
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also translates and authors his own original works.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Isaac ben Moses of Vienna
This is the second piyyuṭ in a yotsrot cycle for the Shabbat before Rosh haShanah, according to Minhag Polin (as traditionally practiced in the Ashkenazi communities of northeastern Germany and Poland), all written by a Rabbi Yitzḥak ben Moshe haLevi according to the authorial acrostic. Zunz identifies the author as Rabbi Isaac ben Moses of Mainz, who died in the Gzerot Tatno of 1096. Fraenkel disputes this and suggests Rabbi Isaac ben Moses of Vienna (a/k/a the Or Zarua), of the Ḥasidei Ashkenaz, who died in around 1270. The ofan is an invocation to the listener to repent, calling upon specific angels by name. Also included is the German text of Isaac Seligman Baer’s Avodat Yisrael translation, in modernized spelling.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Isaac Seligman Baer, Yaaqov ben Meir
An ofan piyyuṭ for the second shabbat after Pesaḥ, as well as the Shabbat between Yom Kippur and Sukkot, recited in the minhag of Pehm and Bruna (Bohemia and Moravia). Signed with the name “Yaakov,” this ofan is of uncertain origin but has been attributed to R. Yaakov ben Meir, more well known as Rabbeinu Tam. Also included is Seligman Baer’s German translation, as well as an original English translation.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Menaḥem ben Makhir
The ofan piyyuṭ for Shabbat Shuva, minhag Polin, by the great payṭan Menaḥem ben Rabbi Makhir. A half-acrostic, each stanza begins with a word from parashat Ha’azinu, usually read on Shabbat Shuva, and ends with a verse that includes the word “holy” or “sanctify” in it.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Binyamin bar Zeraḥ
An ofan (a piyyut inserted into the Qedusha d’Yotser) recited in the eastern Ashkenazi Minhag Polin rite for Shabbat haGadol. Signed “Benjamin,” Davidson ascribes it to the great paytan R. Binyamin bar Zeraḥ, possibly as part of the same poetic cycle as Itti MiLvanon (his yotser for the same day).
Contributed by:
Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut), Unknown
This anonymous ofan, also recited on the second day of Shavuot in some communities, uses alliteration to describe the many hosts of angels descending upon Sinai in awe and reverence as the Torah was given. The translation preserves the alliteration over the alphabet, seeing as the ofan in this form doesn’t include the entire alphabet either. As an ofan, it is recited within the Ḳedusha d-Yotser, between the verses of Isaiah and Ezekiel (included here). The ofan is recited on the second day of Shavuot in some communities.