
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also authors his own original works and transcribes Hebrew and Aramaic text, adding niqqud and t'amim as needed.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Yeḥiel Michel Segal Epstein Ashkenazi
These are two supplemental stanzas for Maoz Tsur with regard to the present exile, written by Yeḥiel Michel Segal Epstein Ashkenazi (ca. 1625-1681, author of the Qitsur SheLaH), as compiled in the Kitzur Shnei Luḥot haBrit, a controversial yet influential work by Ashkenazi published in 1683.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Shmuel ben David Mosheh haLevi
These are two supplemental stanzas for Maoz Tsur with regard to the present exile, written by Shmuel ben David Moshe Halevi of Mezhyrich (ca. 1625-1681, author of the Naḥalat Shiv’ah), as compiled in the Kitzur Shnei Luḥot haBrit, a controversial yet influential work by Yeḥiel Michel Segal Epstein Ashkenazi published in 1683.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown
This is a supplemental stanza for Maoz Tsur with regard to the present exile, written by a Rabbi Jeremiah, identified only as the av beit din of the town of Würzburg as compiled in the Kitzur Shnei Luḥot haBrit, a controversial yet influential work by Yehiel Michel Segal Epstein Ashkenazi published in 1683. If you know more about this Rabbi Jeremiah, please leave a comment or contact us.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Mosheh Isserlis
This is a supplemental stanza for Maoz Tsur with regard to the present exile, written by Rabbi Mosheh Isserlis (the ReM”A, 1530-1572), as compiled in the Kitzur Shnei Luḥot haBrit, a controversial yet influential work by Yehiel Michel Segal Epstein Ashkenazi published in 1683.
Contributed by:
Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut), Shmuel bar Avraham haLevi
An ahava piyyut for Shabbat Vayera, recited in the old Nusaḥ Polin (Eastern Ashkenazi) rite, written (according to Davidson) by R. Shmuel bar Avraham haLevi. Shmuel bar Avraham haLevi (1165-1216, according to Graetz) was a poet and scholar of the ibn Ḥasdai family of Barcelona, and the father of the noted Maimonidean translator Avraham bar Shmuel ibn Ḥasdai. This piyyuṭ takes God’s fateful instruction to Abraham — “Take, please, your son, your only one, whom you love,” and, in a shocking bit of poetic ḥutzpah, reframes it a request that God takes back Israel!
Contributed by:
Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
One of many variants of this notorious work, the Sefer Toldot Yeshu is an irreverent retelling? a bitter deconstruction? a mocking parody? of the Christian narrative of the birth, life, and death of Jesus of Nazareth. Taking its general structure from the gospels, it coöpts and alters it to make the main character look like a petty, vindictive sorcerer, his disciples into either sectarian liars or loyal rabbinic plants, and his followers into easily duped fools. Toldot Yeshu was a very popular work in medieval times, and you can tell — this sort of a text was certainly written by someone whose primary relationship with Christians was fear. It’s the bitter invective of an oppressed people without power for themselves, the dirty laundry that two thousand years of murder leaves behind. It’s also, just, like unspeakably, hilariously crude. Have a garlicky Nittel, everyone!
Contributed by:
Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
This Aramaic poem, written in the early Byzantine era by an unknown author, can be found in its entirety within the Targum Sheni for Esther 7:9. It features an argument between an assortment of trees over which one is required to bear the great dishonor of having to be the one to hold Haman. It’s also chock-full of anti-Christian polemic and references to Toledot Yeshu.