
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also authors his own original works and transcribes Hebrew and Aramaic text, adding niqqud and t'amim as needed.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Contributed by:
Unknown, Isaac Gantwerk Mayer (translation)
The African-American Christian spiritual adapted for a Pesaḥ song in Hebrew and English. . . .
Contributed by:
Avraham Khalfon, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
In North Africa, a unique custom developed of reciting a Mi Khamokha v-Ein Kamokha piyyut, inspired by the famed Shabbat Zakhor work of Yehuda haLevi, on the Shabbat before a local Purim (a celebration of community’s deliverance from destruction). This piyyut, written by R. Avraham ben Rafael Khalfon, was recited on the Shabbat before 29 Tevet in the community of Tripoli, to celebrate the victory of the Karamanlid dynasty over the despotic usurper Ali Burghul (after events transpiring from 1793-1804). . . .
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown
The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. I’m working on transcribing all of these, but to start, here’s an Al haNissim for the twenty-eighth of Shvat in Avignon. Written in rhymed prose, this text tells the story of a gentile who fell headfirst down a deep well near the synagogue, but successfully managed to flip himself over and wedged his feet in the walls. Even more miraculously, afterwards he declared that it was his own fault he fell in the pit! The Jews of the Comtat, an area under direct papal control at the time, were well aware of the tenuousness of their position, and were the man a talebearer then they could have faced a pogrom or exile. . . .
Contributed by:
Benjamin Franklin, Isaac Gantwerk Mayer (translation)
Written by future founding father Benjamin Franklin in 1755, “A Parable Against Persecution,” also known as “the 51st Chapter [of Genesis],” is an example of what is often called ‘pseudo-biblicism,’ a trend from the 1740s to the mid-19th century of writing modern events in the already-archaic style of the King James Bible. More strictly, “A Parable Against Persecution” is an example of pseudepigrapha in that it is meant to be read as part of the book of Genesis, telling a story of Abraham facing a non-coreligionist, acting rashly, and learning a lesson about religious tolerance. Already in 1755 we can see Franklin’s radically liberal religious views. . . .
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown
This is a pizmon for Shabbat Shirah (Parashat B’Shalaḥ) by an unknown author. The text is as transcribed from the pizmonim included in the siddur משמרת הקדש: קול שומר שבת Mishmeret haQodesh: Qol Shomer Shabbat (Pisa 1821), p. 117. . . .