
From a family of musicians, Isaac Gantwerk Mayer believes that creative art is one of the most powerful ways to get in touch with the divine. He composes music and poetry in Hebrew and English. (He also authors his own original works and transcribes Hebrew and Aramaic text, adding niqqud and t'amim as needed.) Isaac runs a Jewish music transcription service, which will transcribe and set any Jewish music in any language, recorded or written. Contact his service on Facebook or via his music blog.
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Contributed by:
Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
This Aramaic poem, written in the early Byzantine era by an unknown author, can be found in its entirety within the Targum Sheni for Esther 7:9. It features an argument between an assortment of trees over which one is required to bear the great dishonor of having to be the one to hold Haman. It’s also chock-full of anti-Christian polemic and references to Toledot Yeshu. . . .
Contributed by:
Johann Stephan Rittangel (Latin translation), Yanai haPayetan, Aharon N. Varady (transcription), Isaac Gantwerk Mayer (translation)
The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. . . .
Contributed by:
Isaac Gantwerk Mayer (translation), Unknown
This is a Birkat ha-Mazon in the Ashkenazi nusaḥ incorporating a reconstruction of a liturgy for a Birkat haMazon for Shavuot witnessed in the Cairo Geniza fragment T-S H6.37 (page 4, recto and verso). Visit here, for a transcription and translation of the former (without the full Birkat ha-Mazon). . . .
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
The Apostrophe to Zion is an alphabetical acrostic poem, directed at Zion in the second person. It has been found in multiple locations in Qumran, including the Great Psalms Scroll 11QPsa as well as another fragmentary scroll in 4Q88. It was considered a regular part of their psalmodic canon. . . .
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown
This is the first of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with earlier scholars suggesting a medieval pious forgery and more recent scholars suggesting an origin in or contemporaneous with the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) The first psalm found in this partial manuscript is an acrostic psalm. It is incomplete at the beginning, missing the letters alef and bet. It also shows evidence of the Galilean dialect in the confusion between hei and ḥet, a guttural merger also found in Qumran texts and in Samaritan Hebrew. It largely focuses on the covenant with David and his rule. . . .
Contributed by:
Shimon ben Yeshua ben Eliezer ben Sira, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
The end of the scroll of Ben Sira (Ecclesiasticus) reconstructed from Cairo Geniza fragments not contained within the Septuagint. . . .
Contributed by:
the Mesorah (TaNaKh), Isaac Gantwerk Mayer (translation)
Psalms 111, an alphabetic acrostic translated into English by Isaac Gantwerk Mayer. . . .
Contributed by:
the Mesorah (TaNaKh), David ben Yishai (traditional attribution), Isaac Gantwerk Mayer (translation)
Psalms 145 in Hebrew with English translation. . . .
Contributed by:
the Mesorah (TaNaKh), David ben Yishai (traditional attribution), Isaac Gantwerk Mayer (translation)
Why is Ashrei such a beloved part of the service? Partially it is because of its alphabetical structure, making it perfect for communal reading. This translation attempts to preserve this in an English equivalence. . . .
Contributed by:
Unknown, Isaac Gantwerk Mayer (translation)
Psalm 155 is an incomplete acrostic (the Dead Sea Scrolls text records it going from ב to נ, and the Syriac can be reconstructed to include up to פ) with similarities to petitionary psalms like Psalm 3, 22, and 143. It is unclear why it was not included in the Masoretic canon, but one can hazard a guess that it was just not familiar to the compilers. . . .
Contributed by:
Yirmiyah ben Ḥilkiyah haKohen, Barukh ben Neriyah, the Mesorah (TaNaKh), Isaac Gantwerk Mayer (translation)
An original gender-neutral translation of the book of Lamentations, preserving the alphabetical acrostic through closest parallels to the Hebrew letter. . . .