
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also translates and authors his own original works.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Resources filtered by COLLABORATOR: “Meir ben Isaac Nehorai of Orléans”
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Contributed by:
Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
This piyyut, Abunan D’biShmaya (Our Parent in Heaven), the second in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the fifth verse of the first aliyah (or second verse of the second aliyah on Shabbat).
Contributed by:
Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
This piyyut, Elaha Alam (Ageless God), the fourth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the Song of the Sea proper as an introduction to the targum of the text.
Contributed by:
Meir ben Isaac Nehorai of Orléans, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
This piyyut, Ilu Pume Nima (If Our Mouths Were Thread), the first in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the first verse of the first aliyah, as an introduction or ‘reshut’ to the seder meturgeman as a whole.
Contributed by:
Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut), Meir ben Isaac Nehorai of Orléans, Unknown
This piyyut, “Ḥanaiah, Mishael, and Azariah,” was originally written to be recited as an introduction to the targum of the Second Commandment, the prohibition on worshiping other gods. It is a dispute-poem retelling the story of Ḥanaiah, Mishael, and Azariah, the three “holy children” of Daniel chapter 3 who would rather be thrown into an oven than worship an idol. It’s an intricate multi-part acrostic that I absolutely love. (I also am partially convinced it may be influenced by the apocryphal “Song of the Three Holy Children,” if not in context then in the idea of an extensive poem related to their story.) Since the original poem’s acrostic only goes halfway through the alphabet, the great Meir bar Isaac Nehorai of Orleans wrote a continuation that is also included here.