This prayer for the peace of the nation, first published in the siddur VeAni Tefillati (second edition, page 133), was circulated by the Masorti Movement in Israel on social media on 1 August 2024, amidst increased anxieties over impending retaliatory strikes by Iran and its proxy armies in Lebanon and elsewhere. . . .

A piyyuṭ sung by the Jews of Algiers on Shavu’ot and Simḥat Torah (and by some Moroccans for baqashot on Parashat Toldot). Yayin Tov Ratov is a love song from the perspective of God that uses a lot of language from Song of Songs. Wine and song, in this case, are both metaphors for the Torah. Of unknown origin, the acrostic spells out the name יצחק, although I can confirm that it wasn’t me who wrote it. . . .

In many communities, the practice of Yaḥats, or breaking the matsah before maggid, is done with liturgical and ritual additions. The additions included here are one practice out of many variants as found in the practice of Djerba, the island off the coast of Tunisia. . . .

This is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. . . .

Jews all over the world announce the new month on the Shabbat before it with a text known as “birkat ha-ḥodesh” or blessing the month. In many rites, such as the Western Sephardic and Moroccan rites, the fast days 17 Tammuz and 10 Tevet are also announced on the Shabbat before them with a text known as “hazkarat tsomot” or announcing fasts. But to my knowledge, only the Italian rite (and possibly the ancient Eretz Yisrael rite from which much of it derives) have a custom of announcing Pesaḥ on the Shabbat before it. This passage, the Announcement of Pesaḥ (Azcaràd Pesah in Italian traditional pronunciation) is recited on the Shabbat before Pesaḥ, commonly known as Shabbat haGadol (Sciabbàd Aggadòl), after the reading from the Torah. Citing the mystical hekhalot literature, it celebrates the sages who established the rules of the calendar. . . .

This Purim song, popular among the Sephardic and Italki communities of Livorno, can be sung to the melody of “Akh, Zeh Hayom Kiviti.” Like a lot of Italian Purim content, a large portion of it is listing different desserts. . . .

This somewhat crude Purim song is sung in many variants in the Moroccan and Gibraltar Sephardic communities, often to the tune of the popular Purim hymn “Akh Ze Hayom Kiviti.” . . .

An English-language adaptation of the Roman rite psalm system for all days when Torà is read, to be recited while the Torà is being taken from the bimà. All Hebrew words are transcribed in accordance with the traditional Italian Hebrew phonological system, in a slightly modified Italian orthography. . . .

An original Ladino adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Chanukah” or in Hebrew as “Y’mei ha-Ḥanukka.” I’m aware that the custom of spinning tops was not originally a Sefaradi one. So sue me, I was looking for something to rhyme with “libertaḏ.” I’ve included the Rashi script, the Aki Yerushalaim orthography, and (as an added bonus) the Cyrillic transcription used by the Jews of the Balkans. . . .

An original Judeo-Arabic adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Ḥanukkah” or in Hebrew as “Y’mei ha-Ḥanukka.” With thanks to Mazen Haddad for his help with the Arabic! Some notes: 1) Case endings and nunation, which would (in colloquial dialects) often be skipped or dropped, are transcribed in brackets. 2) The word “sufnāj” is a Moroccan Arabic dialectal word which is the agent noun for sfenj, a traditional type of North African doughnut. . . .

This is a Hebrew adaptation of the poems traditionally recited by the Beta Israel community for the festival of Sigd, altered and adapted to fit the traditional qedushta form of poetic Amidah additions. The texts of the first few prayers were rewritten substantially and combined with relevant verses so as to fit in the strict form of the magen, mehaye, meshalesh, and El Na. After this, the qiqlar is slightly edited to fit a couplet rhyme scheme, while the silluq (the freest of the genres of qedusha piyyut) is almost entirely preserved — the only change being several verses whose placement is postponed so as to better lead into the qedusha as a silluq should. Regarding translations, the silluq largely uses my original translation with slight alterations (replacing the clunky use of ‘God’ as a pronoun with a gender-neutral THEIR, translating the Agaw passages into Latin rather than English to preserve general comprehensibility while clarifying that this is a different language), while the rest of the poems are different enough for their translation to largely be from scratch. These would be recited with the Ark open for all the piyyutim, as one would on the Yamim Noraim, ideally using melodies from the Sigd liturgy. . . .

The thirtieth chapter of Jeremiah is exceedingly appropriate for Yom ha-Atsma’ut, considering its emphasis on returning from exile and the importance of self-rule. It strikes me as one of the most Zionist (with a capital Z) chapters in the entirety of Neviïm. . . .

This is a complete poetic rhyming translation of Maoz Tsur with all six of its stanzas including a seventh, final stanza written by Isaac Gantwerk Mayer specifically for Yom ha-Atsmau’ut. . . .

The first day of Pesach, according to the Sages, is the day the world is judged for grain and dew. Because of this, many customs have developed tying it into the pomp of the High Holy Days. One custom preserved in many medieval maḥzorim is to extend the final blessing of the the Musaf “Tal” (Dew) service, including a Hayom piyyut, a piyyut form otherwise almost exclusively associated with the Yamim Noraim. This extended Sim Shalom berakha including piyyutim is presented here, largely based on the form compiled by Ernst Daniel Goldschmidt (zatsal). . . .

In Yemenite Jewish children’s schools, this prayer of unknown authorship is said before the lesson in unison. The teacher conducts and the children sing together to a melody. The prayer is printed in tajjim (Yemenite trilingual Pentateuch codices) before the book of Leviticus, traditionally the starting point for a child’s education. The first twenty-two lines of the prayer are an alphabetical acrostic wherein each line spells out the entire letter in which it starts. For instance, the first line spells out Alef, Lamed, and Pe, which spells out the full name of the letter Alef. This is followed by three Biblical verses all starting with the word “Good,” a brief poem in Hebrew, and a concluding passage largely in Judeo-Arabic. Here the editor has included the original text, along with a non-gendered English translation and a transcription of the Judeo-Arabic text into Arabic script. . . .

This is a litanic Ḳiddush for a Rosh Ḥodesh meal, constructed based on the Ḳiddush for Rosh Ḥodesh in Jerusalem as described in Masekhet Soferim chapter 19:9, mostly following the GRA’s edition. Traditionally it would be done in the presence of twelve town elders and twelve scholars of ritual purity, but today we could adapt it to be recited at a festive meal for Rosh Ḥodesh in the presence of seven — the minyan count according to the traditional Western practice recorded elsewhere in Masekhet Soferim 10:7. . . .

The Italian rite, unique among Jewish rites, has preserved up until very recently the custom recorded in the Talmud, Masekhet Tagnanith, for communally declared fast days. In this rite, sometimes referred to as the Twenty-Four Blessings, six more blessings are added to the liturgy — the Zikhronot and Shofrot portions more commonly recited on Rosh haShanah, and four different psalms, all interspaced with a poetic litany on behalf of the ancestors’ merit and shofar blasts. It’s a fascinatng service! . . .

Torah and Haftarah readings for Tu biShvat selected by Isaac Gantwerk Mayer. . . .

The “minor tractate” Soferim is one of our best sources for early liturgical practice. It is the oldest known source for multiple practices still followed today, such as the blessing for the haftarah. Such luminaries as the Vilna Gaon considered it a vital work. But some of its practices are… well, odd. There are customs in Tractate Soferim which are found nowhere else in classical rabbinics — blessings for the recitation of books in Writings other than the scrolls, a three-year cycle of Torah readings, and a custom to divide the scrolls in half when reading them. This service is constructed based on the descriptions and passages of Tractate Soferim, mostly following the Gra’s edition. In some ways it may be very familiar, especially to Ashkenazim, but in others it is a fascinating glimpse into a heretofore lost practice of Judaism. . . .

There are all sorts of customs associated with weddings in Judaism. But one custom that has been practiced for a long time and deserves a comeback is the additions to the Torah reading for Shabbat Kallah. Shabbat Kallah, the Shabbat in the “Sheva Berakhot” week after the wedding, is in many Sephardic communities preferred over Shabbat Ḥatan, the aufruf Shabbat before the wedding. And in all sorts of communities across the Jewish world, there have been customs for specific readings for Shabbat Kallah, treating it as a Special Sabbath in its own right. Traditionally this special maftir and haftarah would recited by the groom (along with an Aramaic translator interpolating for the maftir). The maftir is from the story of Abraham’s servant tasked with finding a wife for Isaac, and the haftarah is from the book of Isaiah and compares a groom and bride to the relationship between God and Israel. . . .

A Mimouna packet including havdalah, a Moroccan-rite birkat ha-ilanot, traditional study texts, and yehiretzonot. . . .

A version of the Pesaḥ Haggadah with full cantillation. . . .

This is a Torah reading (divided into three aliyot) and a Haftarah reading to be recited for such holidays. The aliyot are from Shoftim, describing the rules for just warfare and treatment of those in need. . . .

Adir Hu, a classic Pesaḥ song if ever there was one, is a part of Seder tables all over the planet. Its alphabetical list of God’s attributes, combined with its repeated pleas for a return to Jerusalem, make it a classic, to the point where the traditional German farewell greeting for Passover was not “chag sameach” or “gut yontef” but “bau gut” – build well. This interpretation, while not a direct translation by any means, has the same rhythmic pattern and alphabetical structure, giving a sense of the greatness of God. . . .

An Israelite-Samaritan prayerbook for evenings and mornings (not a complete Israelite-Samaritan prayerbook). . . .

Supplemental prayers for the Birkat Hamazon on Tu b’Av. . . .

Supplemental prayers for the Birkat Hamazon on Tisha b’Av, Tu b’Av, and Shabbat Naḥamu. . . .

When the spring (Aviv) season arrives, a blessing is traditionally said when one is in view of at least two flowering fruit trees. In the northern hemisphere, it can be said anytime through the end of the month of Nissan (though it can still be said in Iyar). For those who live in the southern hemisphere, the blessing can be said during the month of Tishrei. . . .

A prayer for a beloved animal first compiled in English by Aharon N. Varady for Nethaniel Puzael, his family’s cat, in 1994. . . .

A declaration in 1993 by Rabbi Arthur Waskow in response to the impending danger of global warming and other ecotastrophes brought about by the callous harm of human industry and land use decisions. Translated by Rabbi Zalman Schachter-Shalomi. . . .

Variations of the original three lines culminating with “…walk beside me…” first appear in high school yearbooks beginning in 1970. The earliest recorded mention we could find was in The Northern Light, the 1970 yearbook of North Attleboro High School, Massachusetts. In the Jewish world of the early to mid-1970s, a young Moshe Tanenbaum began transmitting the lines at Jewish summer camps. In 1979, as Uncle Moishy, Tanenbaum published a recording of the song under the title “v’Ohavta” (track A4 on The Adventures of Uncle Moishy and the Mitzvah Men, volume 2). . . .

An original Hebrew translation of the blues-rock portion of the Agnus Dei movement from Leonard Bernstein’s MASS (note: always spelled with ALL CAPS), where the crowd of disaffected and disillusioned young parishioners interrupts the offertory to demand peace now, and hold God to account for not giving it to us. It’s unsurprising that for a composer as proudly and openly Jewish as Bernstein that even his setting of the Tridentine Mass has major “shaking your fist at God” energy. Not gonna lie, I was listening to this on a plane out of Jerusalem as the war was starting, and I started to tear up. I immediately started writing this translation and finished it up in the process of about an hour while stuck somewhere a few thousand feet above Greenland. It’s amazing and moving and tragic and enraging and a little full of itself in exactly the right way to hit me in the heart. . . .

Did you know that the great songwriter and activist Woody Guthrie wrote Ḥanukkah music? It’s true. Though Guthrie himself was not Jewish, Marjorie Greenblatt, his second wife and their children were, and he would write Ḥanukkah songs for the kids in his neighborhood in the 1940s. Two of these songs were recorded by Moses Asch, head of Folkways Records, in 1949 — a kid’s song called “Hanuka Dance,” and a twenty-verse ballad retelling the story of Ḥanukkah called “The Many and the Few.” Below is an original Hebrew translation of “The Many and the Few,” preserving the meter of the original. With a simple melody and a lot of historical research, it could certainly be sung at a Ḥanukkah event. . . .

Ecclesiasticus (ben Sira) 42:21-43:31 is presented as “God the Lord of Nature” in The Sabbath Prayer Book of Rabbi Mordecai Kaplan (The Reconstructionist Foundation 1945), p. 376-372 in the Supplements subsection, “God in Nature.” The text of Ben Sira used here differs in places found in other manuscripts. . . .

A megillah attesting to the terrible events of World War II from the vantage of North African Jewry in Casablanca. . . .

This prayer for the country is found in the Siddur Sephat Emeth, which was published by the venerable Rödelheim publishing house in Frankfurt in 1938. This was probably the last siddur ever published in pre-Holocaust Germany. This prayer is full of pathos and yearning, and in a time of rising government-sponsored antisemitism worldwide it’s worth keeping in mind. . . .

This is the Kol Nidrei as offered by the Hannover Synagogue on Yom Kippur in 1937 according to the text provided in a poster, “Agende für Kol-nidre und Seelenfeier in der Synaogen-Gemeinde Hannover” (10 September 1937). Thank you to David Selis for providing digital images of the poster. . . .

“Óró sé do bheatha abhaile” is one of the most popular Irish rebel songs. Adapted from a folk song (with possible 18th century Jacobite origins), the most popular modern version, written by the poet and republical activist Pádraig Pearse and sung by the Irish Volunteers during the 1916 Easter Rising, is full of messianic and biblical imagery that makes it ripe for adaptation into a Hebrew piyyut. Presented here is “Hoy! Barukh Ha-Ba Ha-Bayta,” a Hebrew adaptation singable to the original melody. . . .

The African-American Christian spiritual adapted for a Pesaḥ song in Hebrew and English. . . .

A Ladino translation of Brikh Shmei d’Marei Alma. . . .

The project page for the transcription and translation of the Seder al-Tawḥid for Rosh Ḥodesh Nissan. . . .

This “Shir Mizmor l’Purim” by Rabbi Sabato Morais (we think) was first published in The Jewish Exponent on 15 March 1889. It was preserved by Rabbi Sabato Morais in his ledger, an archive of newsclippings recording material he contributed to the press, among other announcements. . . .

Exalted are you Lincoln. Who is like you! You were highly respected among Kings and Princes. All that you accomplished you did with a humble spirit. You are singular and cannot be compared to anyone else. Who among the great are like Lincoln? Who can be praised like you? . . .

The second inaugural address of President Abraham Lincoln in English with a cantillized Hebrew translation suitable for chanting. . . .

In honor of Juneteenth, the holiday of American liberation, this is a translation of Lincoln’s Emancipation Proclamation into Biblical Hebrew. . . .

Many communities have a custom of announcing on the night of 9 Av the years since the destruction of the Temple. The Yemenite rite is unique in that it announces both the years since the destruction of the second, but also the years since the destruction of the first, in this poetic form recited after the conclusion of the evening kinnot. Why? Because the Yemenite community traced its origins back to the destruction of the first temple, claiming not to have returned under Ezra. Here the original Hebrew text is included along with a new translation and a transcription in the Yemenite pronunciation style. . . .

This is a parody riffing on the piyyut Yom Zeh Mekhubad for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Hebrew into English by Isaac Gantwerk Mayer. . . .

This is the Shir haMa’alot for a Woman Giving Birth on Purim (a parody of a birth amulet) by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer. . . .

This is the Aqdamut for Purim by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer. . . .

This is the Ne’ilah for Purim (a parody of the last two paragraphs of the Ne’ilah confession) by Avraham Menaḥem Mendel Mohr from his Kol Bo l’Purim (1855) transcribed and translated from Aramaic into English by Isaac Gantwerk Mayer. . . .