judeo-Tajik, as translated by the great Shimon ben Eliyahu Ḥakham (1843-1910), the chief rabbi of the Bukharan Jewish community in Jerusalem. His full translation of all liturgical additions in the month of Nisan for the Bukharan community can be found in חוקת הפסח Ḥuqat haPesaḥ (1904) – the source for this transcription on page 128-130 (see included). Shimon Ḥakham transcribed it into vocalized Hebrew script, which is included here alongside transliterations into Tajik Cyrillic and a Roman transcription. . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., Bukharan Jewry, Bukhori, counting songs, אחד מי יודע eḥad mi yode'a, Judeo-Tajik, פיוטים piyyutim, זמירות zemirot Contributor(s): Shimon ben Eliyahu Hakham, Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) חַד מָה יוּדָא | אֶחָד מִי יוֹדֵעַ | Ḥad Mah Yuda :: Who Knows One?, a counting-song in Aramaic translationThe text of the popular Passover song “Who Knows One?” in Hebrew set side-by-side with an Aramaic translation. . . . Categories: Nirtsah קיו סציאַס אונו? | אֶחָד מִי יוֹדֵעַ | Kiu Scias Unu? — an Esperanto translation of Eḥad Mi Yodéa by Erin Piateski (2010)A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., constructed languages, counting songs, אחד מי יודע eḥad mi yode'a, Esperanto translation, L.L. Zamenhoff, פיוטים piyyutim, זמירות zemirot Contributor(s): Erin Piateski (translation), Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) קְי ווֹלְירַה קְי אְינטְינדְירַה | אֶחָד מִי יוֹדֵעַ | Che volera, che entendera — a Judeo-Sienese translation of Eḥad Mi YodeaEḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. Counting up to 13, it is mostly written in Hebrew, but there are versions that can be found in many different languages. This translation is in the Judeo-Italian dialect of Siena, based on Geremia Mario Castelnuovo’s 1956 recording from Leo Levi’s collection of Judeo-Italian ethnomusicological recordings. A link to the original recording can be found here. . . . Categories: Nirtsah Tags: 16th century C.E., 53rd century A.M., counting songs, אחד מי יודע eḥad mi yode'a, Italian translation, פיוטים piyyutim, זמירות zemirot Contributor(s): Unknown Translator(s), Unknown Author(s) and Isaac Gantwerk Mayer (transcription & naqdanut) 💬 מְגִלַּת פִּסְגָּה | Megillat Fustat — a Purim Sheni scroll for the 28th of Adar commemorating the deliverance of Egyptian Jewry from Hain Ahmed Pasha in 1524Behold, a full text of the Megillah of Fustat, telling a story of a great miracle that happened in 1524 CE (5284 AM). . . . הֵיאַךְ יַרְגִּיל הָאָדָם עַצְמוֹ בְּמִדַּת הַחָכְמָה | How a person should conduct themself with Wisdom — chapter three from Tomer Devorah by Rabbi Moshe Cordovero (ca. 16th c.)Chapter three of Rabbi Mosheh Cordovero’s Tomer Devorah, concerning the relationship between Wisdom and Empathy and its expression in the humane treatment of all living creatures. . . . מודה אני | Modeh Ani by Moshe ibn Makhir (interpretive translation by Rabbi Zalman Schachter-Shalomi)Modeh Ani, in Hebrew with English translation by Rabbi Zalman Schachter-Shalomi. . . . Categories: Attaining consciousness בּוֹרֵא עַד אָנָּה | Borei Ad Anah (“Creator! How long”), a ḳinah after the Spanish Expulsion (ca. 16th c.)“Bore ‘Ad Anah” is a ḳinah recited in a number of Sephardic communities on Tishah b’Av (or in some cases on Shabbat Hazon, the Shabbat preceding Tishah b’Av), particularly in the Spanish-Portuguese and North African traditions. The author is unknown, but his name is likely Binyamin based on the acrostic made up of the first letters of the verses. In the kinah, the Children of Israel are compared to a wandering dove caught in a trap by predators, crying out its father, God. The ḳinah was likely written as a poignant response to the Spanish Inquisition, appropriate to Tishah b’Av since the expulsion of the Jews from Spain occurred on the 9th of Av in the year 1492. The version presented here was likely censored, as many manuscripts have the fifth verse presented in the following manner directly calling out their Catholic oppressors,” יועצים עליה עצות היא אנושה זרים העובדים אלילים שלושה אם ובן ורוח כי אין להם בושה גדול ממכאובי.” “They counsel against her and she languishes, the strangers who worship three idols, father, son and spirit, for they have no shame and great is my suffering.” . . . Categories: Tishah b'Av אוֹדֶה לָאֵל | Odeh la-El Levav Ḥoqer B’ran Yaḥad Kokhvei Boqer, a morning piyyut by Rabbi Shamayah Ḳosson (ca. 16th c.)“Odeh La-Él” sings to the waking soul, calling on it to return to the service of the Divine. . . . Categories: Morning Baqashot A (kosher-for-Passover) prayer for redemption from exile. . . . Categories: Nirtsah לְכָה דוֹדִי | Lekhah Dodi, the piyyut for Ḳabbalat Shabbat by Shlomo haLevi Al-Qabets (translation by Rabbi Levi Weiman-Kelman & Shaul Vardi)This translation of the piyyut for Shabbat by Shlomo Al-Qabets can be found in HaAvodah SheBaLev – the Service of the Heart (Kehilat Kol HaNeshama, Jerusalem, 2007). . . . Categories: Ḳabbalat Shabbat Tags: 16th century C.E., 54th century A.M., acrostic, Alphabetic Acrostic, לכה דודי Lekhah Dodi, פיוטים piyyutim, שבת shabbat Contributor(s): Shaul Vardi (translation), Levi Weiman-Kelman (translation) and Shlomo haLevi Al-Qabets “Odeh La-Él” sings to the waking soul, calling on it to return to the service of the Divine. . . . Categories: Morning Baqashot A pizmon and table song sung on Shabbat and on Lag ba-Omer with English translation. . . . In many eastern Sephardic and Mizraḥi communities, there is a custom that a poetic “ketubah,” or marriage-contract, is recited before the Torah service on Shavuot. This custom, based on the midrashic idea that the Torah is the ketubah for the marriage between the bride Israel and the groom God, is beloved by the ḳabbalists. By far the most commonly used Shavuot ketubah is that of the great paytan and meḳubal Yisrael ben Moshe Najara, who wrote the following some time in the sixteenth century. This is a new translation of Najara’s poem. . . . A piyyut of divine-closeness by Yisrael Najara. . . . Categories: Morning Baqashot יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) translation by Rabbi David Aaron de Sola (1857)This translation by Rabbi David Aaron de Sola of “Yah Ribon” by Rabbi Yisrael Najara was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Tags: 16th century C.E., 54th century A.M., acrostic, Acrostic signature, Aramaic, פיוטים piyyutim, rhyming translation, יה רבון Yah Ribon, זמירות zemirot Contributor(s): Aharon N. Varady (transcription), David de Aaron de Sola (translation) and Yisrael Najara יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) rhyming translation by Israel Abrahams (1914)The piyyut, yah Ribon Olam, in Hebrew with a rhyming English translation. . . . יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) translated by Paltiel Birnbaum (1949)The piyyut, Yah Ribon, in Aramaic with an English translation. . . . יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) translated by Rabbi Israel Brodie (1962)The piyyut, Yah Ribon, in Aramaic with an English translation. . . . יָהּ רִבּוֹן | Yah Ribōn, a piyyut by Rabbi Yisrael Najara (16th c.) translation by Sara-Kinneret LapidotThe piyyut, yah Ribon Olam, in Hebrew with an English translation. . . . תפילה קודם לימוד הקבלה | Prayer Before Studying Ḳabbalah, by Rabbi Yitsḥaq Luria (translated by Aharon Varady)A traditional prayer before studying classic texts of ḳabbalah, by a celebrated ḳabbalist of the 16th century, in pointed Hebrew with an English translation. . . . רבון כל העולמים | Master of the Cosmos, a teḥinah for entering Shabbat by Rabbi Yitsḥaq Luria (circa 16th c.)Ribon Kol Ha-Olamim is a teḥinah (supplication) for entering the Shabbat that can be found in many siddurim following after the custom of the school of Rabbi Yitsḥak Luria. In his Ha-Siddur Ha-Shalem, Paltiel (Philip) Birnbaum includes it, commenting as follows: “Ribon kol Ha’Olamim is attributed to Rabbi Joseph of Rashkow, Posen, who lived towards the end of the eighteenth century. The adjectives in the first paragraph are in alphabetic order.” This can’t be correct however as a copy of Ribon Kol Ha-Olamim can be seen in the siddur Tikunei Shabbat from 1614 (see below for source images). Google Books attributes Tikunei Shabbat to Rabbi Yitsḥak Luria (1534-1572), which is the attribution we have followed, although as a posthumously published work we wonder whether it might be more properly attributed to “the School of Rabbi Isaac Luria.” Please comment below if you know of another attribution. The English translation is that of Paltiel (Philip) Birnbaum, with some minor changes that I have made to divine names and appelations.– Aharon Varady . . . Categories: Ḳabbalat Shabbat בְּנֵי הֵיכָלָא | Bnei Heikhala, a piyyut for Shabbat afternoon by Rabbi Yitsḥaq Luria (translation by Rabbi Zalman Schachter Shalomi)A piyyut by the ARI for the afternoon of Shabbat in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. . . . Categories: Se'udah haShlishit אֲזַמֵּר בִּשְׁבָחִין | Azamer biShvaḥin, a piyyut for Friday evening by Rabbi Yitsḥaq Luria (translation by Rabbi Zalman Schachter Shalomi)The Friday evening shabbat piyyut, Atqinu Seudata, in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. . . . Categories: Se'udat Leil Shabbat אֲסַדֵּר לִסְעוּדָתָא | Asader liS’udata, a piyyut for Shabbat morning by Rabbi Yitsḥaq Luria (translation by Rabbi Zalman Schachter Shalomi)A piyyut by the ARI for the day of Shabbat in Aramaic set side-by-side with Reb Zalman’s paraliturgical, devotional translation. . . . Categories: Se'udat Yom Shabbat יוֹם זֶה לְיִשְׁרַאֵל | Yom Zeh l’Yisrael, a piyyut by Rabbi Yitsḥaq Luria (translation by Rabbi David Aaron de Sola, 1857)This translation of “Yom Zeh l’Yisrael” by Rabbi David Aaron de Sola of a piyyut by Rabbi Yitsḥaq Luria was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Categories: Se'udat Yom Shabbat Tags: 16th century C.E., 54th century A.M., Acrostic signature, פיוטים piyyutim, יום זה לישראל Yom Zeh l'Yisrael, זמירות zemirot Contributor(s): David de Aaron de Sola (translation), Yitsḥak Luria and Aharon N. Varady (transcription) יוֹם זֶה לְיִשְׁרַאֵל | Yom Zeh l’Yisrael, a piyyut by Rabbi Yitsḥaq Luria (abridged rhymed translation by Alice Lucas, 1898)An abridged rhymed translation of the piyyut Yom Zeh l’Yisrael. . . . Categories: Se'udat Yom Shabbat יוֹם זֶה לְיִשְׁרַאֵל | Yom Zeh l’Yisrael, a piyyut by Rabbi Yitsḥaq Luria (translation by Nina Salaman, 1914)A translation of the piyyut Yom Zeh l’Yisrael. . . . Categories: Se'udat Yom Shabbat Tags: 16th century C.E., 54th century A.M., Acrostic signature, פיוטים piyyutim, יום זה לישראל Yom Zeh l'Yisrael, זמירות zemirot Contributor(s): Nina Davis Salaman (translation), Yitsḥak Luria and Aharon N. Varady (transcription) | ||
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