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חַד מָה יוּדָא | אֶחָד מִי יוֹדֵעַ | Ḥad Mah Yuda :: Who Knows One?, a counting-song in Aramaic translation
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The text of the popular Passover song “Who Knows One?” in Hebrew set side-by-side with an Aramaic translation. . . .
אונו קאַפּרידאָ | חַד גַּדְיָא | Unu Kaprido — an Esperanto translation of Ḥad Gadya by Erin Piateski (2010)
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A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . .
חַד גַּדְיָא | Un Kavritiko (און קאבﬞריטיקו) — a Judezmo (Ladino) translation of Ḥad Gadya
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A Judezmo/Ladino translation of the popular Passover song, Ḥad Gadya. . . .
חַד גַּדְיָא | Йаке бузғола | Yake Buzghola (יַכֵּי בּוּזְגָאלַה) — a Judeo-Tajik translation of Ḥad Gadya by Rabbi Shimon ben Eliyahu Hakham (1904)
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A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . .
חַד גַּדְיָא | Бир Улакъ | Bir Ulaq (בִּיר אוּלָק) — a Qrımçah tılyı (Krymchak) translation of Ḥad Gadya by Rabbi Nisim haLevy Tsahtsir (1904)
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A Judeo-Tajik translation of the popular Passover song, Ḥad Gadya. . . .
חַד גַּדְיָא | ერთი თიკანი | Erti tiḳani (ארתי תיקהני) — a Čveneburuli translation of Ḥad Gadya by Tamari Lomtadze & Reuven Enoch
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A Čveneburuli (Judeo-Georgian) translation of the popular Passover song, Ḥad Gadya. . . .
חַד גַּדְיָא | ⵢⴰⵏ ⵉⴽⵔⵓ | Yan ikru (יַאן יִכְּרוּ) — a Judeo-Berber translation of Ḥad Gadya
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A Judeo-Berber translation of the popular Passover song, Ḥad Gadya. . . .
חַד גַּדְיָא | Ένα κατσίκι | Éna katsíki (אֵנַה קַצִיקִי) — a Yevanic translation of Ḥad Gadya by Isaac Gantwerk Mayer
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A Yevanic (Judeo-Greek) translation of the popular Passover song, Ḥad Gadya. . . .
וַאחְדְ אזְדִיוַא | وحد الجديوة | חַד גַּדְיָא (Waaḥₔd ₔZdiwa) — a Judeo-Moroccan Arabic (Darija) adaptation of Ḥad Gadya
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A Judeo-Moroccan Arabic (Darija) adaptation of the Passover seder song, Ḥad Gadya, as found in Mahzor Moȝadé Hashem. . . .
ואחד גׄדי | חַד גַּדְיָא (Waaḥid Jady) — a Judeo-Arabic translation of Ḥad Gadya (Baghdadi variation)
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A Judeo-Arabic translation of the popular Passover song, Ḥad Gadya. . . .
🆕 חַד גַּדְיָא | Xa ʾƏza (כָא עֶזָא) — a Hulaulá (Sanandaj Judeo-Neo-Aramaic) translation of Ḥad Gadya
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A translation of Ḥad Gadya into Hulaulá (Trans-Zab Jewish Neo-Aramaic), the Aramaic dialect of the Jews of Sanandaj. Largely based on the translation of Alan Niku (found here), with a few minor changes, and with the transcription altered to the scholarly transcription of Geoffrey Khan in his analysis of the dialect. Also featuring a transcription into Hebrew script. . . .
💬 הפטרה לחג השבועות ביום השני | Haftarah reading for the Second Day of Shavuot (Ḥabaquq 2:20-3:19) with its Targum and the piyyut Yetsiv Pitgam by Rabbeinu Tam (ca. 12th c.)
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The haftarah for the second day of Shavuot, Ḥabakkuk 2:20-3:19, interspersed with a cantillated text of the Targum Yonatan ben Uzziel. Since Targum Yonatan is a bit more drash-heavy than Targum Onkelos, it is translated separately as well. The haftarah reading includes the piyyut Yetsiv Pitgam, with an acrostic rhyming translation of the poem, with the second-to-last verse restored to its rightful place, as well as a concluding paragraph for the meturgeman to recite, as found in the Maḥzor Vitry. . . .
אֵין כֵּאלֹהֵֽינוּ | A Polyglot Version of Ein kEloheinu
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The mantra-like piyyut “Ēin k-Ēlohēinu,” a praise of God’s attributes and uniqueness featuring incremental repetition, is found in siddurim as far back as the siddur of Rav Amram, and may date back to the Hekhalot literature. Many versions of it have been compiled in different languages, most famously Flory Jagoda (zç”l)’s Judezmo variant “Non como muestro Dyo.” Here the editor has compiled traditional Yiddish and Ladino translations, as well as developed new Aramaic and Arabic translations for this piyyut. The post-piyyut verses used in both the Ashkenazi and Sephardic rites have been included. . . .
💬 הַפְטָרָה לְחַג הַפַּאי | Haftarah for the Festival of π (I Kings 7:23-26 and 8:54-66), the twenty-second day of the seventh month (which falls on Shemini Atseret)
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Shmini Atseret is a strange festival. In some ways part of Sukkot, in some ways its own thing, it occupies an equivocal place in the yearly cycle. But one thing that is completely true: Shmini Atseret is on Pi Day. Well, Pi Approximation Day — the twenty-second day of the seventh month. Inspired by my friend and math enthusiast Aryeh Baruch (may he have a long life), I’ve compiled this altered form of the haftarah for Shmini Atseret in the diaspora, including the description of King Solomon’s “molten sea,” as well as an Aramaic “reshut” poem with a numeral acrostic of the first few digits of pi. . . .
