
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also authors his own original works and transcribes Hebrew and Aramaic text, adding niqqud and t'amim as needed.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Contributed by:
Yaaqov ben Meir, Yonatan ben Uziel, the Mesorah (TaNaKh), Ḥabaquq haNavi, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
The haftarah for the second day of Shavuot, Ḥabakkuk 2:20-3:19, interspersed with a cantillated text of the Targum Yonatan ben Uzziel. Since Targum Yonatan is a bit more drash-heavy than Targum Onkelos, it is translated separately as well. The haftarah reading includes the piyyut Yetsiv Pitgam, with an acrostic rhyming translation of the poem, with the second-to-last verse restored to its rightful place, as well as a concluding paragraph for the meturgeman to recite, as found in the Maḥzor Vitry. . . .
Contributed by:
the Mesorah (TaNaKh), Ḥaggai haNavi, Isaac Gantwerk Mayer (translation)
When the first day of Ḥanukkah is a Shabbat, the last day of Ḥanukkah is also Shabbat. In most customs this is addressed by using the standard Shabbat Ḥanukkah haftarah from Zechariah on the first day and I Kings 7:40–50 on the last day. But this never sat well with me, since I Kings 7:40–50 (also the haftara for Vayakhel) is a very technical reading, and the last day of Ḥanukkah is more of a culmination. Conveniently, another minor prophet contemporary of Zechariah, Ḥaggai, discusses the reconstruction of the House as a process of national revitalization, *and* claims that the foundation of the temple was rebuilt on the twenty-fourth day of the ninth month — i.e. the day before Ḥanukkah! This is historically fascinating since it suggests that Ḥanukkah as a rededication festival might predate the Maccabean Revolt entirely, but more importantly here, it makes it a very appropriate reading for the day before or the first day of Ḥanukkah. This is an alternative haftarah from the book of Ḥaggai , chapter 2 verses 2—23, that could be used as a replacement for the standard haftarah when Shabbat falls on the day before Ḥanukkah or on the first day of Ḥanukkah. When read on the first day of Ḥanukkah, the traditional Ḥanukkah haftarah reading of Zechariah 2:14–4:7 would be postponed to the eighth day in its place. . . .
Contributed by:
the Mesorah (TaNaKh), Yeshayahu ben Amōts, Isaac Gantwerk Mayer (translation)
On Shabbat Ḥazon, the Shabbat before Tisha b’Av, many Ashkenazi communities have a custom to read most of the haftarah (Isaiah 1:1-27) in Eikha trop, the cantillation used for the Book of Lamentations. There are many distinct customs, but one of the most common reads verses at the beginning and end in standard haftarah trop, as well as several verses in the middle, selected for their more hopeful message. This edition of the haftarah for Shabbat Ḥazon, along with its new translation, has the verses recited in Eikha trop marked in blue and the verses in haftarah trop in black. . . .