A text of the Qaddish using feminine language for God and for the rabbis and their students. Inspired by Rabbi Debi Shoua Haim of the Reform congregation Kol HaNeshama in Jerusalem, who, in a conversation about feminine-language versions of liturgical texts, challenged me to write a feminine Qaddish variant.

Ḥad Gadya has a place in Seder tables throughout the Jewish quadrant, and in many communities it was read in translation. This adaptation into the language of the Na’vi is very useful when celebrating liberation from the tyrannical RDA.

This is a litanic Ḳiddush for a Rosh Ḥodesh meal, constructed based on the Ḳiddush for Rosh Ḥodesh in Jerusalem as described in Masekhet Soferim chapter 19:9, mostly following the GRA’s edition. Traditionally it would be done in the presence of twelve town elders and twelve scholars of ritual purity, but today we could adapt it to be recited at a festive meal for Rosh Ḥodesh in the presence of seven — the minyan count according to the traditional Western practice recorded elsewhere in Masekhet Soferim 10:7.

This is the Song of Miriam from a parabiblical (or pseudo-biblical) attestation in 4Q365, as reconstructed by scholars based on the work of largely based on the work of Dr. Ariel Feldman, and with addition lacunae filled in by Issac Gantwerk Mayer. Isaac also vocalized, cantillated, and translated the test according to Masoretic norms, and provided a rendering of the text styled according to the Shirat ha-Yam as reproduced by scribes in the Masoretic tradition.