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Isaac Gantwerk Mayer (transcription & naqdanut)

From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also translates and authors his own original works.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.

https://igmjewishcreativeworks.com
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מַא כְׄבַּר הַדִׄה | Ma Khəbar Hādhih, a Yemenite Judeo-Arabic Elaboration on the Four Questions

Contributed by Unknown Author(s) | Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) |

In Yemenite practice, directly after the four questions are recited the youngest literate person at the table reads a brief Judeo-Arabic passage, here transcribed per the Yemenite transliteration system (wherein gimel dagesh = j and qof = g) and translated into Arabic and Hebrew. Instructional notes say this passage is “for the benefit of women and toddlers,” the two main classes of people who would have not had access to Hebrew education at the time. . . .


אתה גאלת | Atah Ga’alta (You Redeemed Our Ancestors), a Poetic Rendition of the Blessing of Redemption in the Pesaḥ Seder (ca. 9th c.)

Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) |

Rav Saadia Gaon lists three additions to the Seder Pesaḥ which he considers not necessary, but acceptable. This is the third, a poetic insert of the blessing of redemption known as Ata Ga’alta. In the form of an alphabetical acrostic, this poem is still recited in many eastern communities including the Babylonians, Persians, and Yemenites, and was a feature of the the old Kaifeng rite. Here it is recorded and translated into English according to the nusaḥ of Saadia Gaon, with notes in several locations for additional phrases used in some customs. . . .


📄 וּתְקוֹל | U-tqol of Djerba — a Midrashic Addition to the Haggadah relating the story of Avraham & Nimrod’s Furnace in Judeo-Tunisian Arabic

Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) |

The ancient Jewish community of Djerba, an island off the coast of southern Tunisia, has many unique customs and practices. Among them is that during the Maggid, after the citation of Joshua 24:2-4 and before the paragraph beginning “Praise the One who keep faith with the people Israel,” an extensive work in Judeo-Tunisian Arabic is recited, telling the well-known story of Abraham’s realization of divine unity and his ordeal in the oven of fire. Here is a transcript of that text, vocalized according to the original manuscripts, transcribed, and translated into English and modern Hebrew. . . .


📄 אָמְרוּ רַבּוֹתֵֽינוּ זִכְרוֹנָם לִבְרָכָה | “Said our Sages of Blessed Memory” — a Midrashic Addition to the Extrapolation of the First Fruits

Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) |

In many eastern communities, including the communities of Aleppo and Yemen as well as the haggadah of Ḥakham Ovadia Yosef, this text is added to the extrapolation of the First Fruits declaration found in the Pesaḥ Maggid. Specifically, it is found after the citation of Exodus 12:12, specifically within or after the passage concluding “…who is Me and there is no other.” . . .


📄 וּמִנַּֽיִן שֶׁנָּתַן־לָֽנוּ | uMinayin sheNatan Lanu — a Midrashic Addition to Daiyenu

Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) |

In many Eastern rites, as well as in the writings of R. Avraham ben haRambam, it is customary to add this brief midrash to Dayenu, after the verse that ends “but had not given us their wealth, dayenu.” Here it is translated into English, including some notes for certain locations where the Yemenite nusaḥ differs from others. . . .


אֱמוּנִים עִרְכוּ שֶֽׁבַח | Emunim ʿIrkhu Shevaḥ — a Poetic Addition to Rabban Gamliel’s List

Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) |

Emunim ʿIrkhu Shevaḥ is a brief piyyut recited in North African communities in Rabban Gamliel’s list, between Pesaḥ and Maror. It spells out “Aaron the Priest” as an alphabetical acrostic, but it is uncertain whether this is an authorial signature or a mystical reference to the Biblical figure. . . .


אתי בשלם | ࠀࠕࠉ࠰ࠁࠔࠋࠌ | Itti Bishlam (Come in Peace), a Samaritan Aramaic Poem for the Festival Season by Marqeh ben Amram (ca. 4th c.)

Contributed by Marqeh ben Amram | Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) |

Itti Bishlam is a sixteen-hundred year old Samaritan Aramaic poem attributed to the great Samaritan sage Marqeh son of Amram. In twelve stanzas it tells the story of the night of the tenth plague and the Exodus. Samaritans traditionally recite it on the night before the holidays, the Sabbaths before the holidays, and the evening before the first day of the first month (the Samaritan new year, fourteen days before Passover). Largely a half-alphabetical acrostic, the fifth stanza of Itti Bishlam begins with an īt (ḥeth) rather than the expected īy (her), understandable considering the loss of guttural distinctions in Samaritan phonology. (See the number of Jewish poems which confuse sin and samekh for a parallel occurrence.) Itti Bishlam is, interestingly enough, lacking polemic or sectarian content — it never calls upon the Samaritan holy mountain of Aargaarizem (Mt. Gerizim), nor does it include any context that contradicts the traditional Jewish interpretation of the paschal narrative. It is worthwhile for Jews to learn about and understand the liturgical practices of their sister religion, and this poem is a great place to start! . . .


📄 A Letter of Passover Instruction, from the Judean Garrison of Elephantine/Yeb (TAD A4.1)

Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) |

This letter, written in Imperial Aramaic in 419 BCE, is among the vast number of papyrus letters found in Elephantine, also known as Yeb. The Jewish (or more accurately, Judean) community of Yeb is a fascinating bit of history — a group of Judean mercenaries who settled in Egypt and built their own smaller temple! Although their origin was clearly Judean, and they referred to themselves as the ḥeila yehudaya = Judean garrison, their form of worship featured no Deuteronomic centralization, no discussion of the patriarchs, and questionable monotheism! Although the primary deity was YHW (note the difference in spelling), multiple other deities or hypostatized aspects of divinity were worshipped, and verbs for the word “God” are conjugated in the plural rather than the singular. This text is one of a series of letters written between the brothers Yedaniah and Ḥananiah. In this case, it is giving instructions for keeping the holiday of Pesaḥ. These instructions are interesting in their own right — the prohibition on beer could alternatively be read as a prohibition on any alcoholic drink, which would align with Karaite practice rather than rabbinic. But what’s even more interesting is what isn’t mentioned — the instructions given mention nothing whatsoever about the exodus from Egypt, or even God! The diktat to observe the holiday is accredited not to God or Moses, but to Darius, king of the Achaemenid Empire! This passage is a fascinating taste of a part of Judaism that we know very little about. Vocalization according to Tiberian norms and translation into English by the translator. . . .