This is a vocalized transcription and translation of the World War Ⅱ era song, “Shir haGe’ulah (Song of Redemption)” from the source images shared in A Tribute to Rabbi Mordechai Meir Hakohen Bryski v”g Bryski (Rabbi Mordechai A. Katz, 2017), pp. 19-20. The song is also known by its incipit, “Heḥayyeinu El.”

This is an untitled prayer offered in the Evening Service for the Sabbath from the Union Prayer Book Newly Revised (CCAR 1924), pp. 68-69, as a reading between the Shema and the Amidah. As a prayer for protection it fits as a paraliturgical haskivenu, and in New York City, it makes sense in the context of the terrifying news of mass-murder, rape, and genocide being reported from Ukraine at the time. (Find Nokhem Shtif’s “פּאָגראָמען אין אוקראַיִנע : די צײַט פֿון דער פֿרײַװיליקער אַרמײ (The Pogroms in Ukraine: the Period of the Volunteer Army)” (1923) offered in Yiddish and in English translation at In Geveb.) The Ukrainian context of this prayer is further underscored in that the prayer is not found in the 1918 revised Union Prayer Book, but in the later 1924 edition. It may have been unique to Congregation Emanu-El in New York City, who compiled this version of the Union Prayer Book for radio listeners joining their service.

“The Sabbath” is the fifth prayer found in ברכה ותהלה Blessing and Praise: A Book of Meditations and Prayers for Individual and Home Devotion (CCAR 1923), pp. 22-25. Unfortunately, we do not yet know of a resource providing clear attribution to any of the prayers in this volume. The author was likely one of the members of the Committee on Book of Meditations and Prayers: Solomon B. Freehof, Israel Bettan, Abraham Cronbach, Morris S. Lazaron, and Abram Simon.

“The Presence of God” is the thirty-seventh prayer found in ברכה ותהלה Blessing and Praise: A Book of Meditations and Prayers for Individual and Home Devotion (CCAR 1923), pp. 124-126.

The Masoretic Hebrew text of Proverbs 30:10-31, the alphabetic acrostic “Eshet Ḥayil,” with a German translation by Franz Rosenzweig.

The popular adjuration of the angels of peace and ministering angels, Shalom Aleikhem, in Hebrew with a German translation by Franz Rosenzweig.

This is a faithful transcription of the תחנה פון ליכט בענטשין (“Tkhine for Lighting Candles [for Shabbes]”) as it appeared in the Vilna, 1869 edition. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can scan an image of the page from the 1869 edition this was originally copied from, please share your scan with us.

The sephardic folk-song “Kuando el rey Nimrod” in Ladino with English translation.

Master of all realms! You hear from all worlds. You look with love and grace upon all of your creations for whose sake you created Your world. Seize and fulfill the pure request from Your servant who comes before You after a full week, having shown her heart is full and her mood somber. The beloved Shabbes koidesh is already going away, and with our Shabbes, our rest has also disappeared. A new week comes up to meet us, against us, Master of the universe. We are people who know, just like You know, the heavy and difficult life of Your people Yisruel: their bitter mood, how difficulty and bitterly each Jew acquires his meager piece of bread through worry and heartache, the fear and hardship with which each Jew scrapes together his seemingly hopeless living.

A popular piyyut for Simḥat Torah (4th hakkafah) originally composed as a piyyut for Shavuot and often referred to by its incipit, “Mipi El.”

This is a transcript and translation of the Maariv service for Shabbat evening in the Old Persian rite, as recorded in MS Adler 23 ENA (https://hebrewbooks.org/20923) in the JTS Library. The Old Persian rite shows some fascinating unique linguistic features. The first thing that immediately strikes one is its tendency towards poetic extensions and doublings, even in texts (such as the Avot blessing) where most other rites are almost completely uniform. It also shows some nonstandard vocalizations that appear to be influenced by the Babylonian system of vocalization. In modern Persian communities the standard rite is a variation of the Sephardic rite used throught the Mizraḥi world, but this older rite with its unique facets deserves to be preserved as well. This is part 1 of a planned series of transcripts and translations from MS Adler 23 ENA.

This is the Hebrew text of a teḥinah for Shalom Aleikhem intended for women lighting candles on the commencement of Shabbat and festival days as found on the last page in the Basel edition of the [collection of prayers entitled] Birkhat ha-Mazon (Basel: Waldkirch, 1600). The English translation is by Rabbi Dr. Morris M. Faierstein as published in “An Early Modern Version of Shalom Aleichem for Women after Friday Candle Lighting” in Women in Judaism, 19(2), on page 4.

Tefilat haShir refers to an ancient (perhaps dating back to the Temple era!) custom of reciting the fifteen psalms of ascents (Psalms 120 to 134) before Psuqei d’Zimra. First identified as a unique segment of the Eretz-Yisrael rite by Prof. Ezra Fleischer z”l, this custom was so beloved by the Jews who followed the western rite that long after the rest of its prayer traditions were abandoned it was preserved by the Western-rite Jews of Cairo (see Vered Raziel-Kretzmer, “How Late was the Palestinian Rite Practiced in Egypt?” Tarbiz 85 [2018], heb.) Tefilat haShir was preserved in variant forms in several other communities. For instance, it is found in the Maḥzor Aram Ṣoba, published in 1560 for use of the Musta’aravi Jews of Aleppo. It is also found in the Krymchak variant of the Romaniote rite, also known as Minhag Kaffa. In both cases it would be recited exclusively on sabbaths and festivals. (Note that this was not the case in the old Eretz Yisrael rite, where it was a daily practice!) The Kaffa and Aram Ṣoba forms of the Tefilat haShir cycle are very similar, with a few differences in the introduction and the ending. Their core is the fifteen songs of ascents, interlaced with linking verses from elsewhere in Tanakh featuring a Leitwort (theme-word) related to the psalm. Both are included here, with color coding for substantial differences and footnotes to mark minor distinctions. In Minhag Kaffa, as printed in 1735, the Birkat haShir cycle is inserted after the morning Torah study cycle. In the Maḥzor Aram Ṣoba, it is the beginning of the service, the first thing recited in the synagogue after monring blessings, and consequently inserted before the Torah study cycle.

A full alphabetical acrostic version of the Barukh shèAmar prayer, part of the uniquely complex old Romaniote-rite Psuqei d-Zimra liturgy as found in as found in the 1523 Venice printing of the Maḥzor Romaniote.

There are many different versions of this beloved Ladino pizmon for Havdalah. This one is found in Tefilat Imanuel, published in Vienna in 1924.

A Ladino pizmon recited on Shabbat evenings, “El Disho Ke Bueno Era” retells the events of the seven days of creation.

Barukh shèAmar for Shabbat and festivals, in the Old Persian rite, as recorded in MS Adler 23 ENA in the JTS Library. The Old Persian rite shows some fascinating unique linguistic features. The first thing that immediately strikes one is its tendency towards poetic extensions and doublings, even in texts (such as the Avot blessing) where most other rites are almost completely uniform. It also shows some nonstandard vocalizations that appear to be influenced by the Babylonian system of vocalization. In modern Persian communities the standard rite is a variation of the Sephardic rite used throught the Mizraḥi world, but this older rite with its unique facets deserves to be preserved as well. This Barukh shèAmar is an intricate rhyming acrostic chock full of Biblical references.

Elijah began saying:
Lord of the worlds
You Who are One
and not just a number
You are the highest
of the highest
most hidden
of the undisclosed
no thought scheme
grasps You
at all.

A “praying translation” of the piyyut, Anim Zemirot.

The piyyut, Adon Olam, in its expanded fifteen line variation, in Hebrew with English translation.