⤷ You are here:   Contributors (A→Z)  🪜   Elazar ben Qallir
Avatar photo

Elazar ben Qallir

Elazar ben Qallir, also known as Eleazar Kalir, Killir, Qalir or El'azar HaKalir (c. 570 – c. 640) was a Hebrew poet whose classical liturgical verses, known as piyut, have continued to be sung through the centuries during significant religious services, including those on Tisha b'Av and on the sabbath after a wedding. He was one of Judaism's earliest and most prolific of the paytanim, Hebrew liturgical poets. He wrote piyutim for all the main Jewish festivals, for special Sabbaths, for weekdays of festive character, and for the fasts. Many of his hymns have found their way into festive prayers of the Ashkenazi Jews' nusaḥ. (via wikipedia).

https://en.wikipedia.org/wiki/Eleazar_ben_Killir
Filter resources by Category
Filter resources by Tag
Filter resources by Name
Filter resources by Language
Filter resources by Date Range

Enter a start year and an end year. BCE years are preceded by a hyphen (e.g., -1000).

Resources filtered by COLLABORATOR: “Rachel Salston (translation)” (clear filter)

Sorted Chronologically (new to old). Sort oldest first?

אַלְלַי לִי | Alelai Li (Woe is me!), by Elazar ben Killir (ca. 7th c.)

Contributed by: Rachel Salston (translation), Elazar ben Qallir

“Alelai Li” is a ḳinah recited on the morning of Tisha bAv. It was written by HaKalir around the 7th century. According to the Koren Mesorat HaRav Kinot, it is number 17 of 50. The title is the refrain of the poem and is an onomatopoeic whimper (try saying it aloud, focusing on the alliteration). It is difficult to translate the opening word “im” which means “if” or “should”. This is an allusion to Job 10:15, “If I have done evil, then woe unto me.” I have decided to translate the ḳinah not in the conditional tense (which would render “If these horrible things happened, then woe is me!”) but as a lament upon memory; however, the former would be a more accurate (if not more awkward in English) translation.

Adding to the awkwardness of the poem’s language is the feminine conditional verb that each line has after the word “im”. I have maintained this strange verb tense and placement in my translation by using the English progressive tense. The ḳinah ends with a collection in lines in a different meter suggesting that the Holy One (and the paytan himself) is angered that the Jewish people announce their sufferings but not their transgressions.



the Open Siddur Project  //  Main Menu

 

Categories Index: