This is an archive of prayers, prayer-poems, and songs for the festival of Sukkot. Click here to contribute a prayer or a transcription or translation of a historic prayer. Filter resources by Name Filter resources by Tag Filter resources by Category
Psalms 67 is a priestly blessing for all the peoples of the earth to be sustained by the earth’s harvest (yevulah), and it is a petition that all humanity recognize the divine nature (Elohim) illuminating the world. Composed of seven verses, the psalm is often visually depicted as a seven branched menorah. There are 49 words in the entire psalm, and in the Nusaḥ ha-ARI z”l there is one word for each day of the Sefirat haOmer. Similarly, the fifth verse has 49 letters and each letter can be used as a focal point for meditating on the meaning of the day in its week in the journey to Shavuot, the festival of weeks (the culmination of the barley harvest), and the festival of oaths (shevuot) in celebration of receiving the Torah. Many of the themes of Psalms 67 are repeated in the prayer Ana b’Koaḥ, which also has 49 words, and which are also used to focus on the meaning of each day on the cyclical and labyrinthine journey towards Shavuot. . . . Tags: 42 letter divine name, a red ribbon, acrostic, אנא בכח Ana b'Khoaḥ, anxiety, barley, captives, cyclical, Divine name acrostic, first fruits, labyrinth, Psalms 67, Raḥav, shalmah, walled cities, wheat A prayer for Sukkot linking the theme of home building and receiving Torah with a warning not to eat animals and to extend ones compassion to all creatures. . . . “[Für den ersten Tag des Laubhüttenfestes (no.2]” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaicher Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaicher Religion as teḥinah №49 on pp. 70-72. In the 1835 edition, it appears as teḥinah №51 pp. 88-90. In the 1842 edition, it appears as teḥinah №53 on pp. 93-95. . . . “Am siebenten Tage des Laubhüttenfestes. (Hoschana Raba)” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaicher Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaicher Religion as teḥinah №50 on pp. 72-73. In the 1835 edition, it appears (misnumbered) as teḥinah №51 pp. 90-91. In the 1842 edition, it appears as teḥinah №54 on pp. 95-96. . . . “Vor dem Etrog-Segen” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaicher Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaicher Religion as teḥinah №47 on pp. 67-68. In the 1835 edition, it appears as teḥinah №49 pp. 85-86. In the 1842 edition, it appears as teḥinah №51 on p. 90. . . . “Für den ersten Tag des Laubhüttenfestes” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaicher Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaicher Religion as teḥinah №48 on pp. 68-70. In the 1835 edition, it appears as teḥinah №50 pp. 86-88. In the 1842 edition, it appears as teḥinah №52 on pp. 91-93. . . . “An den Hauptfesten, wenn man Behufs der üblichen Vorlesungen die Gesetzrolle aus der heiligen Lade nimmt” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion as teḥinah №18 on pp. 22-23. In the 1835 edition, it appears as teḥinah №18 on pp. 26-27. In the 1842 edition, it appears as teḥinah №20 on pp. 29-31. . . . As part of our ongoing project creating a new digital edition of Fanny Neuda’s collection of tkhines in German, Stunden Der Andacht (1855), we are setting her prayers (for the first time ever) side by side with that of her work’s first English translation. . . . Herr des Weltalls, reich geschmückt mit deinen Gaben und Segnungen hast du die Natur. Das Thal mit seinem üppigen Grün, der Berg mit seinem Kranz von Wäldern, das Gefilde mit seiner lachenden Frucht ist ein Erzeugnis; deiner Gnade, zum Segen deiner Menschenkinder, zur Nahrung ihres Leibes, zur Stillung ihrer Bedürfnisse, zur Ergötzung ihres Auges, zum Balsam ihrer Wunden; und kein Blättchen ist so klein, kein Grashalm so niedrig in dem weiten Reiche der Natur, daß es nicht wohlthuende heilsame Kräfte für uns enthielte. . . . This is Fanny Neuda’s “Prayer for the final days of Sukkot,” faithfully transcribed and proofread with the help of German Wikisource contributors from Fanny Neuda’s Stunden Der Andacht (1855), p. 66. . . . A prayer for a woman celebrating the first yontef of Sukkot. . . . This rhyming paraphrase of the blessing before waving the lulav on Sukkot was written by Jessie Ethel Sampter and published in her Around the Year in Rhymes for the Jewish Child (1920), p. 17. . . . A supplemental Hoshanot liturgy for Sukkot confessing a selection of humanity’s crimes against creation. . . . Aware of the willow [aravah], we awaken our “mouths,” our ability to communicate by voice, hand or type; we acknowledge the precious gift of communications from others, the 99% and the 1%, about their circumstances, their needs, offerings and hopes. Aware of the palm branch [lulav], we awaken our “spines,” our central strength; we acknowledge fellow citizens who take a stand, whether we agree with their stand or not, toward a vision of common good. Aware of the myrtle [hadas], we awaken our “eyes,” our ability to receive through whichever channels are available to us; we acknowledge our responsibility to remain open to others’ thoughts and experiences while also exercising discernment. Aware of the citron [etrog], we awaken our “hearts,” our source of connection; we acknowledge our inter-dependence and the importance of standing, expressing ourselves and learning from others. . . . This is one of my favourite Sukkot piyyutim, not least because of the wonderful and easily singable call-and-response melody! The seven verses each highlight one of the seven traditional ushpizin [mythic guests], and a few years ago I wrote an additional seven verses for the seven female ushpizata according to the order of Rabbi David Seidenberg (neohasid.org). . . . The essential idea of the liturgy of Ushpizin is to invoke the energies of the seven lower Sefirot in the proper order, so that Shefa, blessing and sustenance, can be drawn down into the world. This is the essence of Kabbalistic liturgy, and a liturgy of the imahot would only make sense if it were to follow that pattern. That means we have the playfully serious task of finding a stable order for the imahot where no clear order exists. . . . Tags: 21st century C.E., 58th century A.M., Ancestors, archetypes, Avot and Imahot, ecoḥasid, in the merit of our ancestors, North America, Prayers inside sukkot, קבלה ḳabbalah, ספירות sefirot, spirits, אושפיזתא Ushpizata, אושפיזין ushpizin Please God Let me light More than flame tonight. More than wax and wick and sliver stick of wood. More than shallow stream of words recited from a pocket book. . . . Tags: 21st century C.E., 58th century A.M., candle lighting, English poetry, English vernacular prayer, entering, fire, כוונות kavvanot, kindling, Light, potential, Prayers as poems, welcoming “In the Sukkah At Least, It’s a Wonderful World” by Len Fellman was written for Sukkot in 2015. . . . A supplemental hoshana (prayer for salvation) for healing and consolation for the sake of true love, needed blessings, rainfall in a timely fashion, paths and their repair, mountains and their crossing, goals and objectives, lasting memories, good dreams, cosmic goodness, etc. . . . There is a famous Seliḥot prayer where each of its lines has this structure: “May He who answered ___________, may he answer us.” The blank refers to assorted Biblical figures who faced great challenges, ranging from Avraham the Patriarch to Ezra the Scribe. The traditional list is also VERY male-focused, with the standard text only listing Esther from all the great Biblical women. This is a shame, and many have tried to remedy this. I have found myself under the opinion that all these remedies have a fault – they attempt to combine the original text with the new text. This means either the original text is shortened, or the full text is far too long. As well, the structure is very male-oriented as well, appealing to God’s male side and only using grammatically male language. . . . Tags: 21st century C.E., 58th century A.M., Biblical Women, Divine Presence, אמהות Imahot, in the merit of our ancestors, מי שענה Mi She’anah, North America, סליחות səliḥot, שכינה Shekhinah, תשרי זמן Tishrei Zman, אושפיזתא Ushpizata “Between the Fires: A Prayer for lighting Candles of Commitment” was composed by Rabbi Arthur Waskow, drawing on traditional midrash about the danger of a Flood of Fire, and the passage from Malachi. . . . The Opening Prayer given in the U.S. House of Representatives on 24 September 2018. . . . Tags: 115th Congress, 21st century C.E., 58th century A.M., English vernacular prayer, hakhnasat orḥim, hospitality, U.S. House of Representatives, Prayers of Guest Chaplains, תחינות teḥinot, United States Immigration Policy, welcoming The words of Greta Thunberg adapted for a prayer for intervention in the anthropogenic climate crisis, for a Honshana ritual for Sukkot. . . . A litany of hoshanot for use in a ritual prayer circle march on the festival of Sukkot. . . . A litany of hoshanot for use in a ritual prayer circle march on the festival of Sukkot. . . . The ceremony of welcoming ushpizin originated in the Jewish mystical tradition of Qabbala, for which the ushipizin represented the divine emanations called “sefiroth”, in the context of the sukka as a representation of Ultimate Redemption. Because of this mystical association, the ceremony was rejected by some communities (such as Spanish and Portuguese Jews) and individuals (such as diehard rationalists). Without applying mystical implications, however, we can see this ritual as a symbol of how we bring into our lives diverse aspects of Jewish history and tradition as we navigate our spiritual journeys. . . . A Hoshana for Sukkot 5785 with a forward-looking perspective because Sukkot is a time for building, even if that building is fragile. It was written for the weekday minyan at Kehillat Hod veHadar. . . . This prayer by Rabbi Seidenberg was shared via his English newsletter and social media in the days preceding Sukkot 2024. . . . |
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