A piyyut of the 18th century by R. David Ḥassin, one of the greatest composers of Morocco. In this piyyut, dedicated to the city of Tiberias and recounting its praises, we tour Tiberias and the graves of the tannaim and amoraim there, and come to the place of Maimonides’ burial according to tradition. From the dead, the composer moves on to tell the prose of the living – R. Ḥayyim Abulˁafia, who renewed Jewish settlement in Tiberias to where he had moved with his students in the year 5500 [1740], doing much to revitalize the Jewish settlement and build the city, for which R. David Ḥassin praises and blesses him at the conclusion of the poem. This poem was very beloved and merited widespread circulation, and is found in poetry books of many different Mizraḥi communities. This poem has also merited a number of imitations and adaptations, testifying to its great popularity. The most well-known imitation is a poem by the Israeli diaspora-emissary R. Eliyahu Ḥazzan, who arrived at Morocco, came across this song, and composed an imitation, also called “As Every Day I Hope” — except R. Eliyahu Ḥazzan’s song is dedicated to Jerusalem and tours around it. . . .

A megillah attesting to the terrible events of World War II from the vantage of North African Jewry in Casablanca. . . .

Presenting the full, somewhat short text of the Megillah of Sebastiano, telling the story of a great miracle that occurred to the Jewish community of Morocco on 1 Elul 5338, or August 4 1578 CE. On that day, King Sebastian of Portugal attempted to conquer Alcácer Quibir in North Africa — and inevitably to force the inquisition on the Jews of Morocco. But he was turned back at the last moment, protecting Moroccan independence for several more centuries. This scroll is traditionally recited in Jewish communities in the Maghreb to celebrate the repulsion of the Portuguese. . . .

A Judeo-Moroccan Arabic (Darija) adaptation of the Passover counting song Eḥad Mi Yodeaȝ, as found in Mahzor Moȝadé Hashem. . . .

A Judeo-Moroccan Arabic (Darija) adaptation of the Passover seder song, Ḥad Gadya, as found in Mahzor Moȝadé Hashem. . . .

This somewhat crude Purim song is sung in many variants in the Moroccan and Gibraltar Sephardic communities, often to the tune of the popular Purim hymn “Akh Ze Hayom Kiviti.” . . .