עַל־הַנִּסִּים בְּ-כ״ח שְׁבָט | Al ha-Nissim for 28 Shəvat, for the fortunate rescue of a wanderer in the area of the synagogue in Avignon (1766)
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❧The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. I’m working on transcribing all of these, but to start, here’s an Al haNissim for the twenty-eighth of Shvat in Avignon. Written in rhymed prose, this text tells the story of a gentile who fell headfirst down a deep well near the synagogue, but successfully managed to flip himself over and wedged his feet in the walls. Even more miraculously, afterwards he declared that it was his own fault he fell in the pit! The Jews of the Comtat, an area under direct papal control at the time, were well aware of the tenuousness of their position, and were the man a talebearer then they could have faced a pogrom or exile. . . .
י״ט של ק״ק קארפינטראס לט״ו בחדש כסליו | Poetic Additions for 15 Kislev, for when a heavily armed group of gentiles didn’t commit mass slaughter in Carpentras (1512)
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❧The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. Here’s a series of piyyutim for the fifteenth of Kislev in Carpentras. On 15 Kislev 5273 (24 November 1512 Julian), a troop of armed men entered the Jewish quarter in Carpentras. While we don’t know much else beyond that, we do know that this was a terrifying enough occurrence to the Jews of Carpentras that when the armed men left, a holiday was declared with multiple piyyutim and a full recitation of Hallel. . . .
אחת סבום | 𐩱𐩢𐩩𐩽 𐩪𐩨𐩥𐩣𐩽 | חַד גַּדְיָא (ʔaħat sabawam) — a Sabaic translation of Ḥad Gadya, by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, seeing as it was written almost a thousand years after the Sabaic language became extinct. But Sabaic, a South Semitic language somewhere between Arabic and Ge’ez, is worth studying for any Jewish scholar because of the light it sheds on the history of the Semitic languages and the Middle East as a whole. (Not to mention that it was a lingua franca of the Yemenite Jewish kingdom of Himyar!) This is a Sabaic translation, transcription, and hypothetical vocalization of Ḥad Gadya. . . .
חַד גַּדְיָא | 𐎀𐎈𐎄𐎟𐎂𐎄𐎊𐎟 | אַחַּﬞדֻ גָדִיֻ (ʾAḥḥadu Gādiyu) — a Ugaritic translation of Ḥad Gadya, by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, seeing as it was written over two millenia after the Ugaritic language became extinct. But Ugaritic, closely related to the Canaanite language family of which Hebrew is a part, is worth studying for any Jewish scholar because of the light it sheds on the history of the Western Semitic peoples. So I’ve attempted a Ugaritic translation of Ḥad Gadya. . . .
וַאחְדְ אזְדִיוַא | وحد الجديوة | חַד גַּדְיָא (Waaḥₔd ₔZdiwa) — a Judeo-Moroccan Arabic (Darija) adaptation of Ḥad Gadya
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❧A Judeo-Moroccan Arabic (Darija) adaptation of the Passover seder song, Ḥad Gadya, as found in Mahzor Moȝadé Hashem. . . .
חַד גַּדְיָא | ᛂᛁᚿᚿ᛫ᚴᛁᚧᛚᛁᚶᚱ᛬ | Einn Kiðlingr (עַין֘ קידֿלינגר) — an Old Norse translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, since there is very little evidence of any Jews having lived in the Nordic countries before the Spanish expulsion, long after the end of the Old Norse era. . . .
חַד גַּדְיָא | Hād-ĕi Gădìyă (הַ֨דֵ֬י גַ֬דִ֖יַ֬א) — a Tărgŭn Bìyènlìyén Dì translation of Ḥad Gadya derived from an alternate timeline by Isaac Gantwerk Mayer
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❧In our timeline, the Kaifeng Jewish community had originally spoken Persian as their lingua franca, before adopting the Kaifeng dialect of Mandarin that their neighbors spoke. But just change a little and all of history could be different! This is a translation of Ḥad Gadya in a timeline where Judeo-Aramaic was a little more prevalent in eastern Persia all those years ago. In this timeline, instead of speaking Judeo-Persian before adopting Chinese, the Kaifeng Jews spoke Aramaic. And this dialect of Aramaic, like many other languages spoken in the greater Chinese cultural sphere, underwent tonogenesis! . . .
חַד גַּדְיָא | Ān Tiċċen (אָן טִקֵﬞן) — an Old English translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, since the earliest evidence of Jews in England dates back to 1070, by which point Middle English was already on its way to development. . . .
גַּדְיָא חֲדָא | חַד גַּדְיָא (Gaḏyå Ḥăḏa) — a version of Ḥad Gadya for Grammarians and Other Insufferable Pedants, by Isaac Gantwerk Mayer
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❧An original version of Ḥad Gadya which has been fully Aramaicized, with all the Hebrew words removed and the verbs conjugated properly. . . .
חַד גַּדְיָא | 𐌰𐌹𐌽 𐌲𐌰𐌹𐍄𐌴𐌹𐌽 | Ain Gaitein (ען גּעטיִן) — a Gothic translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one, but who knows? While there’s no known community of Jews who spoke Gothic or any other East Germanic language, there certainly were Jews who came into contact with it, such as the communities of Crimea (where variants of Gothic continued to be spoken until the 18th century). In any case this translation of Ḥad Gadya follows the grammar of Wulfila’s 4th-century Gothic translations. . . .
חַד גַּדְיָא | Kizzum Ištēn — an Akkadian translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. Probably not this one though, seeing as it was written over a millenium after Akkadian became extinct. But in my opinion there ought to be a representation of the East Semitic language family in the canon of Ḥad Gadya translations. Also included is a transcript of the Akkadian text into Hebrew script, since Judeo-Cuneiform doesn’t exist… yet. Eh, Aramaic script was invented in the places Akkadian was spoken anyway, it’s fine. A hearty thanks to Dr. Janine Wende at the University of Leipzig for proofreading and editing the Akkadian translation! . . .
חַד גַּדְיָא | አሐዱ፡ማሕስእ፡ጠሊ (ʾÄḥädu Maḥsəʾ Ṭäli) — a Gəʽəz translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧A Ge’ez translation of the popular Passover seder song, Ḥad Gadya. . . .
חַד גַּדְיָא | Jb Wꜥ | Ib wa (יב וע) — a Middle Egyptian translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. This Middle Egyptian translation was almost certainly the one that Moshe Rabbeinu himself sang at his seder table that fateful night in Egypt! …Not really. Ḥad Gadya postdates Middle Egyptian as a written language by about three millennia. But it’s fun and Pesaḥ-appropriate to sing this song in the language of that dagnabbed Pharaoh himself. Also included is a transcript of the text into Hebrew script, since Judeo-Hieroglyphics don’t exist… yet. Eh, the alphabet was adapted from hieroglyphics from the start. It’s fine. You could even say it’s an improvement. For reading out loud I’ve also included the standard Egyptological pronunciation system. If you’re stuck in a time machine be careful, it’s an artificial convention that should not be mistaken for how Egyptian was pronounced at the time. But personally I think “Tutenkhamen” is easier to say than *Təwā́təʾ-ʿā́nəkh-ʾamā́nəʾ, so sue me. . . .
חַד גַּדְיָא | Un Kabritu (אוע קַאברִיטו) — a Papiamentu translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. The Caribbean island of Curaçao is home to the oldest Jewish community west of the Atlantic, and its local creole language of Papiamentu has substantial Jewish influence. This is a translation of Ḥad Gadya into Papiamentu, along with a transcription into Hebrew according to a new methodology for Papiamentu in Hebrew. . . .
חַד גַּדְיָא | Ένα κατσίκι | Éna katsíki (אֵנַה קַצִיקִי) — a Yevanic translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧A Yevanic (Judeo-Greek) translation of the popular Passover song, Ḥad Gadya. . . .
חַד גַּדְיָא | | Min Yacincë (מִן יַקִינְקֶי) — a Judeo-Quenya translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧Ḥad Gadya has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has developed this adaptation of the well-known seder table-song Ḥad Gadya into Quenya, as well as a home-brewed transcription system into Hebrew script included here (PDF | ODT). This translation uses several fan-made terms, such as cuimacir for “butcher” and luhtya- for “extinguish”, as well as one original neologism, yacincë for “kid-goat.” . . .
חַד גַּדְיָא | Mēre Hobritsos (מֵײרֶע הוֹבְּרִיטְסוֹס) — a Judeo-Valyrian translation of Ḥad Gadya by Isaac Gantwerk Mayer
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❧This is the translation of Ḥad Gadya into Judeo-Valyrian with a Hebraicization schema for Valyrian by Isaac Gantwerk Mayer. . . .
ואחד גׄדי | חַד גַּדְיָא (Waaḥid Jady) — a Judeo-Arabic translation of Ḥad Gadya (Baghdadi variation)
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❧A Judeo-Arabic translation of the popular Passover song, Ḥad Gadya. . . .
חַד גַּדְיָא | Unum hœdulum — a Latin translation of Ḥad Gadya by Johann Stephan Rittangel (1644)
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❧A Latin translation of the popular Passover song, Ḥad Gadya. . . .