In honor of Juneteenth, the holiday of American liberation, this is a translation of Lincoln’s Emancipation Proclamation into Biblical Hebrew.

This is a parody riffing on the piyyut Yom Zeh Mekhubad for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer.

This is the Shir haMa’alot for a Woman Giving Birth on Purim (a parody of a birth amulet) by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer.

This is the Aqdamut for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer.

This is the Haqafot for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer.

This is the Hosha’not for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer.

This is the Ne’ilah for Purim (a parody of the last two paragraphs of the Ne’ilah confession) by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer.

“Yom Purim” is a parody riffing on the piyyut Yom Shabbaton for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer.

This is a parody riffing on the piyyut Yetsiv Pitgam for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer.

This is a parody riffing on the piyyut Kol Meqadesh Shevi’i for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer.

A prayer of repentance and thanksgiving recited at the Shaare Shalom synagogue in Kingston, Jamaica in response to the massive Guadeloupe earthquake of 1843.

First written and published in Hamburg in 1842 by Tzvi Hirsch Sommerhausen (1781-1853), the Haggadah l’Leil Shikkorim is a parody of the familiar segments of the Haggadah, but for Purim instead of Pesaḥ. According to Israel Davidson’s “Parody in Jewish Literature,” (1907) Sommerhausen’s work was published in six editions, including one with a Judeo-Arabic sharḥ. (If anyone has a link to that, please send it to me!) Anyway, this edition is fully vocalized and translated into English, for your Purim enjoyment.

In North Africa, a unique custom developed of reciting a Mi Khamokha v-Ein Kamokha piyyut, inspired by the famed Shabbat Zakhor work of Yehuda haLevi, on the Shabbat before a local Purim (a celebration of community’s deliverance from destruction). This piyyut, written by R. Avraham ben Rafael Khalfon, was recited on the Shabbat before 29 Tevet in the community of Tripoli, to celebrate the victory of the Karamanlid dynasty over the despotic usurper Ali Burghul (after events transpiring from 1793-1804).

A common practice among Sephardim both eastern and western is to read the aftará for the morning of the fast of Aḇ with a verse-by-verse midrashic translation. Western Sephardim use an Early Modern Spanish text, while Eastern Sephardim use a Judezmo (or Judeo-Spanish proper) text. Attached is a transcript of a Western Sephardic verse-by-verse targum of the aftará for the Shabbat before 9 Aḇ, based on the text found in Isaac Leeser’s Siddur Siftei Tsadiqim, volume 6: Seder haTefilot laTaaniyot (1838), pp. 174-184. Each verse is included in Hebrew, as well as the original Spanish text, and a slightly modernized Spanish text underneath to clarify archaic forms or words that have fallen out of use. Also included are from-scratch English translations.

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. I’m working on transcribing all of these, but to start, here’s an Al haNissim for the twenty-eighth of Shvat in Avignon. Written in rhymed prose, this text tells the story of a gentile who fell headfirst down a deep well near the synagogue, but successfully managed to flip himself over and wedged his feet in the walls. Even more miraculously, afterwards he declared that it was his own fault he fell in the pit! The Jews of the Comtat, an area under direct papal control at the time, were well aware of the tenuousness of their position, and were the man a talebearer then they could have faced a pogrom or exile.

A piyyut of the 18th century by R. David Ḥassin, one of the greatest composers of Morocco. In this piyyut, dedicated to the city of Tiberias and recounting its praises, we tour Tiberias and the graves of the tannaim and amoraim there, and come to the place of Maimonides’ burial according to tradition. From the dead, the composer moves on to tell the prose of the living – R. Ḥayyim Abulˁafia, who renewed Jewish settlement in Tiberias to where he had moved with his students in the year 5500 [1740], doing much to revitalize the Jewish settlement and build the city, for which R. David Ḥassin praises and blesses him at the conclusion of the poem. This poem was very beloved and merited widespread circulation, and is found in poetry books of many different Mizraḥi communities. This poem has also merited a number of imitations and adaptations, testifying to its great popularity. The most well-known imitation is a poem by the Israeli diaspora-emissary R. Eliyahu Ḥazzan, who arrived at Morocco, came across this song, and composed an imitation, also called “As Every Day I Hope” — except R. Eliyahu Ḥazzan’s song is dedicated to Jerusalem and tours around it.

The megillah for Plum-Jam Purim or Powidlpurim, a family Purim celebrated by the Brandeis family of Bumsla, Bohemia (Czech: Mladá Boleslav; German: Jungbunzlau) on 10 Adar to commemorate David Brandeis’ liberation from prison on trumped-up charges of poisoning. First published along with a German translation and some genealogical notes in Magazin für die Wissenschaft des Judenthums, vol. 15, 1888. According to Chef/Rabbi Gil Marks z”l, the celebration of Plum-Jam Purim was the origin of prune hamantaschen as a concept — prior to 1731 all hamantaschen had a poppy seed filling!

The text of Ma’aseh Yehudit, the story of Judith, as found in Sefer Ḥemdat Yamim, a mystical compilation of customs and tiqqunim first published in İzmir in around 1731. (This text is also found as “Maaseh Yehudit, Version 2” in Judah David Eisenstein’s monumental Otzar Midrashim compilation.) Sefer Ḥemdat Yamim is a unique work, likely compiled by a Sabbatean but largely based on earlier pre-Sabbatean mystical sources, and because of this any specific text in it is quite difficult to date. This specific version of the story of Judith shows substantial influence from the Septuagintal text not found in earlier Jewish variants, giving a likely terminus post quem of several generations after the Inquisition when Spanish benei anusim brought their knowledge of the Vulgate’s apocrypha with them to Judaism. Even so, it is very clearly a fundamentally Jewish work. It is appropriate to recite on Yom haBanot (1 Tevet) or any time throughout Ḥanukkah, perhaps with Esther cantillation.

An announcement of ḥerem stam (a general threat of excommunication) on the occurrence of stolen or waylaid goods, found in this form in a 1730 Seder Hazkarot Neshamot copied by Shabetai Sheftel ben Zalman Auerbach (HUC Ms. 453, 21r). If a community member was stolen from, they could go to the sexton (shammash), who would declare the theft and proclaim a general threat of excommunication on all who knew anything about the occurrence and failed to speak on the matter.

A Mi Sheberakh for the ill, from a 1730 Seder Hazkarot Neshamot copied by Shabetai Sheftel ben Zalman Auerbach (HUC Ms. 453, 23v). Uniquely among Mi Sheberakh texts, instead of just listing ancestors, it specifies examples of divine healing from the Bible and the Gemara.