This is an archive of prayers, prayer-poems, and songs for the festival of Shemini Atseret and Simḥat Torah. Click here to contribute a prayer or transcription or translation of a historic prayer. Filter resources by Name Filter resources by Tag Filter resources by Category
To the best of my ability, this is a faithful transcription of Psalms 8 from תהילים או לוס סאלמוס ; טריסלאד’אד’וס דיל לשון הקדש אין לה לינגואה ספרדית (Tehillim, or the Psalms, translated from the Holy language [Hebrew] into the Sephardic language, Estampado por Ǧ. Griffit 1852/3) from a digital copy made available by the collection of Sephardic Studies at the University of Washington. Please join me in making a complete transcription of this Ladino translation of Psalms. –Aharon N. Varady . . . This piyyut of unknown authorship is certainly ancient, showing the lack of a rhyme scheme characteristic of the REALLY old piyyutim (see also Aleinu or El Adon). It is still found in some Ashkenazi and Teman maḥzorim, with many different mostly minor variants (which have been combined together somewhat eclectically into one text here). It is presented here along with an English translation attempting to preserve the Hebrew acrostic. Originally it was recited before the Ashrei leading into musaf, but perhaps for those who follow Ashkenazi customs a more appropriate location would be as an introduction to the Yizkor service on Shmini ‘Atzeret — which for those who don’t keep second-day yontef is the same day. It could also be adapted as part of the liturgy for the seventh of Adar, although the final verse (the old Western rite berakha for finishing a full Torah cycle) would have to be elided. . . . Amar Kiris l-Moshe, is a midrashic narrative of Moshe going to Adam to ask why he cursed humanity with death. It’s been translated preserving the acrostic and monorhyme scheme. Taken from Sokoloff and Yahalom’s “Jewish Palestinian Aramaic Poetry from Late Antiquity,” it is presented here vocalized with an original translation. . . . Tags: 45th century A.M., 7th century C.E., acrostic, Acrostic translation, Alphabetic Acrostic, Aramaic, Mosheh Rabbenu, mourning, Nusaḥ Erets Yisrael, פיוטים piyyutim, קינות Ḳinōt Azalat Bekhita, is probably incomplete, extending only to ḥeth in known manuscripts. It features multiple people, places, and things important in Moshe’s life taking turns to eulogize him. It’s been translated preserving the acrostic and monorhyme scheme. Taken from Sokoloff and Yahalom’s Jewish Palestinian Aramaic Poetry from Late Antiquity (2018), it is presented here vocalized with an original translation. . . . Tags: 45th century A.M., 7th century C.E., acrostic, Acrostic translation, Alphabetic Acrostic, Aramaic, Mosheh Rabbenu, mourning, Nusaḥ Erets Yisrael, פיוטים piyyutim, קינות Ḳinōt Azalat Yokheved is part of a whole genre of midrashic works suggesting Yokheved lived to see her son die — a concept even found in the Ethiopian literature. With repeated refrains, it emphasizes the desperate search of a mother trying to find her son, retracing all her steps and desperately asking everyone she can. But just as Moshe’s journey to the Promised Land ends without a conclusion, so too Yokheved never finds her Moshe. It’s been translated preserving monorhyme scheme. Taken from Sokoloff and Yahalom’s Jewish Palestinian Aramaic Poetry from Late Antiquity (2018), it is presented here vocalized with an original translation. . . . The reshut for the prayer for rain and dew on Shemini Atseret and Pesaḥ, in Hebrew with English translation. . . . This pizmon was written by R. Shmuel ben Moshe Ha-Dayan of Aram Ṣoba (ca. 1150-1200) an Aleppine payṭan whose works were almost completely lost before being rediscovered in the Maḥzor Aram Ṣoba. It emphasizes the uneasy juxtaposition of the joy of Simḥat Torah with the tragedy of Moshe’s death. Originally it was probably recited before musaf, but perhaps for those who follow Ashkenazi customs a more appropriate location would be as an introduction to the Yizkor service on Shemini ‘Atseret — which for those who don’t keep second-day yontef is the same day. . . . This song is performed in honor of the Ḥatan Bereshit – the person who reads the first aliya of the torah, which begins Bereshit Bara. These words – Bereshit Bara – are repeated throughout the poem. The poem is similar in structure and meter to Kelil Yofi, which is performed in honor of the Hatan Torah, the person who reads the last aliya of the Torah, which begins Vaya’al Moshe. . . . A popular piyyut for Simḥat Torah (4th hakkafah) originally composed as a piyyut for Shavuot and often referred to by its incipit, “Mipi El.” . . . The Geshem prayer for Shmini Atzeret in the Maḥzor Aram Ṣoba has some things in common with other Geshem texts, but its most unique facets are twofold. First and most obviously, the extensive catena of verses from Torah, Neviim and Ketuvim that falls between the introductory announcement and the piyyutim themselves. And second, several Aramaic passages relatively rare in other texts, which seem to reflect an archaic form predating the adoption of Arabic as the spoken language of the Aleppo Jews. (These Aramaic passages are marked in green in the transcription.) As standard in Eastern practice, especially in the Maḥzor Aram Ṣoba (which shows a surprisingly modern reticence to interrupt the ‘amidah), this prayer is placed after the Torah service and before musaf begins. . . . “Tkhine of the Matriarchs for Yizkor on Rosh Hashanah, Yom Kippur, and Yamim Tovim” by Rebbetsin Seril Rappaport is a faithful transcription of her tkhine included in “תחנה אמהות מן ראש חודש אלול” (Tkhine of the Matriarchs for the New Moon of Elul) published in Vilna, 1874, as re-published in The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. . . . “Für Gesetzes-Freude” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaicher Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaicher Religion as teḥinah №53 on pp. 76-79. In the 1835 edition, it appears (misnumbered) as teḥinah №54 pp. 95-98. In the 1842 edition, it appears as teḥinah №57 on pp. 100-103. . . . “Andachtsübung über das Verhältniß der Kinder zu ihren Eltern,” a paraliturigcal Yizkor prayer for those with living parents, was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion as teḥinah №74 on pp. 110-112. In the 1835 edition, it appears as teḥinah №75 on pp. 134-136. In the 1842 edition, it appears as teḥinah №78 on pp. 139-141. . . . “An den Hauptfesten, wenn man Behufs der üblichen Vorlesungen die Gesetzrolle aus der heiligen Lade nimmt” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion as teḥinah №18 on pp. 22-23. In the 1835 edition, it appears as teḥinah №18 on pp. 26-27. In the 1842 edition, it appears as teḥinah №20 on pp. 29-31. . . . “Am Schlußfeste (Schemini aẓeress)” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaicher Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaicher Religion as teḥinah №52 on pp. 74-75. In the 1835 edition, it appears (misnumbered) as teḥinah №53 pp. 92-94. In the 1842 edition, it appears as teḥinah №56 on pp. 97-99. . . . This is a paraliturgical prayer for rain during the wet season, read during the festival of Sukkot, following in the tradition of Yiddish tkhines, albeit written in French. The prayer was included by Rabbi Arnaud Aron and Jonas Ennery in their opus, אמרי לב Prières d’un Coeur Israelite (first edition) published in 1848 by the Société Consistoriale de Bons Livres. . . . This is Fanny Neuda’s prayer “on Simḥat Torah,” faithfully transcribed and proofread with the help of German Wikisource contributors from Fanny Neuda’s Stunden Der Andacht (1855), p. 66-67. We are happy to share your translation of Neuda’s tkhines in any language. The translation provided here was made by Julia Watts Belser for Hours of Devotion: Fanny Neuda’s Book of Prayers for Jewish Women (ed. Dinah Berland, Schocken 2007), and set here for the first time side-by-side with Neuda’s original German. . . . A prayer for a woman celebrating Shmini Atseret. . . . “Thanksgiving” is a hymn written by Felix Adler and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №35, p. 69. We have tentatively dated this hymn to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). . . . A piyyut in honor of the Torah. . . . A prayer for lifegiving sustenance. . . . The time of Sukkot is a time of fullness and generosity, but also a time to pray for the coming season. Shemini Atzeret, the festival when we pray for rain, is an expression of our need for water, which in the Jewish tradition symbolizes life, renewal, and deliverance. Tefillat Geshem, a graceful fixture of the Ashkenazic liturgy, invokes the patriarchs as exemplars of holiness and model recipients of God’s love. This prayer uses water as a metaphor for devotion and faith, asking that God grant us life-sustaining rain. While its authorship is unknown, it is sometimes attributed to Elazar Kallir, the great liturgist who lived sometime during the first millenium. Each year, we are reminded of our people’s connection to the patriarchs and to the rhythms of water, spiritual and physical sources of life, through this medieval piyyut. While we know that rain is a natural process, formal thanksgiving for water as a source of life, energy, and beauty reminds us that our Creator is the source of our physical world and its many wonders. . . . A paraliturgical prayer for rain on Shemini Atseret. . . . Tags: 21st century C.E., 58th century A.M., English vernacular prayer, גשם geshem, interpretive translation, paraliturgical tefilat geshem, Prayers for Precipitation, Rain, rainfall, water cycle, water is life Yizkor and other prayers for Shemini Atsertet during the coronavirus pandemic in 5781 (2020). . . . On Shemini Atseret, one is supposed to begin mentioning rain in the second blessing of their Amidah prayers (Ta’anit 2a). In many communities, this is liturgically marked by a poetic introduction in the repetition of the Amidah, called Geshem, specifically with the piyyut “Zekhor Av” written by Rabbi Eleezer BeRabbi Kalir, which alludes to the references of our forefathers’ relations to water. One feature of this poem is that it utilizes an alef-bet-ical acrostic, and while there are various modern adaptations that include biblical women, those break the acrostic. This is my attempt to compose a version including stanzas for our foremothers, while maintaining the acrostic by writing the women’s stanzas as a backwards acrostic (i.e. starting from tav and going to alef). This backwards acrostic containing the foremothers is then interspersed with Kalir’s original. . . . Tags: 21st century C.E., 58th century A.M., acrostic, Alphabetic Acrostic, גשם geshem, אמהות Imahot, Matriarchs, North America, פיוטים piyyutim, Prayers for Precipitation, Rain, water, water cycle This is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. . . . |
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