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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
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  Contributor(s): Categories: Tags:As the month of Elul wanes, we are preparing. We prepare for the new moon, we prepare for Rosh Hashanah, and we prepare for the zombie invasion. I have it on good authority, as do you, that the onslaught is imminent. The alarm blares every morning — a shofar blast and a warning… . . . חַד גַּדְיָא | Mēre Hobritsos (מֵײרֶע הוֹבְּרִיטְסוֹס) — a Judeo-Valyrian translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:This is the translation of Ḥad Gadya into Judeo-Valyrian with a Hebraicization schema for Valyrian by Isaac Gantwerk Mayer. . . . חַד גַּדְיָא | | Min Yacincë (מִן יַקִינְקֶי) — a Judeo-Quenya translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:Ḥad Gadya has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has developed this adaptation of the well-known seder table-song Ḥad Gadya into Quenya, as well as a home-brewed transcription system into Hebrew script included here (PDF | ODT). This translation uses several fan-made terms, such as cuimacir for “butcher” and luhtya- for “extinguish”, as well as one original neologism, yacincë for “kid-goat.” . . . חַד גַּדְיָא | | וַא תַרְגְחָמְאֶא | wa’ targhHom’e’ (One little targ) — a tlhIngan Hol adaptation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:Ḥad Gadya has a place in Seder tables throughout the Jewish quadrant, and in many communities it was read in translation. This adaptation into tlhIngan Hol is very useful for when your universal translator is malfunctioning at a Seder on Qo’noS. Okay, but to be serious for a moment, while the many connections between the canon of Star Trek and the Jewish community are well known, one of the lesser-known ones is that the inventor of tlhIngan Hol (the Klingon language), Marc Okrand, is Jewish, and a substantial number of Klingon terms come from Hebrew or Yiddish. In honor of that connection, the editor has developed this adaptation of the well-known seder table-song Ḥad Gadya into tlhIngan Hol, as well as a home-brewed transcription system into Hebrew script called pIluy. The wildlife has also been adapted, so instead of a goat the story begins with one little targ. (Sure, they might LOOK like pigs, but who knows if they chew cud or not!) . . . אונו קאַפּרידאָ | חַד גַּדְיָא | Unu Kaprido — an Esperanto translation of Ḥad Gadya by Erin Piateski (2010) Contributor(s): Categories: Tags:A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . . חַד גַּדְיָא | Un Cabri: La Légende de l’Agneau, a French translation of Ḥad Gadya by Dom Pedro Ⅱ, emperor of Brazil (1891) Contributor(s): Categories: Tags:This is “Had Gadiâ | Un Cabri: La Légende de l’Agneau (Poésie chaldaico-provençale, chantée a la table de famille les soirs de Paques),” a translation of Ḥad Gadya into French by Dom Pedro Ⅱ (1825-1891), emperor of Brazil, as published in Poésies hébraïco-provençales du rituel israélite comtadin traduites et transcriptes par S. M. D. Pedro Ⅱ, de Alcântara, empereur du Brésil (1891), pp. 45-59. A note on the last page indicates the translation was made in Vichy, France on 30 July 1891. . . . חַד גַּדְיָא | Un Kabritu (אוע קַאברִיטו) — a Papiamentu translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. The Caribbean island of Curaçao is home to the oldest Jewish community west of the Atlantic, and its local creole language of Papiamentu has substantial Jewish influence. This is a translation of Ḥad Gadya into Papiamentu, along with a transcription into Hebrew according to a new methodology for Papiamentu in Hebrew. . . .  Contributor(s): Categories: Tags:A Judezmo/Ladino translation of the popular Passover song, Ḥad Gadya. . . .  Contributor(s): Categories: Tags:A Judeo-Arabic translation of the popular Passover song, Ḥad Gadya. . . . ואחד ג’די | أغنية لعيد الفصح اليهودي | חַד גַּדְיָא (Waaḥid Jady) — an Arabic translation of Ḥad Gadya (Syrian Damascus variation) Contributor(s): Categories: Tags:An Arabic translation of Ḥad Gadya in its Syrian Jewish Damascus variation. . . . וַאחְדְ אזְדִיוַא | وحد الجديوة | חַד גַּדְיָא (Waaḥₔd ₔZdiwa) — a Judeo-Moroccan Arabic (Darija) adaptation of Ḥad Gadya Contributor(s): Categories: Tags:A Judeo-Moroccan Arabic (Darija) adaptation of the Passover seder song, Ḥad Gadya, as found in Mahzor Moȝadé Hashem. . . .  Contributor(s): Categories: Tags:A Judeo-Berber translation of the popular Passover song, Ḥad Gadya. . . . חַד גַּדְיָא | Бир Улакъ | Bir Ulaq (בִּיר אוּלָק) — a Qrımçah tılyı (Krymchak) translation of Ḥad Gadya by Rabbi Nisim haLevy Tsahtsir (1904) Contributor(s): Categories: Tags:A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . חַד גַּדְיָא | ერთი თიკანი | Erti tiḳani (ארתי תיקהני) — a Čveneburuli translation of Ḥad Gadya by Tamari Lomtadze & Reuven Enoch Contributor(s): Categories: Tags:A Čveneburuli (Judeo-Georgian) translation of the popular Passover song, Ḥad Gadya. . . . חַד גַּדְיָא | Йаке бузғола | Yake Buzghola (יַכֵּי בּוּזְגָאלַה) — a Judeo-Tajik translation of Ḥad Gadya by Rabbi Shimon ben Eliyahu Hakham (1904) Contributor(s): Categories: Tags:A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . . חַד גַּדְיָא | Hād-ĕi Gădìyă (הַ֨דֵ֬י גַ֬דִ֖יַ֬א) — a Tărgŭn Bìyènlìyén Dì translation of Ḥad Gadya derived from an alternate timeline by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:In our timeline, the Kaifeng Jewish community had originally spoken Persian as their lingua franca, before adopting the Kaifeng dialect of Mandarin that their neighbors spoke. But just change a little and all of history could be different! This is a translation of Ḥad Gadya in a timeline where Judeo-Aramaic was a little more prevalent in eastern Persia all those years ago. In this timeline, instead of speaking Judeo-Persian before adopting Chinese, the Kaifeng Jews spoke Aramaic. And this dialect of Aramaic, like many other languages spoken in the greater Chinese cultural sphere, underwent tonogenesis! . . . חַד גַּדְיָא | ᛂᛁᚿᚿ᛫ᚴᛁᚧᛚᛁᚶᚱ᛬ | Einn Kiðlingr (עַין֘ קידֿלינגר) — an Old Norse translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, since there is very little evidence of any Jews having lived in the Nordic countries before the Spanish expulsion, long after the end of the Old Norse era. . . . חַד גַּדְיָא | Ān Tiċċen (אָן טִקֵﬞן) — an Old English translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, since the earliest evidence of Jews in England dates back to 1070, by which point Middle English was already on its way to development. . . . חַד גַּדְיָא | 𐌰𐌹𐌽 𐌲𐌰𐌹𐍄𐌴𐌹𐌽 | Ain Gaitein (ען גּעטיִן) — a Gothic translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one, but who knows? While there’s no known community of Jews who spoke Gothic or any other East Germanic language, there certainly were Jews who came into contact with it, such as the communities of Crimea (where variants of Gothic continued to be spoken until the 18th century). In any case this translation of Ḥad Gadya follows the grammar of Wulfila’s 4th-century Gothic translations. . . .  Contributor(s): Categories: Tags:A Latin translation of the popular Passover song, Ḥad Gadya. . . . גַּדְיָא חֲדָא | חַד גַּדְיָא (Gaḏyå Ḥăḏa) — a version of Ḥad Gadya for Grammarians and Other Insufferable Pedants, by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:An original version of Ḥad Gadya which has been fully Aramaicized, with all the Hebrew words removed and the verbs conjugated properly. . . . חַד גַּדְיָא | አሐዱ፡ማሕስእ፡ጠሊ (ʾÄḥädu Maḥsəʾ Ṭäli) — a Gəʽəz translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:A Ge’ez translation of the popular Passover seder song, Ḥad Gadya. . . . חַד גַּדְיָא | Ένα κατσίκι | Éna katsíki (אֵנַה קַצִיקִי) — a Yevanic translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:A Yevanic (Judeo-Greek) translation of the popular Passover song, Ḥad Gadya. . . . חַד גַּדְיָא | Jb Wꜥ | Ib wa (יב וע) — a Middle Egyptian translation of Ḥad Gadya by Isaac Gantwerk Mayer Contributor(s): Categories: Tags:Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. This Middle Egyptian translation was almost certainly the one that Moshe Rabbeinu himself sang at his seder table that fateful night in Egypt! …Not really. Ḥad Gadya postdates Middle Egyptian as a written language by about three millennia. But it’s fun and Pesaḥ-appropriate to sing this song in the language of that dagnabbed Pharaoh himself. Also included is a transcript of the text into Hebrew script, since Judeo-Hieroglyphics don’t exist… yet. Eh, the alphabet was adapted from hieroglyphics from the start. It’s fine. You could even say it’s an improvement. For reading out loud I’ve also included the standard Egyptological pronunciation system. If you’re stuck in a time machine be careful, it’s an artificial convention that should not be mistaken for how Egyptian was pronounced at the time. But personally I think “Tutenkhamen” is easier to say than *Təwā́təʾ-ʿā́nəkh-ʾamā́nəʾ, so sue me. . . .  Contributor(s): Categories: Tags:Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, seeing as it was written over a millenium after Akkadian became extinct. But in my opinion there ought to be a representation of the East Semitic language family in the canon of Ḥad Gadya translations. Also included is a transcript of the Akkadian text into Hebrew script, since Judeo-Cuneiform doesn’t exist… yet. Eh, Aramaic script was invented in the places Akkadian was spoken anyway, it’s fine. A hearty thanks to Dr. Janine Wende at the University of Leipzig for proofreading and editing the Akkadian translation! . . .  Contributor(s): Categories: Tags:Making sense of Ḥad Gadya beyond its explicit meaning has long inspired commentary. For me, Ḥad Gadya expresses in its own beautiful and macabre way a particularly important idea in Judaism that has become obscure if not esoteric. While an animal’s life may today be purchased, ultimately, the forces of exploitation, predation, and destruction that dominate our world will be overturned. Singing Ḥad Gadya is thus particularly apropos for the night of Passover since, in the Jewish calendar, this one night, different from all other nights, is considered the most dangerous night of the year — it is the time in which the forces of darkness in the world are strongest. Why? It is on this night that the divine aspect of Mashḥit, the executioner, is explicitly invoked (albeit, only in the context of the divine acting as midwife and guardian/protector of her people), as explained in the midrash for Exodus 12:12 . . . אודך כי אנפת בי | Odekha Ki Anafta Bi, a Yotser (Hymn) for Ḥanukkah by Yosef bar Shlomo of Carcassone (ca. 11th cent.) Contributor(s): Categories: Tags:“Odecha ki anafta bi (I give thanks to you although you were angry with me) was composed by Joseph ben Solomon of Carcassonne, who is dated to the first half of the eleventh century. This elegant and abstruse poem tells an epic tale of the Jews’ resistance to the decrees of Antiochus IV and includes accounts of both the Hasmonean bride and Judith. It bears a considerable resemblance to texts 4 and 12 of the Hanukkah midrashim[ref]See Grintz, Sefer Yehudit, pp. 205, 207–08[/ref] and this is evidence for the circulation of the joint Hasmonean daughter-Judith tales in the eleventh century, even if the surviving manuscripts of these stories are from a later date.” (Deborah Levine Gera, “The Jewish Textual Traditions” in The Sword of Judith: Judith Studies Across the Disciplines (2010).) . . .  Contributor(s): Categories: Tags:Rabbi Zalman Schachter-Shalomi’s translation of Psalms 10 was first published in Psalms in a Translation for Praying (Alliance for Jewish Renewal, Philadelphia: 2014), pp. 12-13. . . . 📜 פָּרָשַׁת אַחֲרֵי מוֹת | Parashat Aḥarei Mōt (Leviticus 16:1-18:30), color-coded according to its narrative layers Contributor(s): Categories: Tags:mythopoesis, Azael, עינוי Innui (self-affliction), supplementary hypothesis, Molekh, annual Torah reading cycle, פרשת השבוע Parashat haShavua, atonement, redaction criticism, פרשות parashot, predation, 6th century B.C.E., anti-predatory, 33rd century A.M., Yom Kippur, אחרי מות Aḥarei Mōt, sexual predation, Azazel The text of parashat Aḥarei Mōt, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . 📜 פָּרָשַׁת קְדֹשִׁים | Parashat Qedoshim (Leviticus 19:1-20:26), color-coded according to its narrative layers Contributor(s): Categories: Tags:The text of parashat Qedoshim, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . 📜 פָּרָשַׁת רְאֵה | Parashat R’éh (Deuteronomy 11:26-16:17), color-coded according to its narrative layers Contributor(s): Tags:The text of parashat R’éh, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . 📜 פָּרָשַׁת שֹׁפְטִים | Parashat Shōftim (Deuteronomy 16:18-21:9), color-coded according to its narrative layers Contributor(s): Categories: Tags:The text of parashat shoftim, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . 📜 פָּרָשַׁת כִּי־תֵצֵא | Parashat Ki Tetsei (Deuteronomy 21:10-25:19), color-coded according to its narrative layers Contributor(s): Categories: Tags:annual Torah reading cycle, פרשת השבוע Parashat haShavua, צער באלי חיים tsa'ar baalei ḥayyim, redaction criticism, predation, פרשות parashot, predatory gaze, the Plains of Moav, anti-predatory, 7th century B.C.E., predatory nature, 34th century A.M., sexual predation, let's review, mythopoesis, פרשת כי־תצא parashat Ki Tetsei, supplementary hypothesis The text of parashat Ki Tetsei, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . 📜 פָּרָשַׁת כִּי־תָבוֹא | Parashat Ki Tavō (Deuteronomy 26:1-29:8), color-coded according to its narrative layers Contributor(s): Categories: Tags:צער באלי חיים tsa'ar baalei ḥayyim, פרשת השבוע Parashat haShavua, predation, redaction criticism, predatory gaze, פרשות parashot, anti-predatory, the Plains of Moav, predatory nature, 7th century B.C.E., sexual predation, 34th century A.M., curses, let's review, mythopoesis, פרשת כי־תבוא parashat Ki Tavo, supplementary hypothesis, amen, blessings, annual Torah reading cycle The text of parashat Ki Tavo, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . |