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כתר מלכות | Kether Malkhuth (Côroa Real) by Sholomo ibn Gabirol (Portuguese translation by A.C. de Barros Basto, 1927)
Contributed by: Artur Carlos de Barros Basto, Shlomo ibn Gabirol, Aharon N. Varady (digital imaging and document preparation)
A Portuguese translation of Solomon ibn Gabirol’s piyyut, Keter Malkhut, prepared by Artur Carlos de Barros Basto in 1927. . . .
אֲדוֹן עוֹלָם (אשכנז) | Adōn Olam (rhyming translation by Israel Zangwill, 1901)
Contributed by: Israel Zangwill (translation), Shlomo ibn Gabirol, Aharon N. Varady (transcription)
Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Israel Zangwill was transcribed from the Jewish Quarterly Review vol. 13 (January 1901), p. 321. . . .
אֲדוֹן עוֹלָם (אשכנז) | Adōn Olam (rhyming translation by Jessie Ethel Sampter, 1917)
Contributed by: Jessie Ethel Sampter, Shlomo ibn Gabirol, Aharon N. Varady (transcription)
Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by Jessie Ethel Sampter was transcribed from Joseph Friedlander and George Alexander Kohut’s The standard book of Jewish verse (1917), p. 394. . . .
אֲדוֹן עוֹלָם (מנהג הספרדים) | Adōn Olam (rhyming translation by Jacob Waley, before 1873)
Contributed by: Jacob Waley, Shlomo ibn Gabirol, Aharon N. Varady (transcription)
Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by Jacob Waley was transcribed from the prayerbook of his daughter Julia M. Cohen’s The Children’s Psalm-Book (1907), pp. 298-299. . . .
אֲדוֹן עוֹלָם (מנהג הספרדים) | Adōn Olam (rhyming translation by David de Aaron de Sola, 1836)
Contributed by: Aharon N. Varady (transcription), David de Aaron de Sola (translation), Shlomo ibn Gabirol
Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 12 line version familiar to Sepharadi congregations. (There are also fifteen and sixteen line variants found in Sepharadi siddurim. The Ashkenazi version has ten lines.) The rhyming translation here by David de Aaron de Sola was transcribed from his prayerbook Seder haTefilot vol. 1 (1836), p. 122. . . .
אֲדוֹן עוֹלָם (אשכנז) | Adōn Olam (rhyming translation by George Borrow, 1842)
Contributed by: George Borrow, Shlomo ibn Gabirol, Aharon N. Varady (transcription)
Adon Olam is a piyyut that became popular in the 15th century and is often attributed to Solomon ibn Gabirol (1021–1058) and less often to Sherira Gaon (900-1001), or his son, Hai ben Sherira Gaon (939-1038). The variation of the piyyut appearing here is the 10 line version familiar to Ashkenazi congregations. (There are also twelve, fifteen, and sixteen line variants found in Sepharadi siddurim.) The rhyming translation here by George Borrow was shared in his tales in The Bible in Spain (1843), p. 222. (The text in the 1913 edition on page 546 is a bit easier to read.) . . .
