This is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. . . .

This Chinese translation of the short piyyut “Ha-El b’taatsumot” following Nishmat Kol Ḥai is found on page 2 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . .

This Chinese translation of an Ashkenazi nusaḥ for the piyyut “Shokhen Ad” following Nishmat Kol Ḥai is found on page 3 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . .

This Chinese translation of an Ashkenazi nusaḥ for the alphabetic acrostic piyyut “El Adon,” is found on page 8 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . .

This Chinese translation of an Ashkenazi nusaḥ of the Birkat Ahavah (“Ahavah Rabah”) prayer before the Shema in Shaḥarit is found on pages 12 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . .

This Chinese translation of an Ashkenazi nusaḥ for the piyyut “Adon Olam,” is found on page 73 of the liner notes for the Chinese edition of Richard Collis’s album We Sing We Stay Together: Shabbat Morning Service Prayers (Wǒmen gēchàng, wǒmen xiāngjù — Ānxírì chén dǎo qídǎo). . . .

“Orah hee” was composed by Rabbi Jill Hammer in 2008 and first published at Tel Shemesh in romanized Hebrew and English translation. . . .

The popular adjuration of the angels of peace and ministering angels, Shalom Aleikhem, in Hebrew with a German translation by Franz Rosenzweig. . . .

The text of Yehudah haLevi’s piyyut, “Al Ahavatekha Eshteh Gəvi’i,” with a German translation by Franz Rosenzweig. . . .

The piyyut and popular shabbat table song, Ki Eshmera Shabbat, in Hebrew with a rhyming translation. . . .

The paralitugical Birkat haMazon Tsur Mishelo, in Hebrew with an English translation. . . .

The 7th of Adar is the traditional date for the yahrzeit of Moshe Rabbeinu and it is also remembered as the day of his birth 120 years earlier. This variation of of the piyyut, Hanenu Yah Hanenu (Forgive Us Yah, Forgive Us), sung on 7 Adar, is attributed to Rabbi Yosef Ḥayyim of Baghdad (the Ben Ish Ḥai, 1832-1909). The earliest published version we could find appears in בקשות: ונוסף עוד פתיחות ופיוטים הנוהגים לומר בזמה הזה (1912) containing piyyutim by Israel ben Moses Najara (1555-1625), a Jewish liturgical poet, preacher, Biblical commentator, kabbalist, and rabbi of Gaza. The contemporary audio recording of the Iraqi nusaḥ presented here was made by משה חבושה (Moshe Ḥavusha). . . .

A rhymed translation of Tsur Mishelo, a paralitugical Birkat haMazon. . . .

This translation of “Adonai boker e’erokh lekha” by Rabbi David Aaron de Sola of a piyyut by an unknown paytan was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .

This translation of “Yom Zeh l’Yisrael” by Rabbi David Aaron de Sola of a piyyut by Rabbi Yitsḥaq Luria was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .

This translation of “Ki Eshmera Shabbat” by Rabbi David Aaron de Sola of a piyyut by Avraham ibn Ezra was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .

This translation by Rabbi David Aaron de Sola of “Elohim Yisadenu” by a paytan named Avraham (possibly Avraham ibn Ezra) was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .

“Lamnatseaḥ Shir” composed by Moses Ensheim, and its accompanying paraliturgical French translation by Isaïah Berr Bing, was first published in 1792 when it was sung in the synagogue of the Jewish community of Metz in celebration of the victory of the French Revolution and their emancipation as full citizens of France in 1791. . . .

The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. . . .

The piyyut, Dayenu, in its Latin translation by Johann Stephan Rittangel. . . .

The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. . . .

The text of the short prayer Shokhen Ad in Hebrew with a Latin translation. . . .

The alphabetic acrostic piyyut, Adir Hu, in its Latin translation by Johann Stephan Rittangel as found in his translation of the Pesaḥ seder haggadah, Liber Rituum Paschalium (1644). . . .

The text of the prayer Yishtabaḥ Shimkha, in Hebrew with a Latin translation . . .

The text of the popular piyyut “Adir Bimlukhah” (a/k/a “Ki lo na’eh”) in Hebrew, with a Latin translation. . . .

The text of the popular counting song “Who Knows One?” in its original Hebrew, with a translation in Latin. . . .

The text of the popular Passover song “Who Knows One?” in its original Hebrew and Yiddish, with a translation in English. . . .

This is “Had Gadiâ | Un Cabri: La Légende de l’Agneau (Poésie chaldaico-provençale, chantée a la table de famille les soirs de Paques),” a translation of Ḥad Gadya into French by Dom Pedro Ⅱ (1825-1891), emperor of Brazil, as published in Poésies hébraïco-provençales du rituel israélite comtadin traduites et transcriptes par S. M. D. Pedro Ⅱ, de Alcântara, empereur du Brésil (1891), pp. 45-59. A note on the last page indicates the translation was made in Vichy, France on 30 July 1891. . . .

A Latin translation of the popular Passover song, Ḥad Gadya. . . .

Making sense of Ḥad Gadya beyond its explicit meaning has long inspired commentary. For me, Ḥad Gadya expresses in its own beautiful and macabre way a particularly important idea in Judaism that has become obscure if not esoteric. While an animal’s life may today be purchased, ultimately, the forces of exploitation, predation, and destruction that dominate our world will be overturned. Singing Ḥad Gadya is thus particularly apropos for the night of Passover since, in the Jewish calendar, this one night, different from all other nights, is considered the most dangerous night of the year — it is the time in which the forces of darkness in the world are strongest. Why? It is on this night that the divine aspect of Mashḥit, the executioner, is explicitly invoked (albeit, only in the context of the divine acting as midwife and guardian/protector of her people), as explained in the midrash for Exodus 12:12 . . .

A popular piyyut for Simḥat Torah (4th hakkafah) originally composed as a piyyut for Shavuot and often referred to by its incipit, “Mipi El.” . . .

A penitential piyyut for the fast of the 17th of Tammuz. . . .

This piyyut is signed “Elyaqim Ḥazaq.” Alas, we do not know who this Elyaqim was or even whether he was a rabbinic or Karaite Jew. The piyyut has been preserved for us in the Karaite cycle (Vilna printing press, 1852, Vol. IV, p. 135.) and there are several other piyyutim signed with his name. . . .

The piyyut, Yedid Nefesh, in Hebrew with an English translation. . . .

A translation of the piyyut Yom Zeh l’Yisrael. . . .

An abridged rhymed translation of the piyyut Yom Zeh l’Yisrael. . . .

The piyyut, Yah Ribon, in Aramaic with an English translation. . . .

The piyyut, Yah Ribon, in Aramaic with an English translation. . . .

The piyyut, yah Ribon Olam, in Hebrew with a rhyming English translation. . . .

This translation by Rabbi David Aaron de Sola of “Yah Ribon” by Rabbi Yisrael Najara was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .

The philosophical-creed-as-piyyut, Yigdal, in Hebrew with a creative English translation. . . .

The philosophical-creed-as-piyyut, Yigdal, in Hebrew with an English translation. . . .

The philosophical-creed-as-piyyut, Yigdal, in Hebrew with an English translation. . . .

This is the philosophical-creed-as-piyyut, Yigdal, by Daniel ben Judah Dayyan. Yigdal means “Magnify [O Living God]” and is based on the 13 Articles of Faith formulated by Maimonides (1135-1204). Daniel ben Judah spent eight years improving his piyyut, completing Yigdal in 1404. This was not the only metrical presentment of the 13 Articles of Faith; but it has outlived all others, whether in Hebrew or in the vernacular. The English translation here by Israel Zangwill was transcribed from Arthur Davis & Herbert Adler’s מַחֲזוֹר עֲבֹדַת אֹהֶל מוֹעֵד: עֲבֹדַת חַג הַכִּפּוּרִים Maḥzor Avodat Ohel Moed: Avodat Yom haKippurim Part II: Morning Service (1904), p. 2. . . .

The philosophical-creed-as-piyyut, Yigdal, in Hebrew with an English translation. . . .

This is the philosophical-creed-as-piyyut, Yigdal, by Daniel ben Judah Dayyan. Yigdal means “Magnify [O Living God]” and is based on the 13 Articles of Faith formulated by Maimonides (1135-1204). Daniel ben Judah spent eight years improving his piyyut, completing Yigdal in 1404. This was not the only metrical presentment of the 13 Articles of Faith; but it has outlived all others, whether in Hebrew or in the vernacular. The rhymed English translation by Jacob Waley (1818-1873) was published posthumously by his daughter, Julia Matilda Cohen, in The children’s Psalm-book, a selection of Psalms with explanatory comments, together with a prayer-book for home use in Jewish families (1907), pp. 300-303. . . .

The philosophical-creed-as-piyyut, Yigdal, in Hebrew with an English translation. . . .

Rabbi Zalman Schachter-Shalomi’s interpretive “praying translation” of the piyyut, Adon Olam. . . .

The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. . . .

This is Rabbi Dr. David Prato’s Italian translation of Adon Olam from his bilingual Hebrew-Italian everyday siddur, Tefilah l’David: Preghiere di Rito Italiano (1949), p. 272-275. . . .