Contributed by: Isaac Gantwerk Mayer (translation), Unknown
An anonymous piyyuṭ, inserted into Nishmat Kol Ḥai, which, in the old Worms rite (as well as, according to some commentators, the Mainz rite), was recited on Shabbat Bereshit and day 1 of Shavuot. It describes God being clad in the ten midrashic divine garments at creation, the giving of the Torah, and the defeat of enemies.
Contributed by: Isaac Gantwerk Mayer (translation), Isaac Seligman Baer, Shlomoh ben Yehudah ha-Bavli
An anonymous piyyuṭ, inserted into Nishmat Kol Ḥai, which, in the old Worms rite (as well as, according to some commentators, the Mainz rite), was recited on Shabbat Bereshit and day 1 of Shavuot. It describes God being clad in the ten midrashic divine garments at creation, the giving of the Torah, and the defeat of enemies.
Contributed by: Isaac Gantwerk Mayer (translation), Isaac Seligman Baer, Shlomo ibn Gabirol
This is the ofan piyyuṭ for Shabbat Bereshit (most commonly recited in Minhag Polin), by Shlomo ibn Gabirol, with Seligman Baer’s German translation and a new rhyming acrostic translation in English.
Contributed by: Isaac Gantwerk Mayer (translation), Shlomoh ben Yehudah ha-Bavli
This is the ofan piyyuṭ for Shabbat Bereshit by Shlomo haBavli, with English rhyming acrostic translation and a new rhyming acrostic translation in English. Less commonly recited in Minhag Polin, It is found in Sefer haMinhagim of R. Isaac Tyrnau.
Contributed by: Isaac Gantwerk Mayer (translation), Isaac Seligman Baer, Binyamin bar Zeraḥ
This is the ofan piyyuṭ for Shabbat Bereshit (Minhag Ashkenaz), by Rabbi Binyamin bar Zeraḥ, with Seligman Baer’s German translation and a new rhyming acrostic translation in English. Minhag Polin recites it on the third Shabbat after Pesach, and some communities both in the west and east recite it on the additional festival day of Pesaḥ when it falls on a weekday.
Contributed by: Isaac Gantwerk Mayer (translation), Isaac Seligman Baer, Shlomoh ben Yehudah ha-Bavli
This is the zulat piyyuṭ for Shabbat Bereshit (Minhag Ashkenaz and Polin), by Shlomo ben Yehuda ha-Bavli, with Seligman Baer’s German translation and a new phonetic acrostic translation in English.
Contributed by: Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut)
A Passover seder haggadah containing the traditional form of the text as well as other lesser known forms from across Jewish history and the Jewish world.
Contributed by: Isaac Gantwerk Mayer (translation), Isaac Gantwerk Mayer (transcription & naqdanut)
A full prayerbook for the maariv service on Tishah b’Av, compiled by Isaac Gantwerk Mayer from resources shared through the Open Siddur Project.
Contributed by: the Masorti Movement in Israel, Aharon N. Varady (transcription), Isaac Gantwerk Mayer (translation)
This prayer for the peace of the nation, first published in the siddur VeAni Tefillati (second edition, page 133), was circulated by the Masorti Movement in Israel on social media on 1 August 2024, amidst increased anxieties over impending retaliatory strikes by Iran and its proxy armies in Lebanon and elsewhere.
Contributed by: Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
This is a Hebrew adaptation of the poems traditionally recited by the Beta Israel community for the festival of Sigd, altered and adapted to fit the traditional qedushta form of poetic Amidah additions. The texts of the first few prayers were rewritten substantially and combined with relevant verses so as to fit in the strict form of the magen, mehaye, meshalesh, and El Na. After this, the qiqlar is slightly edited to fit a couplet rhyme scheme, while the silluq (the freest of the genres of qedusha piyyut) is almost entirely preserved — the only change being several verses whose placement is postponed so as to better lead into the qedusha as a silluq should. Regarding translations, the silluq largely uses my original translation with slight alterations (replacing the clunky use of ‘God’ as a pronoun with a gender-neutral THEIR, translating the Agaw passages into Latin rather than English to preserve general comprehensibility while clarifying that this is a different language), while the rest of the poems are different enough for their translation to largely be from scratch. These would be recited with the Ark open for all the piyyutim, as one would on the Yamim Noraim, ideally using melodies from the Sigd liturgy.
Contributed by: Yirmiyah ben Ḥilkiyah haKohen, Isaac Gantwerk Mayer (translation)
The thirtieth chapter of Jeremiah is exceedingly appropriate for Yom ha-Atsma’ut, considering its emphasis on returning from exile and the importance of self-rule. It strikes me as one of the most Zionist (with a capital Z) chapters in the entirety of Neviïm.
Contributed by: the Mesorah (TaNaKh), Yeḥezqel ben Būzi haKohen, Isaac Gantwerk Mayer (translation)
Torah and Haftarah readings for Tu biShvat selected by Isaac Gantwerk Mayer.
Contributed by: the Mesorah (TaNaKh), Isaac Gantwerk Mayer (translation)
There are all sorts of customs associated with weddings in Judaism. But one custom that has been practiced for a long time and deserves a comeback is the additions to the Torah reading for Shabbat Kallah. Shabbat Kallah, the Shabbat in the “Sheva Berakhot” week after the wedding, is in many Sephardic communities preferred over Shabbat Ḥatan, the aufruf Shabbat before the wedding. And in all sorts of communities across the Jewish world, there have been customs for specific readings for Shabbat Kallah, treating it as a Special Sabbath in its own right. Traditionally this special maftir and haftarah would recited by the groom (along with an Aramaic translator interpolating for the maftir). The maftir is from the story of Abraham’s servant tasked with finding a wife for Isaac, and the haftarah is from the book of Isaiah and compares a groom and bride to the relationship between God and Israel.
Contributed by: Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
A Mimouna packet including havdalah, a Moroccan-rite birkat ha-ilanot, traditional study texts, and yehiretzonot.
Contributed by: Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
A version of the Pesaḥ Haggadah with full cantillation.
Contributed by: the Mesorah (TaNaKh), Isaac Gantwerk Mayer (translation)
This is a Torah reading (divided into three aliyot) and a Haftarah reading to be recited for such holidays. The aliyot are from Shoftim, describing the rules for just warfare and treatment of those in need.
Contributed by: Unknown, Isaac Gantwerk Mayer (translation)
Adir Hu, a classic Pesaḥ song if ever there was one, is a part of Seder tables all over the planet. Its alphabetical list of God’s attributes, combined with its repeated pleas for a return to Jerusalem, make it a classic, to the point where the traditional German farewell greeting for Passover was not “chag sameach” or “gut yontef” but “bau gut” – build well. This interpretation, while not a direct translation by any means, has the same rhythmic pattern and alphabetical structure, giving a sense of the greatness of God.
Contributed by: Anonymous, Isaac Gantwerk Mayer (translation)
Supplemental prayers for the Birkat Hamazon on Tu b’Av.
Contributed by: Anonymous, Aharon N. Varady (translation), Isaac Gantwerk Mayer (translation)
Supplemental prayers for the Birkat Hamazon on Tisha b’Av, Tu b’Av, and Shabbat Naḥamu.
Contributed by: Jacob Chatinover (translation), David Seidenberg, Unknown, Aharon N. Varady (translation), Isaac Gantwerk Mayer (translation)
When the spring (Aviv) season arrives, a blessing is traditionally said when one is in view of at least two flowering fruit trees. In the northern hemisphere, it can be said anytime through the end of the month of Nissan (though it can still be said in Iyar). For those who live in the southern hemisphere, the blessing can be said during the month of Tishrei.

