Isaac Gantwerk Mayer (translation) • the Open Siddur Project ✍ פְּרוֺיֶקְט הַסִּדּוּר הַפָּתוּחַ

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יָהּ הַצֵּל יוֹנָה | Yah Hatsel Yonah (Shelter, God, the Dove), complete poetic translation by Isaac Gantwerk Mayer

Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) | ❧

Yah Hatsel Yonah is a traditional piyyut for Ḥanukkah, of unknown origin (although it spells out the name Yehuda as an acrostic). Beloved in Iraqi Jewish circles, it discusses the hope that Israel, likened to a dove, will be able to celebrate Ḥanukkah during a time of true redemption. Included is a relatively literal (but de-gendered) translation, as well as a poetic singable one. . . .

מָעוֹז צוּר | Maoz Tsur for Yom ha-Atsma’ut, a complete poetic translation with an added stanza for the State of Israel’s Independence Day by Isaac Gantwerk Mayer

Contributed by Mordecai ben Yitsḥok ha-Levi | Isaac Gantwerk Mayer | Isaac Gantwerk Mayer (translation) | ❧

This is a complete poetic rhyming translation of Maoz Tsur with all six of its stanzas including a seventh, final stanza written by Isaac Gantwerk Mayer specifically for Yom ha-Atsmau’ut. . . .

מָעוֹז צוּר | Maoz Tsur (Stronghold Rock who Rescues Me), complete poetic translation by Isaac Gantwerk Mayer

Contributed by Mordecai ben Yitsḥok ha-Levi | Isaac Gantwerk Mayer (translation) | ❧

A complete poetic translation (all six verses) of Maoz Tsur. As far as the editor knows this is the first translation of Maoz Tsur to both (a) cover all the verses relatively accurately and (b) preserve the strict ABAB-BBCCB rhyme scheme of the original. (Reb Zalman’s comes close but it goes ABAB-CCDDC instead). If it sounds violent, that’s because it *is* violent. Ḥanukkah is a holiday about actively fighting against assimilation and abuse. A lot of Maoz Tsur translations are censored, but it’s a powerful, loud, and even nationalist statement. . . .

💬 הפטרה לחג השבועות ביום השני | Haftarah reading for the Second Day of Shavuot (Ḥabaquq 2:20-3:19) with its Targum and the piyyut Yetsiv Pitgam by Rabbeinu Tam (ca. 12th c.)

The haftarah for the second day of Shavuot, Ḥabakkuk 2:20-3:19, interspersed with a cantillated text of the Targum Yonatan ben Uzziel. Since Targum Yonatan is a bit more drash-heavy than Targum Onkelos, it is translated separately as well. The haftarah reading includes the piyyut Yetsiv Pitgam, with an acrostic rhyming translation of the poem, with the second-to-last verse restored to its rightful place, as well as a concluding paragraph for the meturgeman to recite, as found in the Maḥzor Vitry. . . .

אַבְנֵי יְקָר | Avnei Y’qar — a Ḥanukkah piyyut attributed to Rabbi Abraham ibn Ezra

Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) | ❧

“Avnei Y’qar” is a succint piyyut for Ḥanukkah, traditionally attributed to R. Abraham ibn Ezra, and particularly beloved by the Yemenites. Interestingly, it doesn’t mention the miracle of the oil whatsoever, focusing on the degradation of the land under Greek occupation as well as the Hasmonean victory itself. Included is a poetic acrostic translation into English. . . .

שׁוֹמְרוֹן קוֹל תִּתֵּן (אשכנז) | Shomron Qol Titein, a qinah for Tishah b’Av by Shlomo ibn Gabirol (ca. 11th c.)

Contributed by Shlomo ibn Gabirol | Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) | ❧

This is a variation of the qinah for Tishah b’Av, “Shomron Qol Titein” in its Ashkenazi nusaḥ. Isaac Gantwerk Mayer first shared this translation via his Facebook page on Tishah b’Av, 2022. . . .

ברכת המזון לפסח | A poetic Birkat haMazon for Pesaḥ, from the Cairo Geniza (CUL T-S H11.88 1v)

Contributed by Unknown Author(s) | Isaac Gantwerk Mayer (translation) | ❧

This is a poetic Birkat haMazon for Pesaḥ, from the Cairo Geniza (CUL T-S H11.88 1v). Much thanks to the work of Dr. Avi Shmidman, whose 2009 doctoral thesis is the foundational work for poetic Birkat haMazon studies. He marks it as Piyyut 64, and his Hebrew-language commentary begins on page 394 of his work. I’ve included two translations of the poetic portions — one literal and one preserving the acrostic and rhyme scheme. . . .

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