
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also authors his own original works and transcribes Hebrew and Aramaic text, adding niqqud and t'amim as needed.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Resources filtered by COLLABORATOR: “Elazar ben Qallir”
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Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Elazar ben Qallir
The poetic genre known as ḳerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar haḲalir’s Purim “Ḳrovetz“, a majestically interwoven piece of piyyut if ever there was one. This is the traditional Ashkenazi qerovot added to the Musaf repetition for Shabbat HaḤodesh, alongside a gender-neutral translation first made in 2022 but being posted here now.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Elazar ben Qallir
The complete qedushta cycle for Shabbat HaḤodesh by Qallir, including all the catenae of verses, repeated refrains, and additional rahitin often skipped in Ashkenazi practice. Alphabetical texts are translated with alphabetical acrostics.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Elazar ben Qallir
The complete qedushta cycle for Shabbat Zakhor by Qallir, including all the catenae of verses and repeated refrains often skipped in Ashkenazi practice. Alphabetical texts are translated with alphabetical acrostics.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Elazar ben Qallir
A zulat (a piyyut to be inserted before “Ezrat Avotenu” in the morning liturgy) attributed to Qallir, to be recited on Shabbat haḤodesh.
Contributed by:
Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut), Elazar ben Qallir
The complete qedushta cycle (colloquially called “yotzros,” although it is not technically yotzrot but rather qerovot) for Shabbat Sheqalim by Qallir, including all the catenae of verses and repeated refrains often skipped in Ashkenazi practice. Alphabetical texts are translated with alphabetical acrostics.
Contributed by:
Isaac Gantwerk Mayer (translation), Elazar ben Qallir
Elazar haKalir’s qedushtah piyyut for the first day of Sukkot.
Contributed by:
Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut), Elazar ben Qallir
Qallir’s reshut for the Ṭal service on the first day of Pesaḥ. Also included is an acrostic English translation, as well as the catena of verses found in manuscripts but missing from most modern printings
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Elazar ben Qallir
The poetic genre known as ḳerovot, brief poems woven throughout the repetition of the weekday Amidah, is nowadays most closely associated with Elazar biRabbi Qallir’s Purim “Qrovetz“, a majestically interwoven piece of piyyut if ever there was one. But there are many other ḳerovot that have historically been recited, and this one is by the same author! The weekday qerovot cycle for Ḥanukkah, retelling the story of the Greek oppression using intricate poetic language. Included within is a qedushtah that instructs us on some of the halakhic requirements for the Ḥanukkah lights.
Contributed by:
Elazar ben Qallir, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
Many communities recite a series of poems interwoven with the Amidah on Purim. These poems, known as the “krovets,” were written by Elazar b. Rabbi Kalir, the greatest of the early paytanim. But lesser known than the krovets for Purim are the krovets for Tisha b’Av, written as well by Elazar b. Rabbi Kalir. A fine example of Elazar’s intricate poetry, the krovets for Tisha b’Av is rife with Biblical citations, finally culminating with the prayer for Jerusalem. Each stanza begins with five tightly rhymed lines beginning with a constant א followed by a quintuple half-acrostic on the second letter, then a poetic volta on the word אֵיכָה, followed by a Biblical citation, a verse starting with the last word in the citation, a letter from Elazar’s name, and a final Biblical citation. The krovets for Tisha b’Av is meant to be part of the morning service, tied into the cantorial repetition for Tisha b’Av.
Contributed by:
Johann Stephan Rittangel (Latin translation), Elazar ben Qallir, Aharon N. Varady (transcription), Isaac Gantwerk Mayer (translation)
The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel.