
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also translates and transcribes Hebrew and Aramaic texts, adding niqqud and t'amim as needed.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Contributed by:
Isaac Gantwerk Mayer
The ancient Land of Israel rite was most well-known for its three-and-a-half-year Torah-reading cycle, but until recently very little was known about the haftarot recited alongside this cycle. Through studies of piyyuṭim and midrashim lists of opening verses to the hafṭarot were reconstructed, but an opening verse does not a full hafṭara make. All that changed when the St. Petersburg Manuscript, MS. EVR II B 42, was rediscovered by Prof. Ezra Shevat and publicized in this blog post. This manuscript, which had been lumped in as just another of the many codices haphazardly gathered by Abraham Firkovich, actually records what may be our most complete record of the hafṭarot of the ancient Land of Israel rite, at least as kept in one community.
Contributed by:
Isaac Gantwerk Mayer
The ancient Land of Israel rite was most well-known for its three-and-a-half-year Torah-reading cycle, but it had its own unique aspects for festivals and special Sabbaths as well. Recorded in this manuscript is what may be our most complete record of the hafṭarot of the ancient Land of Israel rite, at least in one community. Some, but not all, of the hafṭarot for festivals and special Sabbaths are the same as those found in the Babylonian practice, but all of them are substantially shorter, with some as short as three verses. It seems the Babylonian prohibition on hafṭarot shorter than twenty-one verses was not taken into account in the West!