
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also authors his own original works and transcribes Hebrew and Aramaic text, adding niqqud and t'amim as needed.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Contributed by:
Samuel Freund, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
This is the Kol Nidrei as offered by the Hannover Synagogue on Yom Kippur in 1937 according to the text provided in a poster, “Agende für Kol-nidre und Seelenfeier in der Synaogen-Gemeinde Hannover” (10 September 1937). Thank you to David Selis for providing digital images of the poster.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Menaḥem ben Makhir
The yotser for Shabbat Shuva, minhag Polin, by the great payṭan Menaḥem ben Rabbi Makhir. Each line ends with a verse from either Hosea or Joel, the two books from which Ashkenazim read as the haftara on Shabbat Shuva. Also included is a German translation by Isaac Seligman Baer.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Menaḥem ben Makhir
The ofan piyyuṭ for Shabbat Shuva, minhag Polin, by the great payṭan Menaḥem ben Rabbi Makhir. A half-acrostic, each stanza begins with a word from parashat Ha’azinu, usually read on Shabbat Shuva, and ends with a verse that includes the word “holy” or “sanctify” in it.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Menaḥem ben Makhir
The zulat piyyuṭ for Shabbat Shuva, minhag Polin, by the great payṭan Menaḥem ben Rabbi Makhir.
Contributed by:
Avi Shmidman, Unknown, Isaac Gantwerk Mayer (translation)
A poetic Birkat haMazon text for the breakfast after Yom Kippur found in British Library MS Or. 9772 D. All the opening words of the alphabetical acrostic are from Psalms 111.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Mordekhai ben Shabtai, Shlomo ibn Gabirol, Unknown
Traditional Ashkenazi practice entailed the recitation of a large number of seliḥot piyyutim in every single one of the Yom Kippur ‘amidot. In many Ashkenazi communities today, these are (excepting Ma’ariv and Ne’ilah) skipped on account of time. But this has always felt like a great shame to me, because seliḥot are, in a sense, the theological and liturgical core of the Yom Kippur practice. So a while back I made a bunch of spreadsheets to compare all the attested Yom Kippur seliḥot rites as listed in Goldschmidt’s maḥzor, and designed an abbreviated cycle of seliḥot for Shaḥarit, Musaf, and Minḥah. Each cycle features two regular seliḥot, one ‘aqedah (a retelling of the binding of Isaac), and one pizmon (a final seliḥah with a repeated refrain, sung communally), for a total of four seliḥot and five repetitions of the thirteen attributes. This is the first result of this process, for Shaḥarit. Musaf and Minḥah selections will arrive eventually, albeit probably not this year.
Contributed by:
Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
A quadrilingual text of U-N’taneh Tokef — Yiddish, Ladino, English, and Hebrew.
Contributed by:
Shimon ben Yeshua ben Eliezer ben Sira, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
The poem lauding the ancestors from Chapters 44 to 50 of Ben Sira (Ecclesiasticus) is considered by many scholars to be the original influence for the Yom Kippur Avodah service, and the paean to Shimon the Righteous bears a striking similarity to the beloved piyyut “Mar’eh Khohen.” This passage from Ben Sira, the great paean on the merit of the ancestors, takes the Hebrew text of one of the Cairo Geniza manuscripts — Bodleian MS Heb e62 — and versifies it according to the standard Septuagintal text, along with vocalization and cantillation per the standard Masoretic EMe”T system for poetic books. It could be read on Yom Kippur for the avodah service, or just studied as a fascinating piece of Jewish history.