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Elazar ben Qallir

Elazar ben Qallir, also known as Eleazar Kalir, Killir, Qalir or El'azar HaKalir (c. 570 – c. 640) was a Hebrew poet whose classical liturgical verses, known as piyut, have continued to be sung through the centuries during significant religious services, including those on Tisha b'Av and on the sabbath after a wedding. He was one of Judaism's earliest and most prolific of the paytanim, Hebrew liturgical poets. He wrote piyutim for all the main Jewish festivals, for special Sabbaths, for weekdays of festive character, and for the fasts. Many of his hymns have found their way into festive prayers of the Ashkenazi Jews' nusaḥ. (via wikipedia).

https://en.wikipedia.org/wiki/Eleazar_ben_Killir
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אַעֲדִיף כׇּל־שְׁמוֹנָה | A’adif Kol Shmona — Qerovot and Qedushtah for Ḥanukkah, by El’azar biRabbi Qallir

Contributed by: Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Elazar ben Qallir

The poetic genre known as ḳerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar biRabbi Qallir’s Purim “Qrovetz“, a majestically interwoven piece of piyyut if ever there was one. But there are many other ḳerovot that have historically been recited, and this one is by the same author! The weekday qerovot cycle for Ḥanukkah, retelling the story of the Greek oppression using intricate poetic language. Included within is a qedushtah that instructs us on some of the halakhic requirements for the Ḥanukkah lights.


קרובות לתשעה באב | Ḳerovot for Tishah b’Av, by Elazar ben Kilir (ca. 7th c.)

Contributed by: Elazar ben Qallir, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)

Many communities recite a series of poems interwoven with the Amidah on Purim. These poems, known as the “krovets,” were written by Elazar b. Rabbi Kalir, the greatest of the early paytanim. But lesser known than the krovets for Purim are the krovets for Tisha b’Av, written as well by Elazar b. Rabbi Kalir. A fine example of Elazar’s intricate poetry, the krovets for Tisha b’Av is rife with Biblical citations, finally culminating with the prayer for Jerusalem. Each stanza begins with five tightly rhymed lines beginning with a constant א followed by a quintuple half-acrostic on the second letter, then a poetic volta on the word אֵיכָה, followed by a Biblical citation, a verse starting with the last word in the citation, a letter from Elazar’s name, and a final Biblical citation. The krovets for Tisha b’Av is meant to be part of the morning service, tied into the cantorial repetition for Tisha b’Av.



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