A quadrilingual text of U-N’taneh Tokef — Yiddish, Ladino, English, and Hebrew. . . .

This piyyut of unknown authorship is certainly ancient, showing the lack of a rhyme scheme characteristic of the REALLY old piyyutim (see also Aleinu or El Adon). It is still found in some Ashkenazi and Teman maḥzorim, with many different mostly minor variants (which have been combined together somewhat eclectically into one text here). It is presented here along with an English translation attempting to preserve the Hebrew acrostic. Originally it was recited before the Ashrei leading into musaf, but perhaps for those who follow Ashkenazi customs a more appropriate location would be as an introduction to the Yizkor service on Shmini ‘Atzeret — which for those who don’t keep second-day yontef is the same day. It could also be adapted as part of the liturgy for the seventh of Adar, although the final verse (the old Western rite berakha for finishing a full Torah cycle) would have to be elided. . . .

This Aramaic poem, written in the early Byzantine era by an unknown author, can be found in its entirety within the Targum Sheni for Esther 7:9. It features an argument between an assortment of trees over which one is required to bear the great dishonor of having to be the one to hold Haman. It’s also chock-full of anti-Christian polemic and references to Toledot Yeshu. . . .

This is an original Esperanto translation of Ein K’Eloheinu, with a transcription using my own original Hebraization schema. . . .

A unique Nusaḥ Erets Yisrael variant of the Qaddish found in the Cairo Geniza, most well known for including the names of the leading rabbis of the community in its text. . . .

A traditional Cochin Ḳaddish Shalem, based on siddurim published for the Cochin Jewish community by the Props brothers of Amsterdam. . . .

Chapter 1 of Pirqei Avot (Fundamental Principles [of Rabbinic Judaism]) with cantillation and English translation. . . .

Chapter 2 of Pirqei Avot (Fundamental Principles [of Rabbinic Judaism]) with cantillation and English translation. . . .

Chapter 3 of Pirqei Avot (Fundamental Principles [of Rabbinic Judaism]) with cantillation and English translation. . . .

Chapter 4 of Pirqei Avot (Fundamental Principles [of Rabbinic Judaism]) with cantillation and English translation. . . .

Chapter 5 of Pirqei Avot (Fundamental Principles [of Rabbinic Judaism]) with cantillation and English translation. . . .

Chapter 6 of Pirqei Avot (Fundamental Principles [of Rabbinic Judaism]) with cantillation and English translation. . . .

This digital edition of Midrash Ma’aseh Ḥanukkah was transcribed from the print edition published in Otzar Hamidrashim (I. D. Eisenstein, New York: Eisenstein Press, 5675/1915, p.189-190). With much gratitude to Anat Hochberg, this is the first translation of this midrash into English. . . .

Perhaps Megillat Antiokhus could be read a la Esther on Purim (the holiday with the most similarities), going to Eicha trope in the upsetting parts. A few notes: on the final mention of Bagris the Wicked I included a karnei-farah in the manner of the karnei-farah in Esther. I also included a merkha kefulah in the concluding section, which (according to David Weisberg’s “The Rare Accents of the Twenty-Eight Books”) represents aggadic midrash material. It also serves as a connection to the Chanukah haftarah, which is famously the only one that has a merkha kefulah. –Isaac Mayer . . .

Jews all over the world announce the new month on the Shabbat before it with a text known as “birkat ha-ḥodesh” or blessing the month. In many rites, such as the Western Sephardic and Moroccan rites, the fast days 17 Tammuz and 10 Tevet are also announced on the Shabbat before them with a text known as “hazkarat tsomot” or announcing fasts. But to my knowledge, only the Italian rite (and possibly the ancient Eretz Yisrael rite from which much of it derives) have a custom of announcing Pesaḥ on the Shabbat before it. This passage, the Announcement of Pesaḥ (Azcaràd Pesah in Italian traditional pronunciation) is recited on the Shabbat before Pesaḥ, commonly known as Shabbat haGadol (Sciabbàd Aggadòl), after the reading from the Torah. Citing the mystical hekhalot literature, it celebrates the sages who established the rules of the calendar. . . .

The text of the Betä ʾƎsəraʾel legend of the death of Moses, translated to Hebrew by Jacques Faïtlovitch, and vocalized, cantillated, and translated into English by Isaac Gantwerk Mayer. . . .

Additional early rabbinic and other sources supplementing the story of the Martyrdom of Isaiah, with attention to Isaiah being granted sanctuary in a tree. . . .

This is the first of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with earlier scholars suggesting a medieval pious forgery and more recent scholars suggesting an origin in or contemporaneous with the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) The first psalm found in this partial manuscript is an acrostic psalm. It is incomplete at the beginning, missing the letters alef and bet. It also shows evidence of the Galilean dialect in the confusion between hei and ḥet, a guttural merger also found in Qumran texts and in Samaritan Hebrew. It largely focuses on the covenant with David and his rule. . . .

This is the second of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with earlier scholars suggesting a medieval pious forgery and more recent scholars suggesting an origin in or contemporaneous with the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) The second psalm found in this partial manuscript is preserved in its entirety and preserves an introductory schema found for the rest of the psalms here and likely missing from the first. Perhaps the text originally included psalms for each day in Iyyar! This psalm begins by invoking martyrdom, with the powerful image of a shephard killing his own flock. It then transitions into universalist-messianic language reminiscent of texts such as the second paragraph of Aleinu and the Rosh haShanah piyyut Va-ye’etayu, then discussing the beauty of the Torah before ending with a catena of blessings. . . .

The story of Shoshanah & the Elders, according to the text of Theodotion translated into Biblical Hebrew. . . .