🆕 לַיְּהוּדִים אֲשֶׁר בְּשׁוּשָׁן | LaYhudim Asher biShushan — a shiv’ata cycle for musaf Shabbat Purim Meshulash, by Isaac Gantwerk Mayer
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❧Purim in walled cities (meaning, practically, in Jerusalem) occurs on the day after it does outside of them. This means that when Purim falls on a Friday, it falls on Shabbat in Jerusalem. This unique occurrence is called Purim Meshulash, “Threefold Purim,” because the practices for the day are divided into three. The megillah is read and gifts are given to the poor on Friday, the Torah reading is on Shabbat, and the festive meal and gifts to friends on Sunday. Since this practice of Shabbat Purim is unique to Jerusalem, and for much of Ashkenazi poetic history the Jewish community in Jerusalem was negligible, there are very few liturgical texts designed for Shabbat Purim Meshulash. This is, in the author’s opinion, a shame, because all the other special shabbatot surrounding it have a plethora of special piyyuṭim to insert into their cycles. This cycle of a shiv’ata (sevenfold piyyut) and an eloheikhem (Qedushah insertion) is meant to fill that void. . . .
מחזור קדושתאות ליום המתורגמן (ח׳ בטבת) | Qedushtaot Cycle for Yom Meturgeman (Translator’s Day) on 8 Tevet
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❧This is an original ḳedushtaot cycle for Yom Meturgeman, the eighth of Tevet, to be inserted into the ‘amidah. . . .
הוֹשַֽׁעְנָא ליום הבחירות | Hosha-na for Election Day, by Isaac Gantwerk Mayer
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❧A plea for the manifestation of righteous civic virtues on Election Day in the shadow of Hoshana Rabba. . . .
Yotsrot for Yom Simḥat Kohen/Yom Shem ha-El (11 Tishrei) in a Cairo Geniza weekday yotsrot style by Isaac Gantwerk Mayer
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❧A new and original cycle of yotsrot in the style of the weekday yotsrot of the Cairo Geniza, for the day after Yom Kippur, referred to either as Yom Simḥat Kohen or Yom Shem ha-El depending on the custom. . . .
אַהֲבָה תְּלַבְלֵב כְּמוֹ־פֶֽרַח | Ahava T’lavlev K’mo Peraḥ (Love blossoms like a flower) — a yotser for Tu b’Av by Isaac Gantwerk Mayer
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❧A yotser for Tu b’Av, the first part of an intended cycle of yotsrot. A retelling of the list of reasons for Tu b’Av given in the Talmud, with repeated refrains from Psalm 45 for the alphabetical verses and the rest of the Tanakh for the name-acrostic choruses. Written in honor of my friend Eliran’s wedding. . . .
יִשְׂרָאֵל אִם־לֹא בְּשִׂמְחָה | Yisrael Im Lo b-Simḥah — an ahavah for Pesaḥ Sheni, by Isaac Gantwerk Mayer
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❧An ahavah for Pesaḥ Sheni. An acrostic spelling out “Yitsḥaq son of Avraham, the priest, ḥazaq,” with a refrain derived from Mishnah Pesaḥim 9:1. . . .
לֹֽא־יַשְׁאִ֤ירוּ | Lo Yash’iru — an ofan for Pesaḥ Sheni, by Isaac Gantwerk Mayer
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❧An ofan for Pesaḥ Sheni in tripartite stanzas. Each stanza begins with a citation of Numbers 9:12-14, then an acrostic spelling out “the son of Avraham the priest, ḥazaq.” . . .
אֶת־אֲבוֹתֵֽינוּ הוֹצֵֽאתָ | Et Avotenu Hotseta — a yotser for Pesaḥ Sheni, by Isaac Gantwerk Mayer
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❧A yotser for Pesaḥ Sheni. Each stanza is written with a threefold acrostic — the first two lines in atbash, the third spelling “Yitsḥaq Har’el Ḥazaq,” and the fourth a verse from Numbers 9. . . .
אֵל קוֹל דְּמָמָה | El Qol D’mama — a piyyut for the end of Tishah b’Av by Isaac Gantwerk Mayer
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❧This is an original piyyut, inspired by the structure of the beloved Yom Kippur Ne’ilah piyyut El Nora ‘Alila. In the era of the Sanhedrin, every fast day would have a Ne’ilah service between Minḥa and the conclusion of the fast. While these are no longer in practice for any days other than Yom Kippur, the editor personally feels like it could be worth bringing them back. As part of this idea, this piyyut is meant to be sung after the end of Tishah b’Av mincha but before the fast ends, as we prepare for the weeks of comfort. It is expressly *not* a qinah. . . .
Poetic Birkat haMazon for a Zeved haBat Seudah, by Isaac Gantwerk Mayer
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❧After a brit milah meal, there are several poetic additions traditionally included in the Birkat haMazon. But for young daughters a brit milah isn’t going to happen. So this is a poetic Birkat haMazon to be recited after a Zeved haBat ceremony. . . .
קָפֶה בֵּית מַכְּסְוֶיל | Items for the Second Seder Plate: Maxwell House coffee
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❧Why is this coffee different from all other coffees? Because Maxwell House coffee is a deeply spiritual representation of the Diaspora experience. . . .
ברכת המזון לסעודת סוף הצום לסיגד | Birkat haMazon for the break-fast meal of Sigd (29 Marḥeshvan)
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❧This is a poetic Birkat haMazon, similar to those found in the Cairo Geniza, intended for this specific break-fast meal. The editor has included the text in Hebrew, English, and an attempted Liturgical Ge’ez translation. . . .
ברכת המזון לסעודה מפסקת לפני יום הכפורים | Birkat haMazon for the Pre-Fast Meal for Yom Kippur, by Isaac Gantwerk Mayer
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❧This acrostic poetic form of Birkat haMazon was written for the se’udah mafseqet (pre-fast meal) before Yom Kippur, in the manner of the poetic Birkat haMazon variants recorded in the Cairo Geniza. . . .
ברכת המזון לראש השנה לבהמה | Birkat haMazon Supplement for Rosh haShanah la-Behemah, by Isaac Gantwerk Mayer
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❧This is a poetic text for Birkat haMazon, signed with an alphabetical acrostic and the name of the author, to be recited on the first of Elul. It celebrates the variety of God’s creation as exemplified by the natural diversity of species, as well as alluding to the livestock tithes traditionally assigned on the first of Elul. . . .
ברכת המזון לסעודה מפסקת ערב תשעה בעב | Birkat haMazon for the Seudah Mafseqet (Pre-Fast Meal) of Tishah b’Av, by Isaac Gantwerk Mayer
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❧A Birkat haMazon with additions for the pre-Fast meal of Tisha b’Av . . .
יוֹם זֶה לְכׇל דוֹרוֹת | Yom Zeh l’Khol Dorot, a piyyut for Pesaḥ Sheni by Isaac Gantwerk Mayer
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❧A piyyut for an under-recognized holiday, Pesaḥ Sheni, the festival of second chances (as described in Numbers 9:6-13 and Mishnah Pesaḥim 9:1-3. I attempted to write this in the manner of a traditional piyyut. The meter is equivalent to the Shabbat zamir “Ot Hi l’Olmei Ad.” The Hebrew spells out Yod – Tzadi – Ḥet – Kuf, because that’s my name. The translation is original, along with the notes. . . .