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איידי! סיליבראמוס | Айде! Селебрамос | Ayde! Selebramos — a Ladino adaptation of Mordkhe Rivesman’s “Oy Khanike” by Isaac Gantwerk Mayer
Contributed by: Isaac Gantwerk Mayer, Isaac Gantwerk Mayer (translation)
An original Ladino adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Chanukah” or in Hebrew as “Y’mei ha-Ḥanukka.” I’m aware that the custom of spinning tops was not originally a Sefaradi one. So sue me, I was looking for something to rhyme with “libertaḏ.” I’ve included the Rashi script, the Aki Yerushalaim orthography, and (as an added bonus) the Cyrillic transcription used by the Jews of the Balkans. . . .
🆕 דאָנאַ, דאָנאַ | Dona, Dona — a song by Aaron Zeitlin for the Yiddish play Esterke (1940), with Ladino and Aramaic translations by Isaac Gantwerk Mayer
Contributed by: Isaac Gantwerk Mayer (translation), Aaron Zeitlin
Originally written by Aaron Zeitlin for the Yiddish play “Esterke” in 1940, ‘Dona Dona’ is a popular song the world over, having been adapted to many languages — often not preserving the original, deeply Jewish context. The gist of the original lyrics, which never state their metaphor outright, is: a calf is bound to a wagon being dragged to the slaughterhouse. It looks up and sees a swallow flying around. The farmer shouts at it, saying “it’s your own fault for being a calf and not a bird!” The implication being: the people telling the Jews it’s our own fault we’re persecuted are the ones driving the wagon. Gentiles will murder Jews, the song implies to us, and then say Jews are to blame because of how murderable our Jewish face is, so maybe we should get a less murderable and more goyish face. But the whole time they’re the one with the knife. Here included is the original Yiddish text (in the Ukrainish theatre dialect), as well as new translations into Ladino and Aramaic. . . .
בְּרִיךְ שְׁמֵהּ דְּמָרֵא עָלְמָא | B’rikh Shmeih d’Marei Alma (Bendito sea Tu nombre, Senyor del Mundo), Ladino translation from the siddur El Nuevo Avodat haShanah (1904)
Contributed by: Yaaqov Mosheh Ḥai Altarats (translation), Unknown, Isaac Gantwerk Mayer (translation)
A Ladino translation of Brikh Shmei d’Marei Alma. . . .
אֲדוֹן עוֹלָם (מנהג הספרדים במזרח) | Adōn Olam (Ladino translation from the Sidur Tefilat Kol Pe, 1891)
Contributed by: Unknown (translation), Shlomo ibn Gabirol, Aharon N. Varady (transcription), Isaac Gantwerk Mayer (translation)
The Seder Tefilat Kol Peh was printed in 1891 in Vienna, and features a full Ladino translation of the entire siddur. The Ladino translation here is found on the left side of pagespread №145. Along with a full transcription of the Ladino text, Isaac Gantwerk Mayer has also prepared a full romanization of the Ladino. . . .
וּנְתַנֶּה תֹּֽקֶף | u-N’taneh Toḳef in Hebrew, with translations in English, Yiddish, and Ladino
Contributed by: Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
A quadrilingual text of U-N’taneh Tokef — Yiddish, Ladino, English, and Hebrew. . . .
אֵין כֵּאלֹהֵֽינוּ | A Polyglot Version of Ein kEloheinu
Contributed by: Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
The mantra-like piyyut “Ēin k-Ēlohēinu,” a praise of God’s attributes and uniqueness featuring incremental repetition, is found in siddurim as far back as the siddur of Rav Amram, and may date back to the Hekhalot literature. Many versions of it have been compiled in different languages, most famously Flory Jagoda (zç”l)’s Judezmo variant “Non como muestro Dyo.” Here the editor has compiled traditional Yiddish and Ladino translations, as well as developed new Aramaic and Arabic translations for this piyyut. The post-piyyut verses used in both the Ashkenazi and Sephardic rites have been included. . . .
