Isaac Gantwerk Mayer (translation) • the Open Siddur Project ✍ פְּרוֺיֶקְט הַסִּדּוּר הַפָּתוּחַ

original works transcription & naqdanuttranslation

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Yā Ḥanukka[t] | יָא חַנוּכָּה | يَا حَنُكَّة — a Judeo-Arabic adaptation of Mordkhe Rivesman’s “Oy Khanike” by Isaac Gantwerk Mayer

Contributed by: Isaac Gantwerk Mayer, Isaac Gantwerk Mayer (translation)

An original Judeo-Arabic adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Ḥanukkah” or in Hebrew as “Y’mei ha-Ḥanukka.” With thanks to Mazen Haddad for his help with the Arabic! Some notes: 1) Case endings and nunation, which would (in colloquial dialects) often be skipped or dropped, are transcribed in brackets. 2) The word “sufnāj” is a Moroccan Arabic dialectal word which is the agent noun for sfenj, a traditional type of North African doughnut. . . .

“Just Walk Beside Me” (לֵךְ פָּשׁוּט לְצִדִּי | امشي بجانبي | נאָר גיין לעבן מיר), lines from an unknown author circulating in 1970; Jewish adaptation with translations in Aramaic, Hebrew, Yiddish, and Arabic

Contributed by: Moshe Tanenbaum, Unknown, Aharon N. Varady (transcription), Aharon N. Varady (translation), Isaac Gantwerk Mayer (translation)

Variations of the original three lines culminating with “…walk beside me…” first appear in high school yearbooks beginning in 1970. The earliest recorded mention we could find was in The Northern Light, the 1970 yearbook of North Attleboro High School, Massachusetts. In the Jewish world of the early to mid-1970s, a young Moshe Tanenbaum began transmitting the lines at Jewish summer camps. In 1979, as Uncle Moishy, Tanenbaum published a recording of the song under the title “v’Ohavta” (track A4 on The Adventures of Uncle Moishy and the Mitzvah Men, volume 2). . . .

כָּאנְדְרִי נְדְרִיהוּם | אֶחָד מִי יוֹדֵעַ | Kaanₔdri Nₔdrihom — a Judeo-Moroccan Arabic (Darija) adaptation of Eḥad Mi Yodeaȝ

Contributed by: Unknown (translation), Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)

A Judeo-Moroccan Arabic (Darija) adaptation of the Passover counting song Eḥad Mi Yodeaȝ, as found in Mahzor Moȝadé Hashem. . . .

וַאחְדְ אזְדִיוַא | وحد الجديوة | חַד גַּדְיָא (Waaḥₔd ₔZdiwa) — a Judeo-Moroccan Arabic (Darija) adaptation of Ḥad Gadya

Contributed by: Unknown (translation), Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)

A Judeo-Moroccan Arabic (Darija) adaptation of the Passover seder song, Ḥad Gadya, as found in Mahzor Moȝadé Hashem. . . .

תהלים פ״ה | Psalms 85 for Yom Simḥat Kohen — with translations into Marathi, Arabic, and English

Contributed by: Joseph Ezekiel Rajpurkar (translation), Saadiah ben Yosef Gaon, the Mesorah (TaNaKh), Bnei Qoraḥ, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)

In the communities of Morocco and Mumbai, the day after Yom Kippur was a holiday for priests known as Yom Simḥat Kohen. The origins of this practice can be found in Mishnah Yoma 7:4, where the high priest makes a festival for his loved ones after successfully completing the Yom Kippur rituals. In Mumbai, the practice (as recorded in Joseph Ezekiel Rajpurkar’s bilingual Hebrew/Marathi siddur) was to recite Psalms 85 on Yom Simḥat Kohen. The editor has included the text of Psalms 85, Rajpurkar’s Marathi translation, a new English translation, and a vocalized version of the Arabic tafsir of Rav Saadiah Gaon. . . .

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