
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also authors his own original works and transcribes Hebrew and Aramaic text, adding niqqud and t'amim as needed.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Contributed by Christopher S. Morrissey (translation) | Unknown Author(s) | Isaac Gantwerk Mayer (translation) | ❧
An original Hebrew translation of the popular medieval commercium song and graduation anthem “De Brevitate Vitæ,” more commonly known as “Gaudeamus Igitur.” First attested in 1287, this Latin poem is irrevocably associated with college life for academics all over the world. It has been translated into many languages, and this Hebrew edition can be added to the list. . . .
Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) | ❧
Ana is a poem for the first commandment, that discusses all that God did for the ancestors. . . .
Contributed by Mordecai ben Yitsḥok ha-Levi | Isaac Gantwerk Mayer | Isaac Gantwerk Mayer (translation) | ❧
This is a complete poetic rhyming translation of Maoz Tsur with all six of its stanzas including a seventh, final stanza written by Isaac Gantwerk Mayer specifically for Yom ha-Atsmau’ut. . . .
Contributed by Mordecai ben Yitsḥok ha-Levi | Isaac Gantwerk Mayer (translation) | ❧
A complete poetic translation (all six verses) of Maoz Tsur. As far as the editor knows this is the first translation of Maoz Tsur to both (a) cover all the verses relatively accurately and (b) preserve the strict ABAB-BBCCB rhyme scheme of the original. (Reb Zalman’s comes close but it goes ABAB-CCDDC instead). If it sounds violent, that’s because it *is* violent. Ḥanukkah is a holiday about actively fighting against assimilation and abuse. A lot of Maoz Tsur translations are censored, but it’s a powerful, loud, and even nationalist statement. . . .
Contributed by Yaaqov Mosheh Ḥai Altarats (translation) | Unknown Author(s) | Isaac Gantwerk Mayer (translation) | ❧
A Ladino translation of Brikh Shmei d’Marei Alma. . . .
Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) | ❧
“Ar’a Raqda,” a piyyut read directly before the Ten Commandments in the Targum, uses wedding imagery and language from the Shir haShirim to paint Sinai as a ḥuppah. . . .
Contributed by Eleazar ben Yehudah ben Ḳalonymus of Worms | Isaac Gantwerk Mayer (translation) | ❧
“Af Oraḥ Mishpatekha” is an ofan, a type of piyyut recited as a part of the Ḳedushah d-Yotzer liturgy as an introduction to Ezekiel 3:12. Specifically, it is an ofan written by the Rokeaḥ, R. El’azar ben R. Yehuda of Worms, for the morning liturgy on Shabbat Ḥazon, the Shabbat before Tishah b’Av. It is here included along with an original translation and with cited verses marked. Also included is a series of images from a 1714 maḥzor printed in Frankfurt au Main that includes the piyyut. To note, the text included above is not exactly the same as that of the 1714 maḥzor, having been edited in accordance with Isaac Meiseles’s 1993 critical edition of the Rokeaḥ’s work. . . .
Contributed by Johann Stephan Rittangel (Latin translation) | Unknown Author(s) | Aharon N. Varady (transcription) | Isaac Gantwerk Mayer (translation) | ❧
The text of the popular piyyut “Adir Bimlukhah” (a/k/a “Ki lo na’eh”) in Hebrew, with a Latin translation. . . .